Women's studies is an academic field that draws on feminist and interdisciplinary methods to place women's lives and experiences at the center of study, while examining social and cultural constructs of gender; systems of privilege and oppression; and the relationships between power and gender as they intersect with other identities and social locations such as race, sexual orientation, socio-economic class, and disability.
Third-wave feminism is a feminist movement that began in the early 1990s, prominent in the decades prior to the fourth wave. Grounded in the civil-rights advances of the second wave, Gen X third-wave feminists born in the 1960s and 1970s embraced diversity and individualism in women, and sought to redefine what it meant to be a feminist. The third wave saw the emergence of new feminist currents and theories, such as intersectionality, sex positivity, vegetarian ecofeminism, transfeminism, and postmodern feminism. According to feminist scholar Elizabeth Evans, the "confusion surrounding what constitutes third-wave feminism is in some respects its defining feature."
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Gloria Evangelina Anzaldúa was an American scholar of Chicana feminism, cultural theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work. She also developed theories about the marginal, in-between, and mixed cultures that develop along borders, including on the concepts of Nepantla, Coyoxaulqui imperative, new tribalism, and spiritual activism. Her other notable publications include This Bridge Called My Back: Writings by Radical Women of Color (1981), co-edited with Cherríe Moraga.
Materialist feminism is a theoretical current of radical feminism that was formed around the French magazine Questions féministes. It is characterized by the use of conceptual tools from Marxism to theorize patriarchy and its abolition.
Intersectionality is a sociological analytical framework for understanding how groups' and individuals' social and political identities result in unique combinations of discrimination and privilege. Examples of these factors include gender, caste, sex, race, ethnicity, class, sexuality, religion, disability, height, age, weight and physical appearance. These intersecting and overlapping social identities may be both empowering and oppressing. However, little good-quality quantitative research has been done to support or undermine the practical uses of intersectionality.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
This Bridge Called My Back: Writings by Radical Women of Color is a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa, first published in 1981 by Persephone Press. The second edition was published in 1983 by Kitchen Table: Women of Color Press. The book's third edition was published by Third Woman Press until 2008, when it went out of print. In 2015, the fourth edition was published by State University of New York Press, Albany.
Smadar Lavie is a Mizrahi U.S.-Israeli anthropologist, author, and activist. She specializes in the anthropology of Egypt, Israel and Palestine, emphasizing issues of race, gender and religion. Lavie is a professor emerita of anthropology at the University of California, Davis, and a visiting scholar at the Department of Ethnic Studies, University of California, Berkeley. Lavie received her doctorate in anthropology from the University of California at Berkeley (1989) and spent nine years as assistant and associate professor of anthropology at the University of California, Davis. She authored The Poetics of Military Occupation, receiving the 1990 Honorable Mention of the Victor Turner Award for Ethnographic Writing, and Wrapped in the Flag of Israel: Mizrahi Single Mothers and Bureaucratic Torture receiving the 2015 Honorable Mention of the Association of Middle East Women's Studies Book Award Competition. Wrapped in the Flag of Israel's first edition was also one of the four finalists in the 2015 Clifford Geertz Book Award Competition of the Society for the Anthropology of Religion. She also co-edited Creativity/Anthropology and Displacement, Diaspora, and Geographies of Identity. Lavie won the American Studies Association's 2009 Gloria Anzaldúa Prize for her article, “Staying Put: Crossing the Palestine-Israel Border with Gloria Anzaldúa,” published in Anthropology and Humanism (2011). In 2013, Smadar Lavie won the “Heart at East” Honor Plaque for lifetime service to Mizraḥi communities in Israel-Palestine.
Sara Ahmed is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism. Her seminal work, The Cultural Politics of Emotion, in which she explores the social dimension and circulation of emotions, is recognized as a foundational text in the nascent field of affect theory.
Feminist political theory is an area of philosophy that focuses on understanding and critiquing the way political philosophy is usually construed and on articulating how political theory might be reconstructed in a way that advances feminist concerns. Feminist political theory combines aspects of both feminist theory and political theory in order to take a feminist approach to traditional questions within political philosophy.
Chela Sandoval, associate professor of Chicana Studies at University of California, Santa Barbara, is a noted theorist of postcolonial feminism and third world feminism. Beginning with her 1991 pioneering essay 'U.S. Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World', Sandoval emerged as a significant voice for women of color and decolonial feminism.
Sister Outsider: Essays and Speeches is a collection of essential essays and speeches written by Audre Lorde, a writer who focuses on the particulars of her identity: Black woman, lesbian, poet, activist, cancer survivor, mother, and feminist. This collection, now considered a classic volume of Lorde's most influential works of non-fiction prose, has had a groundbreaking impact in the development of contemporary feminist theories. In fifteen essays and speeches dating from 1976 to 1984, Lorde explores the complexities of intersectional identity, while explicitly drawing from her personal experiences of oppression to include sexism, heterosexism, racism, homophobia, classism, and ageism. The book examines a broad range of topics, including love, self-love, war, imperialism, police brutality, coalition building, violence against women, Black feminism, and movements towards equality that recognize and embrace differences as a vehicle for change. With meditative conscious reasoning, Lorde explores her misgivings for the widespread marginalization deeply-rooted in the United States' white patriarchal system, all the while, offering messages of hope. The essays in this landmark collection are extensively taught and have become a widespread area of academic analysis. Lorde's philosophical reasoning that recognizes oppressions as complex and interlocking designates her work as a significant contribution to critical social theory.
Multiracial feminist theory is promoted by women of color (WOC), including Black, Latina, Asian, Native American, and anti-racist white women. In 1996, Maxine Baca Zinn and Bonnie Thornton Dill wrote “Theorizing Difference from Multiracial Feminism," a piece emphasizing intersectionality and the application of intersectional analysis within feminist discourse.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women but are perceived as failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. Whiteness is crucial in structuring the lived experiences of white women across a variety of contexts. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Queer of color critique is an intersectional framework, grounded in Black feminism, that challenges the single-issue approach to queer theory by analyzing how power dynamics associated race, class, gender expression, sexuality, ability, culture and nationality influence the lived experiences of individuals and groups that hold one or more of these identities. Incorporating the scholarship and writings of Audre Lorde, Gloria Anzaldúa, Kimberlé Crenshaw, Barbara Smith, Cathy Cohen, Brittney Cooper and Charlene A. Carruthers, the queer of color critique asks: what is queer about queer theory if we are analyzing sexuality as if it is removed from other identities? The queer of color critique expands queer politics and challenges queer activists to move out of a "single oppression framework" and incorporate the work and perspectives of differently marginalized identities into their politics, practices and organizations. The Combahee River Collective Statement clearly articulates the intersecting forces of power: "The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression, and see as our particular task the development of integrated analysis and practice based upon the fact that major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our lives." Queer of color critique demands that an intersectional lens be applied queer politics and illustrates the limitations and contradictions of queer theory without it. Exercised by activists, organizers, intellectuals, care workers and community members alike, the queer of color critique imagines and builds a world in which all people can thrive as their most authentic selves- without sacrificing any part of their identity.
Mireille Miller-Young is an associate professor of feminist studies at the University of California, Santa Barbara. Her research explores race, gender, and sexuality in visual culture and sex industries in the United States. Miller-Young holds a PhD in American History from New York University. She describes herself as an "academic pornographer", a term originally adopted by Sander Gilman.
All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982) is a landmark feminist anthology in Black Women's Studies printed in numerous editions, co-edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism', inspired by the developing movement of Afrofuturism. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
Nyasha Junior is an American biblical scholar. Her research focuses on the connections between religion, race, and gender within the Hebrew Bible. She holds a PhD from Princeton Theological Seminary. She was associate professor at Temple University before moving to the University of Toronto in the department for the Study of Religion. She was a visiting associate professor and research associate at Harvard Divinity School for the 2020–21 academic year.
