Jewel McGowan

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Jewel McGowan (1921-1962) is best known as a dancer of Lindy Hop, a form of swing dance, in the 1940s and 1950s. She also danced in other, non-swing films, and with modern jazz dance pioneer Jack Cole. She is known among dance aficionados as the frequent partner of dancer Dean Collins. [1] [2] McGowan was considered by her fellow Los Angeles dancers to be the best female swing dancer who ever lived. In addition to their social dancing, Collins and McGowan appeared together as dancers in films of the era. They were partners for 11 years. McGowan is especially known for her hip swivels. [3]

Contents

Selected filmography

Television documentaries

Honors

See also

Related Research Articles

Jazz dance is a performance dance and style that arose in the United States in the mid 20th century. Jazz dance may allude to vernacular jazz about to Broadway or dramatic jazz. The two types expand on African American vernacular styles of dance that arose with jazz music. Vernacular jazz dance incorporates ragtime moves, Charleston, Lindy hop and mambo. Popular vernacular jazz dance performers include The Whitman Sisters, Florence Mills, Ethel Waters, Al Minns and Leon James, Frankie Manning, Norma Miller, Dawn Hampton, and Katherine Dunham. Dramatic jazz dance performed on the show stage was promoted by Jack Cole, Bob Fosse, Eugene Louis Faccuito, and Gus Giordano.

<span class="mw-page-title-main">Savoy Ballroom</span> Historic Harlem music venue

The Savoy Ballroom was a large ballroom for music and public dancing located at 596 Lenox Avenue, between 140th and 141st Streets in the Harlem neighborhood of Manhattan, New York City. Lenox Avenue was the main thoroughfare through upper Harlem. Poet Langston Hughes calls it the "Heartbeat of Harlem" in Juke Box Love Song, and he set his work "Lenox Avenue: Midnight" on the legendary street. The Savoy was one of many Harlem hot spots along Lenox, but it was the one to be called the "World's Finest Ballroom". It was in operation from March 12, 1926, to July 10, 1958, and as Barbara Englebrecht writes in her article "Swinging at the Savoy", it was "a building, a geographic place, a ballroom, and the 'soul' of a neighborhood". It was opened and owned by white entrepreneur Jay Faggen and Jewish businessman Moe Gale. It was managed by African-American businessman and civic leader Charles Buchanan. Buchanan, who was born in the British West Indies, sought to run a "luxury ballroom to accommodate the many thousands who wished to dance in an atmosphere of tasteful refinement, rather than in the small stuffy halls and the foul smelling, smoke laden cellar nightclubs ..."

<span class="mw-page-title-main">Charleston (dance)</span> Dance

The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923, through 28 June 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927.

<span class="mw-page-title-main">West Coast Swing</span> Dance style

West Coast Swing is a partner dance with roots in the Lindy Hop. It is characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.

<span class="mw-page-title-main">Swing (dance)</span> Group of dances tied to jazz

Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa, Collegiate Shag, and Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.

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<span class="mw-page-title-main">Frankie Manning</span> American dancer and choreographer (1914–2009)

Frank Manning was an American dancer, instructor, and choreographer. Manning is considered one of the founders of Lindy Hop, an energetic form of the jazz dance style known as swing.

<span class="mw-page-title-main">Nicholas Brothers</span> American entertainment act

The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s. Best known for their unique interpretation of a highly acrobatic technique known as "flash dancing", they were also considered by many to be the greatest tap dancers of their day, if not all time. Their virtuoso performance in the musical number "Jumpin' Jive" featured in the 1943 movie Stormy Weather has been praised as one of the greatest dance routines ever captured on film.

Charlie Hall was an English film actor. He is best known as the "Little Nemesis" of Laurel and Hardy. He performed in nearly 50 films with them, making Hall the most frequent supporting actor in the comedy duo's productions.

Dean Collins was an American dancer, instructor, choreographer, and innovator of swing dance. He is often credited with bringing the Lindy Hop from New York to southern California. Collins worked in over thirty films and performed live and on television.

Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II. The group took on many different forms and had several different names and sub-groups, including Whitey's Hopping Maniacs, Harlem Congeroo Dancers, and The Hot Chocolates. In addition to touring nationally and internationally, the group appeared in several films and Broadway theatre productions. Dorothy Dandridge and Sammy Davis Jr. were among the group's celebrity regulars.

<i>Buck Privates</i> 1941 film by Arthur Lubin

Buck Privates is a 1941 musical military comedy film that turned Bud Abbott and Lou Costello into bona fide movie stars. It was the first service comedy based on the peacetime draft of 1940. The comedy team made two more service comedies before the United States entered the war. A sequel to this movie, Buck Privates Come Home, was released in 1947. Buck Privates is one of three Abbott and Costello films featuring The Andrews Sisters, who were also under contract to Universal Pictures at the time.

Sylvia Sykes is an American swing dancer, instructor, judge, and choreographer. She is known for reviving the swing dance style balboa.

<span class="mw-page-title-main">History of Lindy Hop</span> History of dance genre

The history of Lindy Hop begins in the African American communities of Harlem, New York during the late 1920s in conjunction with swing jazz. Lindy Hop is closely related to earlier African American vernacular dances but quickly gained its own fame through dancers in films, performances, competitions, and professional dance troupes. It became especially popular in the 1930s with the upsurge of aerials. The popularity of Lindy Hop declined after World War II, and it converted to other forms of dancing, but it never disappeared during the decades between the 1940s and the 1980s until European and American dancers revived it starting from the beginning of the 1980s.

<span class="mw-page-title-main">Norma Miller</span> American Lindy hop dancer (1919–2019)

Norma Adele Miller was an American Lindy hop dancer, choreographer, actress, author, and comedian known as the "Queen of Swing".

<span class="mw-page-title-main">Veloz and Yolanda</span> American ballroom husband and wife dance team

Frank Veloz (1906–1981) and Yolanda Casazza (1908–1995) were a self-taught American ballroom dance team, husband and wife, who became stars in the 1930s and 1940s, and were among the highest paid dance acts during that era. They performed on stage in productions such as Hot-Cha!, which ran for 119 shows on Broadway in 1932. They also appeared in popular films such as Under the Pampas Moon (1935), The Pride of the Yankees (1942), Honeymoon Lodge (1943), Brazil (1944) and The Thrill of Brazil (1946), the latter of which is credited as being of major importance to the growth in popularity of Samba in America.

<span class="mw-page-title-main">Lindy Hop</span> American dance

The Lindy Hop is an American dance which was born in the Black communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway, and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

Willa Mae Ricker was a prominent American Lindy Hop and jazz dancer and performer during the 1930s and 1940s with the Harlem-based Whitey's Lindy Hoppers. She was known for her physical strength, fashion sense, dependability, business acumen, and passion to dance. According to Norma Miller, Ricker was the first dancer to stand up to Herbert "Whitey" White, demanding fair pay.

<span class="mw-page-title-main">Jean Veloz</span> American dancer and actress (1924–2023)

Jean Grinnell Veloz was an American lindy hop dancer and actress, best known for her roles in 1940s and 1950s musicals. She innovated a style of swing dance that was "silky smooth", now known as "Hollywood style" contrasting the more jitterbug style prevalent during the 1930s-1940s.

References

  1. Giordano, Ralph G. (2007). Social Dancing in America: Lindy Hop to Hip Hop, 1901-2000. Greenwood Press. pp. 95–96. ISBN   978-0-313-33352-1.
  2. Loomis, Kiku (June 2001). "The Dean of Swing". Dance Spirit: 83.
  3. Stevens, Tamara; Stevens, Erin (2011-04-07). Swing Dancing. ABC-CLIO. pp. 90–92. ISBN   978-0-313-37518-7.