Jeanne Zaidel-Rudolph

Last updated

Jeanne Zaidel-Rudolph
OIB
Jeanne Zaidel - pianiska, kompozytorka.jpg
Zaidel visiting Darmstadt, West Germany in August 1974
Born (1948-07-09) 9 July 1948 (age 75)
EducationDoctorate in Composition
Alma materUniversity of Pretoria
Occupation(s)Composer, pianist and teacher
Notable work"National anthem of South Africa"
SpouseMichael Rudolph

Jeanne Zaidel-Rudolph OIB (born 9 July 1948) is a South African composer, pianist and teacher. She was the first woman in South Africa to obtain a doctorate in composition. [1] She arranged the composition of the South African national anthem and also wrote its final verse.

Contents

Education

Zaidel-Rudolph was born in Transvaal, South Africa, and began playing the piano at age five. She studied at the University of Pretoria [1] under Stefans Grové and others. She went on to study at the Royal College of Music in London, where she received tuition in composition from John Lambert and Tristram Carey. After meeting György Ligeti she was invited to join his class in Hamburg. [2] Ligeti's use of contrapuntal devices and tone colour proved a major influence.

Zaidel-Rudolph also specialised in piano performance; her teachers included Goldie Zaidel, Philip Levy and Adolph Hallis in South Africa, and John Lill in London. Zaidel-Rudolph returned to South Africa and became the first woman in the country to obtain a Doctorate in Composition, in 1979 at the University of Pretoria under Stefans Grové. [2]

Career

In 1988, the first complete commercial recording of the works of a South African art music composer featured her music on an EMI album. She was commissioned to write a work (Oratorio for Human Rights) for the Atlanta Olympics in 1996. In 1995, she arranged a composite version of South Africa's erstwhile and new national anthems at the request of President Nelson Mandela. She also composed a song ("He walked to Freedom") for his honorary doctorate ceremony in 1997. In 2000, 2002, and 2003, she participated in the show Celebration in Canada, the US and the UK for which she composed, conducted and orchestrated the music.

Zaidel-Rudolph's compositional output covers most musical genres, ranging from the large scale symphony to chamber, choral, ballet, rock opera, film and solo instrumental music. Her works are regularly performed in Africa, Europe and the Americas.

Zaidel-Rudolph has also made a tremendous contribution to Jewish music in Johannesburg. In 2013, she wrote the Jewish-themed "Hebrotica", a work for marimba solo, dedicated to and premiered by klezmer virtuoso Alex Jacobowitz in Johannesburg.

She is closely associated with the Sydenham-Highlands North Hebrew Congregation, whose male choir has released many compositions written by Zaidel-Rudolph. "Her style reflects both the inspiration of religious mysticism and the richness of a transcultural approach which merges African and Western musical elements." [2]

Zaidel-Rudolph has been working at the School of Music of the University of the Witwatersrand since 1975, where she is a Professor of Composition.

Honours

Related Research Articles

<span class="mw-page-title-main">National anthem of South Africa</span> National anthem of South Africa

The national anthem of South Africa was adopted in 1997 and is a hybrid song combining extracts of the 19th century Xhosa hymn "Nkosi Sikelel' iAfrika" and the Afrikaans song that was used as the South African national anthem during the apartheid era, "Die Stem van Suid-Afrika", with new English lyrics.

<span class="mw-page-title-main">György Ligeti</span> Hungarian composer

György Sándor Ligeti was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".

Joël-François Durand is a French composer.

Unsuk Chin is a South Korean composer of contemporary classical music, who is based in Berlin, Germany. Chin was a self-taught pianist from a young age and studied composition at Seoul National University as well as with György Ligeti at the Hochschule für Musik und Theater Hamburg.

<span class="mw-page-title-main">Marion Bauer</span> American classical composer and teacher (1882–1955)

Marion Eugénie Bauer was an American composer, teacher, writer, and music critic. She played an active role in shaping American musical identity in the early half of the twentieth century.

<span class="mw-page-title-main">Tania León</span> Cuban-American composer and conductor

Tania León is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.

<span class="mw-page-title-main">Lukas Ligeti</span> Austrian-American composer and percussionist

Lukas Ligeti is an Austrian-American composer and percussionist. His work incorporates elements of jazz, contemporary classical and various world musics, especially African traditional and popular music styles.

<span class="mw-page-title-main">Katherine Kennicott Davis</span> American classical composer

Katherine Kennicott Davis was an American composer, pianist, arranger, and teacher, whose most well-known composition is the Christmas song "Carol of the Drum," later known as "The Little Drummer Boy".

Stefans Grové was a South African composer. Before his death the following assessment was made of him: "He is regarded by many as Africa's greatest living composer, possesses one of the most distinctive compositional voices of our time".

Isak Roux is a South African born German composer born in 1959. He is known for his arrangements of South African music, especially his work with the musical groups Ladysmith Black Mambazo and Kwela Tebza.

<span class="mw-page-title-main">Else Marie Pade</span> Danish composer (1924–2016)

Else Marie Pade was a Danish composer of electronic music. She was educated as a pianist at the Kongelige Danske Musikkonservatorium in Copenhagen. She studied composition first with Vagn Holmboe, and later with Jan Maegaard, from whom she learned twelve-tone technique. In 1954, she became the first Danish composer of electronic and concrete music. She worked with Pierre Schaeffer and Karlheinz Stockhausen, as well as Pierre Boulez.

NewMusicSA is a non-profit arts advocacy organisation that promotes the creation, performance, and enjoyment of South African new music. Founded in 1999 and operating formally since 2003, NewMusicSA is the South African section of the International Society for Contemporary Music (ISCM).

<span class="mw-page-title-main">Elsa Barraine</span> French composer (1910–1999)

Elsa Jacqueline Barraine was a composer of French music in the time after the neoclassicist movement of Les Six, Ravel, and Stravinsky. Despite being considered “one of the outstanding French composers of the mid-20th century,” Barraine's music is seldom performed today. She won the Prix de Rome in 1929 for La vierge guerrière, a sacred trilogy named for Joan of Arc, and was the fourth woman ever to receive that prestigious award.

<span class="mw-page-title-main">Jeanne Behrend</span> American classical composer

Jeanne Behrend was an American pianist, music educator, musicologist and composer.

<span class="mw-page-title-main">Anton Hartman</span> Musical artist

Anton Carlisle Hartman (1918–1982) was a South African conductor. He was head of music and principal conductor at the South African Broadcasting Corporation (SABC) and head of music at the University of the Witwatersrand. He became a central figure in art music in South Africa during the mid 20th century.

Adolph Hallis was a South African pianist, composer and teacher.

Clare Loveday is a South African contemporary classical music composer.

Peter James Leonard Klatzow was a South African composer and pianist.

<span class="mw-page-title-main">Philip Miller (composer)</span> Musical artist

Philip Miller is a South African composer and sound artist based in Cape Town. His work is multi-faceted, often developing from collaborative projects in theatre, film, video and sound installations.

References

Notes
  1. 1 2 Human Sciences Research Council. Group: Democracy and Governance (2000). Women marching into the 21st century. HSRC Press. pp. 171–173. ISBN   978-0-7969-1966-3.
  2. 1 2 3 Ferreira (n.d.)
Sources