Leopold Anthony Stokowski was a British conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra and his appearance in the Disney film Fantasia with that orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.
The Houston Symphony is an American orchestra based in Houston, Texas. The orchestra is resident at the Jesse H. Jones Hall for the Performing Arts.
The Eastman School of Music is the music school of the University of Rochester, a private research university in Rochester, New York. It was established in 1921 by industrialist and philanthropist George Eastman.
Arnold Maurice Jacobs was an American tubist who spent most of his career with the Chicago Symphony Orchestra. He held that position from 1944 until his retirement in 1988.
William Laurence Bergsma was an American composer and teacher. He was long associated with Juilliard School, where he taught composition, until he moved to the University of Washington as head of their music school until 1971.
John Marcellus is a trombone musician and teacher. He was Professor of Trombone at the Eastman School of Music of the University of Rochester, and past Chair of the Woodwind, Brass, and Percussion Department. In addition to his trombone teaching responsibilities at Eastman, Dr. Marcellus was the conductor of the Eastman Trombone Choir, Eastman Bionic Bones, and the trombonist with the Eastman Brass. Dr. Marcellus joined the faculty of the Eastman School in 1978, and was named the Kilbourn Professor from 1982-83. He succeeded the trombonist and teacher, Emory Remington, who served as Professor of Trombone at Eastman close to 50 years. Professor Marcellus retired in 2014 after 36 years at Eastman.
Emory Brace Remington (1892–1971) was a trombonist and music teacher. His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
Ralph C. Sauer is an American trombonist, arranger and teacher. He was Principal Trombonist of the Los Angeles Philharmonic for 32 years.
Archibald Clyde Roller was an American music professor, conductor, and oboist.
Stuart Sankey was a pedagogue of the double bass. His students included Gary Karr, the first bass player of the modern era to make a career as a solo artist, and Edgar Meyer. He taught for nearly 50 years at the Aspen Music School. He also held teaching positions at the University of Texas, Indiana University, and the University of Michigan. He made a large number of transcriptions for the double bass, increasing the literature for the instrument. Sankey was born in Los Angeles, Calif., in 1927. He attended the University of Southern California, Los Angeles, and the Juilliard School of Music. His teachers included Frederick Zimmermann, Jean Morel and Henry Brant.
Oscar G. Zimmerman was an American musician, teacher and double-bass player.
W. Peter Kurau is the Professor of Horn and Chamber Music at the Eastman School of Music as well as the Principal Horn of the Rochester Philharmonic Orchestra. He currently resides in Honeoye Falls, New York, with his wife, soprano singer Pamela Kurau.
Daniel Bonade was a French classical clarinetist and professor of clarinet. He was the most influential teacher of the first generation of American-born professional clarinetists.
Gustav Meier was a Swiss-born conductor and director of the Orchestra Conducting Program at the Peabody Institute of the Johns Hopkins University. He was also Music Director of the Greater Bridgeport Symphony Orchestra in Connecticut, for more than 40 years (1972–2013).
William VerMeulen is an American horn player and horn professor. He has been Principal Horn of the Houston Symphony Orchestra since 1990. He is also Professor of Horn at the Shepherd School of Music at Rice University in Houston, Texas. In addition, he is Brass Artist-in-Residence at the Glenn Gould School of Music in Toronto and Visiting Professor of Horn at the Eastman School of Music. Before joining the HSO, he was a member of the Columbus Symphony, Honolulu Symphony, and Kansas City Philharmonic. In addition, he maintains an active solo and chamber music career with appearances at Music@Menlo and the Chamber Music Society of Lincoln Center.
Thomas Daniel Nyfenger was an American flutist and teacher known for his "intense and caring emotion for the flute" and described as “a thorough professional who programs interesting music and is not above having a good time while playing it.” He taught at the Yale School of Music, played piccolo for the Indianapolis Symphony Orchestra, and held many part-time playing and teaching positions throughout his career.
Robert S. Freeman was an American pianist, music educator, and musicologist who is known for leading several music schools in the United States. He was director of the Eastman School of Music from 1973 to 1996. Freeman was senior educational liaison to Music in the Air (MITA) at UCLA, and he served on the board of the National Center for Human Performance at the Texas Medical Center in Houston, Texas.
Thomas Canning was a composer and music educator, serving as a professor of composition and music theory at the Eastman school and as composer-in-residence at West Virginia University. He also held appointments at Morningside College, Indiana University of Pennsylvania, and the Royal Conservatory of Music. In his composition work, he created music for specific occasions or ceremonies, focusing on hymns and choral works, and collaborated with poets Robert Frost and William Carlos Williams to create music in conjunction with their works. His best-known orchestral work, Fantasy on a Hymn by Justin Morgan (1944), was recorded by Leopold Stokowski and Howard Hanson.
William Morris Kincaid was an American flutist and teacher. He is known for his work as principal flute of the Philadelphia Orchestra for almost 40 years, teaching at the Curtis Institute and being a guiding force in the creation of an American School of flute playing.
Leone Buyse is the Joseph and Ida K. Mullen Professor of Flute and Chair of Woodwinds at Rice University's Shepherd School of Music. Prior to a full-time career teaching, Buyse spent over 22 years as an orchestral flutist, including a decade from 1983-1993 as Principal Flute of the Boston Symphony Orchestra and Boston Pops Orchestra. Other orchestral positions include Rochester Philharmonic as solo piccolo and second flute, and assistant principal of San Francisco Symphony. In addition to the Shepherd School, she has held faculty positions at the New England Conservatory, Boston University, University of Michigan, as visiting professor at the Eastman School of Music and numerous summer festivals including the Tanglewood Institute. Her primary teachers include Marcel Moyse, Jean-Pierre Rampal, Michel Debost and Joseph Mariano.
