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John Deathridge | |
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| Birth name | John William Deathridge |
| Born | 21 October 1944 Birmingham, England |
| Occupation(s) | musicologist, conductor, accompanist, broadcaster |
| Instrument(s) | Piano, organ |
John William Deathridge (born 21 October 1944, in Birmingham) is a British musicologist. He was educated at King Edward's School, Birmingham, and at Lincoln College, Oxford (MA, DPhil) culminating with a dissertation on Wagner's sketches for Rienzi , and is currently Emeritus Professor of Music at King's College London. Deathridge lives in Cambridge.
After graduation he worked as full-time director of music at St Wolfgang, Munich, where he continued his research on Wagner and acted as a conductor and broadcaster. Deathridge has also taught at Princeton University and the University of Chicago and worked as an editor of the Wagner complete edition. he was also fellow and director of studies in music at King's College, Cambridge.[ citation needed ]
Deathridge is regarded[ who? ] as one of the world's foremost Wagner experts and a noted authority on Beethoven.[ citation needed ] Now King Edward VII Professor of Music at King's College London, as well as a former Head of the Department of Music at that institution, he has been active as a conductor, organ recitalist and piano accompanist. His career includes being a radio and television broadcaster and a reviewer for scholarly music journals in Germany and the United Kingdom.[ citation needed ]
Between 2005 and 2008 he served as president of the Royal Musical Association, [1] Britain's foremost learned music society. Music and social theory is a keen research interest of Deathridge, in particular the work of Theodor W. Adorno. However, his main area of research remains 19th and 20th-century German music, especially Wagner.[ citation needed ]
Since December 2011, Deathridge is member of the board of the European Academy of Music Theatre.[ citation needed ]
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Robert Thurston ("Bob") Dart, was an English musicologist, conductor and keyboard player. Along with Nigel Fortune, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation. From 1964 until his death he was King Edward Professor of Music at the University of London, based at King's College London.
Rienzi, der letzte der Tribunen is an 1842 opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to Rienzi. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success.
University College School, generally known as UCS, is an independent day school in Frognal, Hampstead, northwest London, England. The school was founded in 1830 by University College London and inherited many of that institution's progressive and secular views.
The Harkness Fellowship is a program run by the Commonwealth Fund of New York City. This fellowship was established to reciprocate the Rhodes Scholarships and enable Fellows from several countries to spend time studying in the United States.
Walter Ernest Allen was an English literary critic and novelist and one of the Birmingham Group of authors. He is best known for his classic study The English Novel: a Short Critical History (1951).
Sir David Valentine Willcocks, was a British choral conductor, organist, composer and music administrator. He was particularly well known for his association with the Choir of King's College, Cambridge, which he directed from 1957 to 1974, making frequent broadcasts and recordings. Several of the descants and carol arrangements he wrote for the annual service of Nine Lessons and Carols were published in the series of books Carols for Choirs which he edited along with Reginald Jacques and John Rutter. He was also director of the Royal College of Music in London.
Sir David Nicholas Cannadine is a British author and historian who specialises in modern history, Britain and the history of business and philanthropy. He is currently the Dodge Professor of History at Princeton University, a visiting professor of history at Oxford University, and the editor of the Oxford Dictionary of National Biography. He was president of the British Academy between 2017 and 2021, the UK's national academy for the humanities and social sciences. He also serves as the chairman of the trustees of the National Portrait Gallery in London and vice-chair of the editorial board of Past & Present.
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Classical music of the United Kingdom is taken in this article to mean classical music in the sense elsewhere defined, of formally composed and written music of chamber, concert and church type as distinct from popular, traditional, or folk music. The term in this sense emerged in the early 19th century, not long after the United Kingdom of Great Britain and Ireland came into existence in 1801. Composed music in these islands can be traced in musical notation back to the 13th century, with earlier origins. It has never existed in isolation from European music, but has often developed in distinctively insular ways within an international framework. Inheriting the European classical forms of the 18th century, patronage and the academy and university establishment of musical performance and training in the United Kingdom during the 19th century saw a great expansion. Similar developments occurred in the other expanding states of Europe and their empires. Within this international growth the traditions of composition and performance centred in the United Kingdom, including the various cultural strands drawn from its different provinces, have continued to evolve in distinctive ways through the work of many famous composers.
St Philip's Grammar School, in Hagley Road, Edgbaston, Birmingham, was a Roman Catholic state grammar school for boys. It was closed in 1976, but continued as a Sixth Form College until 1995.
William Lacey is a British conductor. He is especially known as an opera conductor, having conducted a large number of operas at companies all over the world.
Simon Halsey, CBE is an English choral conductor. He is the chorus director of the City of Birmingham Symphony Chorus, a position he has held since 1983, and has been chorus director of the London Symphony Chorus since 2012. He is also artistic director of the Berlin Philharmonic Youth Choral Programme and the director of the BBC Proms Youth Choir, and conductor laureate of the Berlin Radio Choir. He is professor and director of choral activities at the University of Birmingham.
Barry John Everitt, is a British neuroscientist and academic. He was Master of Downing College, Cambridge (2003–2013), and Professor of Behavioural Neuroscience at the University of Cambridge (1997–2013). He is now emeritus professor and Director of Research. From 2013 to 2022, he was provost of the Gates Cambridge Trust at Cambridge University.
The Bayreuth canon consists of those operas by the German composer Richard Wagner (1813–1883) that have been performed at the Bayreuth Festival. The festival, which is dedicated to the staging of these works, was founded by Wagner in 1876 in the Bavarian town of Bayreuth, and has continued under the directorship of his family since his death. Although it was not originally held annually, it has taken place in July and August every year since the 75th anniversary season in 1951. Its venue is the Bayreuth Festspielhaus, which was built for the first festival. Attendance at the festival is often thought of as a pilgrimage made by Wagner aficionados.
Geoffrey Richard GrimmettOLY is an English mathematician known for his work on the mathematics of random systems arising in probability theory and statistical mechanics, especially percolation theory and the contact process. He is the Professor of Mathematical Statistics in the Statistical Laboratory, University of Cambridge, and was the Master of Downing College, Cambridge, from 2013 to 2018.
Sir Anthony Carey Lewis was an English musicologist, conductor, composer, and music educator. He co-founded and served as the first chief editor of Musica Britannica, producing scholarly editions of British music hitherto unavailable. He published critical editions of operas by Handel, Purcell and John Blow.
The Faculty of Music at the University of Toronto is one of several professional faculties at the University of Toronto. The Faculty of Music is located at the Edward Johnson Building, just south of the Royal Ontario Museum and north of Queen's Park, west of Museum Subway Station. MacMillan Theatre and Walter Hall are located in the Edward Johnson Building. The Faculty of Music South building contains rehearsal rooms and offices, and the Upper Jazz Studio performance space is located at 90 Wellesley Street West. In January 2021, the Faculty announced Dr. Ellie Hisama as the new Dean starting July 1, 2021.
Charles Swinnerton Heap was an English organist, pianist, composer and conductor.
Patrick Russill is an English choral conductor, organist and music conservatoire teacher.
Colin Ronald Timms is a musicologist and retired academic. He was Peyton and Barber Professor of Music at the University of Birmingham from 1992 until 2012, when he retired. After graduating from the University of Cambridge with a Bachelor of Arts degree, he completed Master of Music and Doctor of Philosophy degrees at King's College London, the latter in 1977 for his thesis on the chamber duets of Agostino Steffani. He was a lecturer at Queen's University Belfast from 1970 to 1972, and the University of Birmingham from 1973. In 2004, the British Academy awarded him the Derek Allen Prize for Musicology.
