John Cayley

Last updated
John Cayley
Born
John Cayley

(1956-07-20) July 20, 1956 (age 67)
Ottawa, Ontario, Canada
NationalityCanadian
Known forDigital Language Art, Poetry, Translation, Electronic Literature
Notable workwindsound, riverIsland, translation, Image Generation, The Listeners, The Readers Project, Grammalepsy

John Howland Cayley (born 1956) is a Canadian pioneer of writing in digital media as well as a theorist of the practice, a poet, and a Professor of Literary Arts at Brown University (from 2007). [1]

Contents

Education

After moving to the United Kingdom in the late 1960s, Cayley went to secondary school in the south of England. He read for a degree in Chinese Studies at Durham University, leaving with a 2:1 in 1978. [2]

Career

While still a graduate student and UK-based translator and poet, between the late 1970s and mid 1990s, Cayley began to experiment with using programs and algorithms, coded for newly-accessible personal computers, to manipulate and generate poetic texts. [3]

From 1986-88 Cayley worked as a curator in the Chinese Section of the British Library and, during the same period, founded Wellsweep, an independent micro-press devoted to literary translation from Chinese, chiefly poetry. One of Cayley's early experiments with hypertext and poetry, a late 1990s collaboration with Chinese poet Yang Lian, is discussed in 'Making waves in world literature,' chapter 6 of Jacob Edmond's Make it the same: poetry in the age of global media. [4]

Throughout his career, Cayley has created and developed a number of original formal techniques for the composition and display of digital language art: poetically motivated Markov-chain text generation, dynamic text, self-altering text, transliteral morphing, ambient poetry, etc. [5] In 2017, his lifelong contributions to the theory and practice of digital language art earned him the Electronic Literature Organization Marjorie C. Luesebrink Career Achievement Award. [6] There are a number of discussions of both Cayley's theoretical contributions and certain of his works in Scott Rettberg's Electronic Literature. [7] Katherine Hayles discusses Cayley's riverIsland in 'The Time of Digital Poetry: From Object to Event,' [8] and Tong-King Lee devotes a large part of chapter 7 in his co-authored book, Translation and translanguaging to Cayley's translation. [9]

In 2009, Cayley launched, with long-term collaborator, Daniel C. Howe, The Readers Project, [10] 'an aesthetically-oriented system of software agents, designed to explore the culture of human reading.' This project is extensively discussed in Manuel Portela's Scripting Reading Motions. [11]

Cayley's most recent work explores transactive synthetic language and led to his creation of a skill for the Amazon Echo, The Listeners. [12] [13]

Works (selected)

Books, chapbooks, artists books (selected)

Scholarship (selected)

Recognition

See also

Related Research Articles

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References

  1. ↑ "Faculty". Literary Arts. Brown University. Retrieved 8 March 2018.
  2. ↑ "Results of Final Examinations held in June 1978". Durham University Gazette. 24 (New Series): 46. 31 January 1979. Retrieved 14 March 2020.
  3. ↑ Cayley, John (September 2007). "Screen Writing: a practice-based, EuroRelative introduction to electronic literature and poetics". Third Text . 21 (5): 603–609. doi:10.1080/09528820701599743. S2CID   147345093.
  4. ↑ Edmond, Jacob (2019). Make it the same: poetry in the age of global media. New York: Columbia University Press. ISBN   9780231190022.
  5. ↑ "John Cayley". ELMCIP Knowledge Base. Retrieved 8 March 2018.
  6. 1 2 "Winners". ELO Prizes. Electronic Literature Organization . Retrieved 8 March 2018.
  7. ↑ Rettberg, Scott (2019). Electronic Literature. Cambridge and Medford: Polity Press. ISBN   978-1-5095-1677-3.
  8. ↑ Hayles, N. Katherine (2006). "The time of digital poetry: from object to event". In Morris, Adelaide; Swiss, Thomas (eds.). New media poetics: contexts, technotexts, and theories. MIT Press. pp. 181–209. ISBN   0262-134632.
  9. ↑ Bynham, Mike; Lee, Tong-King (2019). Translation and translanguaging. London: Routledge. ISBN   9781138067042.
  10. ↑ "The Readers Project". thereadersproject.org. Retrieved 8 March 2018.
  11. ↑ Portela, Manuel (2013). Scripting Reading Motions: the codex and the computer as self-reflexive machines. Cambridge: MIT Press. ISBN   9780262019460.
  12. ↑ Cayley, John (2016). "The Listeners: an instance of aurature". Cream City Review . 40 (2): 172–187. doi:10.1353/ccr.2016.0079. S2CID   186050506 . Retrieved 9 March 2018.
  13. ↑ Marques da Silva, Ana (2017). "Speaking to listening machines: literary experiments with aural interfaces". Electronic Book Review . Retrieved 30 March 2019.
  14. ↑ Maibaum, Johannes (August 16, 2016). The Speaking Clock, John Cayley, HyperCard Program, 1995 – English Version. Medien Theorien. Retrieved August 15, 2019.
  15. ↑ Eskelinen, Markku (2012). Cybertext poetics: the critical landscape of new media literary theory. International texts in critical media aesthetics. London: Continuum. p. 57. ISBN   978-1-4411-2438-8.
  16. ↑ Cayley, John (2018). "The advent of aurature and the end of (electronic) literature". The Bloomsbury Handbook of Electronic Literature. New York and London: Bloomsbury Academic: 73–94.
  17. ↑ Cayley, John (2013). "Pentameters toward the dissolution of certain Vectoralist relations". Amodern. 2: n.p.
  18. ↑ Cayley, John (2013). "Terms of reference and Vectoralist transgressions: situating certain literary transactions over networked services". Amodern. 2: n.p. Retrieved 9 March 2018.
  19. ↑ Howe, Daniel C.; Cayley, John (2011). "The Readers Project: procedural agents and literary vectors". Leonardo . 44 (4): 317–324. doi:10.1162/LEON_a_00208. S2CID   57560583.
  20. ↑ Cayley, John (September 10, 2002). "The code is not the text (unless it is the text)". Electronic Book Review : n.p. Retrieved 8 March 2018.
  21. ↑ "2001 Poetry Award Winner". Electronic Literature Organization. 2001. Retrieved 8 March 2018.


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