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Indian calligraphy is the Indian tradition of calligraphy. The art form has served multiple purposes since its inception in the second century BCE, including the duplication of religious texts and as a form of basic communication.
Beginning in the 2nd century AD, Indic language was transferred using birch bark as a writing surface. Locally, the birch bark was called Bhojpatra in India - patra meaning leaf/bark/sheet in Sanskrit. Palm leaves were used as a substitute to paper, even after paper was available for Indic manuscripts. The leaves were commonly used because they were a good surface for pen writing, which created the delicate and decorative handwriting that is known as calligraphy today. Both sides of these leaves were used and they were stacked on top of each other. People then created holes on the leaves and held them together by string, thus creating the early Indian manuscripts, common in Southeast Asia at the time. [1]
Indian calligraphy took off starting around 500 AD when Indian traders, colonists, military adventurers, Buddhist monks and missionaries brought the Indic script to Central Asia from South East Asia. Different concepts and ideas were being created throughout the late 400s to late 1400s, in a 1000-year span. The Gilgit scripts are the earliest notable form of calligraphy in India that date back to the 5th and 6th centuries. The earliest painted covers of manuscripts were created between the 7th and 9th centuries, and the earliest illustrated manuscript in South Asia was not formed until around the 10th century. [2]
The languages of South East Asia were influenced by Indic language and culture. The languages that were created came in the form of the basic internal structure, the arrangement and construction of syllabic units, manner of representation of characters, and the direction of writing (left to right). Before this left to right reading, the technique of Pothi was utilized, which is the format of a book that is written vertically. This was useful for the illustrations made in these early manuscripts. Persian influence in Indian calligraphy gave rise to a unique and influential blend in Indian calligraphy, although a number of different calligraphic traditions existed in India already, and Indic scripts were fundamentally different from scripts used in Arabic and Persian traditions. The notable achievements of the Mughals included some of their fine manuscripts, which were usually autobiographies and chronicles of the noble class. They were initially written in flowing Persian script, which was one of the main forms of communication during this time, and which showed a multi-directionality and mutuality of influence on Indic calligraphers.
From the 16th century onwards Sikhism played a key role in the history of Indian calligraphy. Sikhs have traditionally handwritten their holy book, the Guru Granth Sahib, and furnished it with illumination. Sikh calligrapher Pratap Singh Giani (1855–1920) is known for one of the first definitive translations of Sikh scriptures into English.
There was a bigger goal to this style of language than just to communicate with one another. There was no one true form of communication before this was created, and calligraphy helped to guide community members to connect in more than one aspect of life, that was not just language. A rich heritage of calligraphy was embraced as this was a time before printing technology was accessible to Indian counties. This brought people closer together as they began to communicate in the same ways. While it may be used as an art form today, it was essential for communication before the 16th century.[ citation needed ]
Religious texts are the most frequent vehicle for calligraphy in India. Monastic Buddhist communities had members trained in calligraphy and shared responsibility for duplicating sacred scriptures. [3] Jaina traders incorporated illustrated manuscripts celebrating Jaina saints. These manuscripts were produced using inexpensive material, like palm leave and birch, with fine calligraphy. [4]
Devanāgarī or Devanagari, also called Nāgarī, is a left-to-right abugida, based on the ancient Brāhmī script, used in the northern Indian subcontinent. It is one of the official scripts of the Republic of India and Nepal. It was developed and in regular use by the 7th century CE and achieved its modern form by 1000 CE. The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely adopted writing system in the world, being used for over 120 languages.
Gurmukhī or Gurumukhī is an Indic script predominantly used in present-day Punjab, India. It is an abugida developed from the Laṇḍā scripts, standardized and used by the second Sikh guru, Guru Angad (1504–1552). It is commonly regarded as a Sikh script, used by Punjabi Sikhs to write the Punjabi language, and is one of the official scripts of the Indian Republic, while the Arabic-based Shahmukhi script is used in Punjab, Pakistan.
Sanskrit is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies.
The Brahmic scripts, also known as Indic scripts, are a family of abugida writing systems. They are used throughout the Indian subcontinent, Southeast Asia and parts of East Asia. They are descended from the Brahmi script of ancient India and are used by various languages in several language families in South, East and Southeast Asia: Indo-Aryan, Dravidian, Tibeto-Burman, Mongolic, Austroasiatic, Austronesian, and Tai. They were also the source of the dictionary order (gojūon) of Japanese kana.
Calligraphy is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner".
The Bhakti movement was a significant religious movement in medieval Hinduism that sought to bring religious reforms to all strata of society by adopting the method of devotion to achieve salvation. Originating in Tamilakam during 6th century CE, it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars before spreading northwards. It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE.
Religious art is a visual representation of religious ideologies and their relationship with humans. Sacred art directly relates to religious art in the sense that its purpose is for worship and religious practices. According to one set of definitions, artworks that are inspired by religion but are not considered traditionally sacred remain under the umbrella term of religious art, but not sacred art.
The Ahom script or Tai Ahom Script is an abugida that is used to write the Ahom language, a dormant Tai language undergoing revival spoken by the Ahom people till the late 18th-century, who established the Ahom kingdom and ruled the eastern part of the Brahmaputra valley between the 13th and the 18th centuries. The old Ahom language today survives in the numerous manuscripts written in this script currently in institutional and private possession.
Uchen is the upright, block style of the Tibetan script. The name means "with a head", and is the style of the script used for printing and for formal manuscripts.
The Guru Granth Sahib is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion. The Adi Granth, its first rendition, was compiled by the fifth guru, Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh, the tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth.
Nastaliq, also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script, and it is used for some Indo-Iranian languages, predominantly Classical Persian, Urdu, Kashmiri, and Punjabic languages such as Punjabi and Lahnda varieties (Shahmukhi). It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains very widely used in Iran, Afghanistan, India and Pakistan and other countries for written poetry and as a form of art.
Jayadeva, also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Birch bark manuscripts are documents written on pieces of the inner layer of birch bark, which was commonly used for writing before the mass production of paper. Evidence of birch bark for writing goes back many centuries and appears in various cultures. The oldest such manuscripts are the numerous Gandhāran Buddhist texts from approximately the 1st century CE, from what is now Afghanistan. They contain among the earliest known versions of significant Buddhist scriptures, including a Dhammapada, discourses of Buddha that include the Rhinoceros Sutra, Avadanas and Abhidharma texts.
The Kufic script is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic, such as square Kufic, floriated Kufic, knotted Kufic, and others. The artistic styling of Kufic led to its use in a non-Arabic context in Europe, as decoration on architecture, known as pseudo-Kufic.
Mashq is one of the oldest calligraphic forms of the Arabic script. At the time of the emergence of Islam, this type of writing was likely already in use in various parts of the Arabian Peninsula. It is first attested during the reign of caliph Umar, making it one of the earliest forms of Arabic script, along with Hijazi and Kufic. It was used in most texts produced during the first and second centuries after the Hijra.
Palm-leaf manuscripts are manuscripts made out of dried palm leaves. Palm leaves were used as writing materials in the Indian subcontinent and in Southeast Asia dating back to the 5th century BCE. Their use began in South Asia and spread to other regions, as texts on dried and smoke-treated palm leaves of the Palmyra palm or the talipot palm. Their use continued until the 19th century when printing presses replaced hand-written manuscripts.
The Śāradā, Sarada or Sharada script is an abugida writing system of the Brahmic family of scripts. The script was widespread between the 8th and 12th centuries in the northwestern parts of Indian Subcontinent, for writing Sanskrit and Kashmiri. Although originally a signature Brahminical script created in the valley, it was more widespread throughout northwestern Indian subcontinent, although became later restricted to Kashmir, and it is now rarely used, except by the Kashmiri Pandit community for religious purposes.
Pecha is a Tibetan word meaning "book", but in particular, refers to the traditional Tibetan loose-leaf books such as the kangyur, tengyur, and sadhanas. Pechas sometimes have top and bottom cover plates made of wood, cardboard, or other firm materials, and are often seen wrapped in cloth for protection. The word pecha has entered common use in other languages such as English in the Tibetan Buddhist community, evident online in discussion forums and software products that include the word in their names.
The Persian language in the Indian subcontinent, before the British colonisation, was the region's lingua franca and a widely used official language in North India. The language was brought into South Asia by various Turkic and Afghan dynasties from the 11th century onwards, notable of which were the Ghaznavids, Delhi Sultanate and the Mughal Dynasty. Persian held official status in the court and the administration within these empires. It largely replaced Sanskrit as the language of politics, literature, education, and social status in the subcontinent.
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