Intisar Abioto

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Intisar Abioto (born 1986) is an artist and storyteller currently living and working in Portland Oregon. Working within and between the forms of dance, photography, collaboration, prose, and poetry, Abioto explores the meaning of time, space, and belonging within the construction of who, where, and what composes the African diaspora. [1] Abioto has travelled across North America, Europe, and Africa to tell stories of personal identity and collective belonging. Her work interprets the tradition of Africans who can fly [2] into contemporary and local landscapes, highlighting the fluidity of migration across national and natural boundaries. [3]

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Early life and education

Born in Memphis, Tennessee, Abioto moved to Portland, Oregon as a young adult with her family. Herself and four sisters infused this new home base with the creativity intuitive to their home town community and upbringing. She completed undergraduate studies at Spelman College and Wesleyan University. [3]

The Black Portlanders

In 2013 [4] Abioto started The Black Portlanders, a tumblr blog that has since expanded from the digital platform into gallery installations. Originally the project began as a way to expand the stories of who belongs in Portland, while honoring the multiple displacements that have disproportionally affected African Americans in Portland from Vanport to contemporary urban reinvestment strategies. [5] By capturing the full spectrum of identity and belonging within the urban landscape of Portland, the project offers a counter-narrative to press branding Portland as "the whitest city in America". [6]

Herself a member of the African Diaspora, The Black Portlanders uses photography to tell stories of transnational migration of African peoples to Portland from a perspective that is at once personal and transcendent. In 2015, Abioto expanded the project to include rural experiences by partnering with the National Urban League Portland chapter to illustrate a reissue of the State of Black Oregon, a report documenting economic inequities faced by African American communities across the state with an emphasis on resulting migration shifts. [7] This social justice tool kit was enhanced by Abioto's creative vision, which honors the history of migration from the Southern United States to the Pacific Northwest. The project includes multiple images of each person she photographs, allowing the complexity of each person's natural expressions to unfold from the lenses of camera, the artist's eye, and the viewer's retina. [1]

Exhibitions

Abioto's work has been featured in galleries internationally such as Portland Art Museum, Portland State University's Littman Gallery, and University of Oregon's defunct Portland-based gallery White Box. [8]

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References

  1. 1 2 Prado, Emily. "In The Black, Intisar Abioto Documents Connection, Community and Place". Portland Mercury. Retrieved 29 April 2017.
  2. Powell, Timothy. "Ebos Landing". New Georgia Encyclopedia. Retrieved 29 April 2017.
  3. 1 2 Bell, Ifanyi. "Photographer Intisar Abioto Approaches 'The Black Portlanders' By The Numbers". Oregon Public Broadcasting. Retrieved 29 April 2017.
  4. Gaillot, Ann-Derrick. "This is black Portland". Street Roots. Street Roots. Retrieved 15 May 2018.
  5. Hallett, Alison. "The Black Portlanders: Profiling Photographer Intisar Abioto". The Portland Mercury. Retrieved 29 April 2017.
  6. Semuels, Alana. "The Racist History of Portland, The Whitest City in America". The Atlantic. Retrieved 29 April 2017.
  7. Parks, Casey. "Black Oregonians Face 'Crisis Level' Economic Insecurity, Urban League Says". The Oregonian. Retrieved 29 April 2017.
  8. Abioto, Intisar. "The Black Portlanders". The Black Portlanders. Retrieved 29 April 2017.