Jackie Jackson (bassist)

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Jackie Jackson
Birth nameClifton Jackson
BornMarch 1947 (1947-03) (age 75)
Origin Kingston, Jamaica
Genres Ska, rocksteady, reggae
Occupation(s)Musician
InstrumentsBass
Years activeMid-1960s present
Associated acts Toots and the Maytals

Clifton "Jackie" Jackson (born March 1947) is a Jamaican bass player, who was an important session musician on ska, rocksteady and reggae records in the 1960s and 1970s, and later a member of Toots and the Maytals.

Contents

Biography

Jackson was born in 1947 and grew up in central Kingston. His uncle was a well-known musician, Luther Williams, whose sister Mavis gave Jackson piano lessons. He attended a music school, and started playing bass after seeing Lloyd Brevett play with the Skatalites. He was also influenced by Motown records, particularly the bass playing of James Jamerson. He joined his first band, Ty and the Titans, after the existing bassist left. After two years with the band, he joined the Cavaliers, led by Lester Sterling. When the Skatalites broke up, Jackson was approached by saxophonist Tommy McCook, who was forming a new band, the Supersonics. Jackson joined McCook's band, and remained with them for five years. [1]

At his first recording session in 1967 with producer Duke Reid, he played on "Girl I've Got A Date" by Alton Ellis, which is considered one of the foundational songs of the rocksteady genre. The bass line of "Girl I've Got a Date" was allegedly duplicated in other international hits "The Liquidator" by the Harry J Allstars, and "I'll Take You There" by the Staple Singers. [2]

The record's success meant that Jackson became in great demand for sessions at Reid's Treasure Isle recording studio, directed by McCook and often playing alongside guitarists Lynn Taitt and Hux Brown, keyboard players Gladstone Anderson and Winston Wright, and drummer Winston Grennan. Jackson was a mainstay of rocksteady music, and started working with other producers including Leslie Kong, Joe Gibbs, Lloyd Daley, and Sonia Pottinger but after a short break also continued working for Reid, where the band was known as the Supersonics. [3] At Kong's Beverley's label, where the band became known as Beverley's All-Stars, he played on Desmond Dekker's hits, including "Israelites", as well as recordings by Nicky Thomas, Bob Marley, Ken Boothe, and Toots and the Maytals, among many others. [1] [3] After meeting and recording with Toots Hibbert, and playing on the hit "Pressure Drop", he played on Paul Simon's 1971 recording, "Mother and Child Reunion" and on Jimmy Cliff's The Harder They Come soundtrack. [1] He played on Hibbert's records through to the 1980s, and has also played on records by other musicians such as Herbie Mann, Garland Jeffreys, and Lee "Scratch" Perry. [4]

As reggae became more successful internationally, Jackson became a member of Toots Hibbert's touring band from the early 1970s onwards. They became the opening band for Linda Ronstadt and the Eagles, and from then on continued to tour. Jackson also became a key influence on later bassists, including Aston "Family Man" Barrett and Robbie Shakespeare. In 2005, he won a Grammy Award as a member of Toots and the Maytals, for Best Reggae Album. [1]

He is married to singer Karen Smith. In 2018, he was given an award for his "exceptional contribution to the reggae industry" by the Jamaica Reggae Industry Association (JARIA). [5]

Related Research Articles

Reggae Music genre from Jamaica

Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.

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References

  1. 1 2 3 4 Angus Taylor, "Interview: Jackie Jackson talks Treasure Isle", United Reggae, 5 August 2016. Retrieved 18 June 2020
  2. "Vintage Voices | Bass line propels 'I'll Take You There' to 15-week chart run". Jamaica-gleaner.com. 20 October 2019. Retrieved 17 April 2020.
  3. 1 2 "The Giants: Jackie Jackson", Jamaica Observer, 6 August 2016. Retrieved 19 June 2020
  4. "Jackie Jackson", Know Your Bass Player Retrieved 19 June 2020
  5. Janet Silvera, "Jackson Honoured For Contribution To Music", Jamaica Gleaner, 26 February 2018. Retrieved 19 June 2020