Jacob van Campen | |
|---|---|
 Jacob van Campen in his book Images of the City Hall of Amsterdam in 30 engravings, 1665. | |
| Born | 2 February 1596 |
| Died | 13 September 1657 (aged 61) |
| Occupation | Architect |
| Buildings | Mauritshuis Huis ten Bosch Royal Palace |
Jacob van Campen (2 February 1596 - 13 September 1657) was a Dutch artist and architect of the Golden Age.
He was born into a wealthy family at Haarlem, and spent his youth in his home town. Being of noble birth and with time on his hands, he took up painting mainly as a pastime. In 1614, he became a member of the Guild of Saint Luke (in Haarlem the architects and painters were both in the same guild, and many were both, such as Pieter Saenredam and Salomon de Bray), and studied painting under Frans de Grebber - a number of Van Campen's oils survive. About 1616 to 1624 he is thought to have lived in Italy. On his return to the Netherlands, Van Campen turned to architecture, applying ideas borrowed from Andrea Palladio, Vincenzo Scamozzi and classical influences from Vitruvius. He was primarily responsible for introducing the classical revival style into Dutch Baroque architecture, combining the native, Dutch brick style with the Vitruvian principles he had learnt to produce "Dutch Classicism", an internationally influential style.
Van Campen was friendly with Constantijn Huygens, and together they designed a new house for Huygens. Even after Van Campen's death, his work greatly influenced Johan Maurits van Nassau-Siegen, the designer of the Kleefse gardens (the gardens of Cleve), and on Frederick William, Elector of Brandenburg. The latter to own a book by Van Campen regardless of the expense. The city hall and the city palace of Potsdam owe a debt to ideas by Van Campen.
Van Campen's first known building was the Coymans house built in 1625 in Amsterdam. In the 1630s Van Campen and Pieter Post designed the Mauritshuis in The Hague, a palace that is now home of a Royal Picture Gallery, and Van Campen alone designed the Netherlands' first theatre, Amsterdam's Stadsschouwburg. About 1645 Van Campen designed the Nieuwe Kerk in Haarlem, a church that influenced Christopher Wren. His best-known work is probably the large Town Hall of Amsterdam (begun 1648), now the Royal Palace in Dam Square. [1]
Van Campen worked as an architect, a painter and a designer of decorative schemes, like that for the church organ in Alkmaar. His art also influenced sculpture. He was assisted in his work by Pieter Post, Daniël Stalpaert, Matthias Withoos, Philips Vingboons, Artus Quellinus, Tielman van Gameren and Rombout Verhulst. During the building of the city hall, Van Campen lived in very expensive lodgings in the nearby Kalverstraat and he spent freely. In 1654 Van Campen (and Willem de Keyser left after an argument, probably in connection with the design of the barrel vaults. Stalpaert won, but his completion of the project was reported to be less fine than Van Campen's designs.
After a long career, Van Campen died in 1657 in his buitenplaats (residence) Randenbroek near Amersfoort, which he had inherited from his mother, and was buried there. He had expanded it himself and had it decorated by Caesar van Everdingen. Van Campen never married, but had one son, Alexander Van Campen.
Van Campen was selective in what projects he took on. His best known works are:
As well as houses and palaces, he also designed a number of churches, such as those at Renswoude and at Hooge Zwaluwe, and the Nieuwe Kerk in Haarlem. Of that design, Pieter Saenredam made no fewer than three paintings and eight engravings. Furthermore, Van Campen designed gates and towers, e.g. for the Westerkerk and Nieuwe Kerk, both in Amsterdam. His paintings and wall decorations (such as those at Paleis Huis ten Bosch), show some similarity with the work of Paulus Bor, one of the founders of a group of painters calling themselves the Bentvueghels.
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of count John Maurice of Nassau. It is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
Huis ten Bosch is a royal palace in The Hague, Netherlands. It is one of three official residences of the Dutch monarch; the two others being the Noordeinde Palace in The Hague and the Royal Palace in Amsterdam.
The Royal Palace of Amsterdam in Amsterdam is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk.
Thomas de Keyser was a Dutch portrait painter and a dealer in Belgium bluestone and stone mason. He was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt.
Pieter Jansz. Saenredam was a painter of the Dutch Golden Age, known for his distinctive paintings of whitewashed church interiors such as Interior of St Bavo's Church in Haarlem and Interior of the Sint-Odulphuskerk in Assendelft.
Hendrick de Keyser was a Dutch sculptor, merchant in Belgium bluestone, and architect who was instrumental in establishing a late Renaissance form of Mannerism changing into Baroque. Most of his works appeared in Amsterdam, some elsewhere in the Dutch Republic. He was the father of Pieter and Thomas de Keyser and Willem, and the uncle of Huybert de Keyser, who became his apprentices and all involved in building, decoration and architecture.
Dutch Baroque architecture is a variety of Baroque architecture that flourished in the Dutch Republic and its colonies during the Dutch Golden Age of the 17th century..
Pieter Jansz Post was a Dutch Golden Age architect, painter and printmaker.
Dutch architecture has played an important role in the international discourse on architecture in three eras. The first of these was during the 17th century, when the Dutch empire was at the height of its power. The second was in the first half of the 20th century, during development of modernism. The third is not concluded and involves many contemporary Dutch architects who are achieving global prestige.
Daniël Stalpaert or Daniel Stalpert, was a Dutch architect, painter, town carpenter, print artist and draftsman. He was the first city architect in Amsterdam, a position that would not be filled again until 70 years after his death. He is mainly remembered for his contributions to the new town hall of Amsterdam, now the Royal Palace.
The Keizersgracht is a canal in Amsterdam, the Netherlands. It is the second of the three main Amsterdam canals that together form the Grachtengordel, or canal belt, and lies between the inner Herengracht and outer Prinsengracht.
Rombout Verhulst was a Flemish sculptor and draughtsman who spent most of his career in the Dutch Republic. An independent assistant of the Flemish sculptor Artus Quellinus the Elder in the sculptural decoration project for the new town hall in Amsterdam, he contributed to the spread of the Baroque style in Dutch sculpture. He became the leading sculptor of marble monuments, including funerary monuments, garden figures and portraits, in the Dutch Republic.
Salomon de Bray was a Dutch Golden Age painter and architect.
Jacob van der Ulft was a Dutch painter, glass painter, print artist, architect and mayor. He was known for his architectural and city views, landscapes and topographical views.
Pieter Jansz. Quast was a Dutch Golden Age painter, draughtsman of portraits and sculptor.
Johannes Bosboom was a Dutch painter and watercolorist of the Hague School, known especially for his paintings of church interiors.
Pieter de Keyser was a Dutch Golden Age architect (bouwmeester) and sculptor. He followed in the footsteps of his father Hendrick de Keyser and completed a number of Hendrick de Keyser's buildings after his death in 1621.
Willem Hendrickszoon de Keyser was a Dutch Golden Age architect and sculptor primarily active in Amsterdam and London.
Triumph of Frederick Henry, Prince of Orange is a painting by the Flemish painter Jacob Jordaens, signed and dated at the bottom left "J JOR fec / 1652". It is located in the Oranjezaal in the Huis ten Bosch in The Hague, The Netherlands.
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