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Cultural imperialism comprises the cultural dimensions of imperialism. The word "imperialism" describes practices in which a country engages culture to create and maintain unequal social and economic relationships among social groups. Cultural imperialism often uses wealth, media power and violence to implement the system of cultural hegemony that legitimizes imperialism.
Media imperialism is an area in the international political economy of communications research tradition that focuses on how "all Empires, in territorial or nonterritorial forms, rely upon communications technologies and mass media industries to expand and shore up their economic, geopolitical, and cultural influence." In the main, most media imperialism research examines how the unequal relations of economic, military and cultural power between an imperialist country and those on the receiving end of its influence tend to be expressed and perpetuated by mass media and cultural industries.
Passport to Pimlico is a 1949 British comedy film made by Ealing Studios and starring Stanley Holloway, Margaret Rutherford and Hermione Baddeley. It was directed by Henry Cornelius and written by T. E. B. Clarke. The story concerns the unearthing of treasure and documents that lead to a small part of Pimlico to be declared a legal part of the House of Burgundy, and therefore exempt from the post-war rationing or other bureaucratic restrictions active in Britain at the time.
The Cinematograph Films Act 1927 was an act of the UK Parliament designed to stimulate the declining British film industry. It received royal assent on 22 December 1927 and came into force on 1 April 1928.
James Chapman is Professor of Film Studies at the University of Leicester. He has written several books on the history of British popular culture, including work on cinema, television and comics.
Eric J. Evans was a British historian who was Professor Emeritus of History at the University of Lancaster and was Chair (1991–98) and vice-president of the Social History Society.
Nicholas J. Cull is a historian and professor in the Master's in Public Diplomacy program at the Annenberg School for Communication and Journalism at the University of Southern California. He was the founding director of this program and ran it from 2005 to 2019.
Heritage film is a critical term to refer to a cluster or cycle of late 20th-century British films that were argued to depict the United Kingdom of the pre-World War II decades in a nostalgic fashion. Although this term was originally used to discuss the film genre polemically, its use has broadened out, and it is now also used more loosely to refer to period films with high-quality visual production values, including those produced in France, other European countries and beyond.
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
An ethnographic film is a non-fiction film, often similar to a documentary film, historically shot by Western filmmakers and dealing with non-Western people, and sometimes associated with anthropology. Definitions of the term are not definitive. Some academics claim it is more documentary, less anthropology, while others think it rests somewhere between the fields of anthropology and documentary films.
Pam Cook is Professor Emerita in Film at the University of Southampton. She was educated at Sir William Perkins's School, Chertsey, Surrey and Birmingham University, where she was taught by Stuart Hall, Richard Hoggart, Malcolm Bradbury, and David Lodge. Along with Laura Mulvey and Claire Johnston, she was a pioneer of 1970s Anglo-American feminist film theory. Her collaboration with Claire Johnston on the work of Hollywood film director Dorothy Arzner provoked debate among feminist film scholars over the following decades.
John MacDonald MacKenzie is a British historian of imperialism who pioneered the study of popular and cultural imperialism, as well as aspects of environmental history. He has also written about Scottish migration and the development of museums around the world. He is Emeritus Professor of imperial history at Lancaster University and founder of the Manchester University Press ‘Studies in Imperialism’ series (1984).
Off the Dole is a 1935 British film starring George Formby. Formby appeared as John Willie, a stage character originally developed by his father, George Formby, Sr.; Beryl Formby, Formby Jnr's wife, also appeared in the film.
Annette Frieda Kuhn, FBA is a British author, cultural historian, educator, researcher, editor and feminist. She is known for her work in screen studies, visual culture, film history and cultural memory. She is Professor and Research Fellow in Film Studies at Queen Mary University of London.
The Porter–MacKenzie debate is a historiographical controversy in the field of Modern British and Imperial history. It focuses on the extent to which colonialism was an important influence within British culture during the 19th and 20th centuries. The debate was characterised by disagreement between the academic historians Bernard Porter and John MacKenzie, beginning in 2004. Porter argued that British imperial expansion during the era of New Imperialism had little effect on ordinary people in the United Kingdom, while MacKenzie argued that colonialism dominated British popular culture for much of the period.
Stella Bruzzi, FBA is an Italian-born British scholar of film and media studies and currently Dean of Arts and Humanities at University College London.
Audience studies is a discipline and field of study, a sub-set of media studies, that investigates the processes of media audiences using different methodologies to test and develop theories of audiences' processes of reception. Much of the field borrows concepts from literary theory and research approaches from cultural studies. The primary media of study are film and television and the field intersects in many ways, including its methods used and its focus on everyday media audiences, with fan studies. Audience studies emerged as a field in the early 20th century as a form of market research, but slowly, with the rise of film studies, became popular in an academic context.
Penelope Summerfield, FBA, FRHistS, FAcSS, commonly known as Penny Summerfield, is an English historian and retired academic.
Matthew Worley is a British academic and author. He is Professor of Modern History at the University of Reading.
Professor Andrekos Varnava,, is a dual national Cypriot/Australian writer and historian, who is best known for his work confronting controversial moments in modern history and their consequences.
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- ↑ Chris Arnot "Fast Forward: Jeffrey Richards", The Guardian, 11 January 2005
