John Keeble | |
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 Keeble with Spandau Ballet in 2009. | |
| Background information | |
| Birth name | John Leslie Keeble |
| Born | 6 July 1959 Hampstead, London, England |
| Genres | Pop, new wave, rock |
| Occupation(s) | Drummer |
| Years active | 1979–present |
John Leslie Keeble (born 6 July 1959) is an English pop and rock drummer. He is best known for his membership of the 1980s new wave band Spandau Ballet.
Keeble was athletic as a child, playing both football and cricket. He bought his first drum kit at the age of 16 [1] and started pursuing an interest in music in a Dame Alice Owen's School band called The Cut with Gary Kemp, Tony Hadley and Steve Norman in 1976. [2] The band soon recruited Kemp's brother Martin on bass, which completed the line-up. The band was later named The Makers, The Gentry and then Spandau Ballet.
Spandau Ballet produced a number of international hits including "True", "Gold" and "Through the Barricades." In 1984 the band participated in the Band Aid charity project and Live Aid the following year. [3] The band broke up in 1990, after their final studio album, Heart Like a Sky , failed to live up to the critical and commercial success of their earlier albums, such as True and Parade .
In 1999, John Keeble, along with fellow band members Tony Hadley and Steve Norman, attempted to sue former Spandau Ballet guitarist, Gary Kemp, for alleged unpaid royalties. [4] They claimed that an agreement had existed between Kemp and the rest of the band, whereby Kemp, who was the main songwriter in the band, would pay his bandmates a share of the royalties earned. The claims were vigorously denied by Kemp, and Keeble, Hadley and Norman subsequently lost their court case. [5] Although initially vowing to appeal against the verdict, they later decided against this. [6]
Keeble, with Gary Kemp, was instrumental in setting up Spandau Ballet's reunion in the 2000s. On 25 March 2009, he joined the rest of his original classic-line-up bandmates for a press conference at HMS Belfast, to announce that the band had reformed and would conduct a world tour starting in Dublin in October 2009. [7]
Keeble played drums for Fish, the former lead singer of Marillion, during his first-ever solo show in the Rex Cinema at Lockerbie on 21 March 1989.[ citation needed ] He performed on his single "State of Mind", the third track on his debut solo album Vigil in a Wilderness of Mirrors . [8]
He has also worked with 69 Daze, The Herbs, Pacific and Tim Deluxe. [1]
After the original breakup of Spandau Ballet, Keeble played in the Tony Hadley solo band and was on tour throughout 2006. He has also formed his own rock band, I Play Rock, with Richie B and Chris Paulo Dale, in which he plays drums and provides vocals. [9]
Keeble became friends with Fish when they met at Live Aid. Keeble married his wife Leaflyn in 1988 and Fish gave her away at the wedding. [10] The couple have a daughter Jaime Rae Keeble (born 1990).
Spandau Ballet were an English pop band formed in Islington, London, in 1979. Inspired by the capital's post-punk underground dance scene, they emerged at the start of the 1980s as the house band for the Blitz Kids, playing "European Dance Music" as "The Applause" for this new club culture's audience. They became one of the most successful groups of the New Romantic era of British pop and were part of the Second British Invasion of the Billboard Top 40 in the 1980s, selling 25 million albums and having 23 hit singles worldwide. The band have had eight UK top 10 albums, including three greatest hits compilations and an album of re-recorded material. Their musical influences ranged from punk rock and soul music to the American crooners Frank Sinatra and Tony Bennett.
True is the third studio album by English pop band Spandau Ballet, released on 4 March 1983 by Chrysalis Records. The band's songwriter/guitarist Gary Kemp realised after the release of their second album that the nightclub audience they initially wanted to attract had lost interest in them in part because of the band's transition from dance music to pop. He no longer felt obligated to keep writing music for them and shifted his focus to soul and R&B influences such as Marvin Gaye and Al Green for this album. Kemp thought that bandmate Steve Norman's newfound interest in the saxophone would be well-suited to the sound he was going for, as would the decision to record most of the album at Compass Point Studios in the Bahamas.
Anthony Patrick Hadley is an English pop singer. He rose to fame in the 1980s as the lead singer of the new wave band Spandau Ballet and launched a solo career following the group's split in 1990. Hadley returned to the band in 2009 but left again in 2017. Hadley is known for his "expressive voice" and "vocal range".
Steven Antony Norman is an English musician who plays tenor saxophone, guitar, percussion and other instruments, for the English new wave band Spandau Ballet.
Gary James Kemp is an English songwriter, musician and actor, best known as the lead guitarist, backing vocalist, and principal songwriter for the new wave band Spandau Ballet.
Vigil in a Wilderness of Mirrors is the debut solo album by Scottish neo-prog singer Fish, released in 1990.
"True" is a song by English pop band Spandau Ballet, released in April 1983 as the title track and third single from their third studio album. It was written by the band's lead guitarist and principal songwriter Gary Kemp to express his feelings for Altered Images lead singer Clare Grogan. Kemp was influenced musically by songs of Marvin Gaye and Al Green he was listening to at the time, and lyrically by Green and the Beatles. "True" reached number one on the UK singles chart in April 1983 and made the top 10 in several other countries, including the US, where it became their first song to reach the Billboard Hot 100.
Diamond is the second studio album by English band Spandau Ballet, released on 12 March 1982 by Chrysalis Records. As with their debut album, Journeys to Glory, all songs were produced by Richard James Burgess and written by band guitarist Gary Kemp. The music was inspired by a variety of genres, including the renewed interest in funk around Soho, American film scores with roots in eastern Europe, the second side of David Bowie's Low album, Pink Floyd records and the mood pieces of another English new wave band, Japan.
Parade is the fourth studio album by English new wave band Spandau Ballet, released on 25 June 1984 by Chrysalis Records. The band wanted the album to sound more like how they played together live, and their guitarist/songwriter Gary Kemp came up with material that he felt would be more appropriate for the arenas in which they performed now since they were attracting larger audiences. Because they would be parading themselves around the world as part of the album's corresponding tour, he hit upon the idea of a parade as the theme of the album and included an international cast of characters taking part in a parade on the album cover.
Through the Barricades is the fifth studio album by English new wave band Spandau Ballet, released on 17 November 1986 by CBS Records. The band was continuing their efforts to replicate the sound of their live performance on a studio album that they had attempted unsuccessfully with their previous album, Parade. They were also wanting to address any misconceptions about their music that came from the success of their first US hit song, "True", and reshape the style of their music to that of a rock band. The title song, which details the struggles in a relationship, was chosen as the album title because of how they felt they were being perceived. Through the Barricades was also their first album with the label after leaving Chrysalis Records because of the downturn in their popularity in the US after "True".
Heart Like a Sky is the sixth studio album by English new wave band Spandau Ballet, released on 18 September 1989 by CBS Records. The album was mainly distributed in continental Europe. It was the group's last release before disbanding and is their last to be composed entirely of new material.
"Gold" is a song by English pop band Spandau Ballet, released on 5 August 1983 as the fourth single from their third album, True. The song was written by the band's guitarist/songwriter Gary Kemp as an homage to the film themes of composer John Barry that was especially influenced by his scores for the James Bond series. This was apparent to some music critics, but they were sharply divided in their reviews. Some appreciated the energy and drama behind it while others found it affected and overwrought. The song peaked at number 2 on the UK Singles Chart and made the top 10 in several other countries, but its number 29 showing in the US and the disappointing chart performances of the next two singles released there led to the band's decision to change record labels.
"State of Mind" is the debut solo single by Scottish singer Fish. It was released in October 1989, about a year after his departure from Marillion and preceding the release of his first solo album Vigil in a Wilderness of Mirrors. It is also the first-ever record Fish did outside Marillion except for his 1986 collaboration with Tony Banks on the single "Shortcut to Somewhere" from Banks' album Soundtracks.
"Through the Barricades" is a song by English new wave band Spandau Ballet, released as the second single from their 1986 studio album of the same name. The song was inspired by the murder of a member of the band's road crew in Belfast during The Troubles and emerged as the Spandau Ballet song that the band members rated the best. It reached number six on the UK Singles Chart, becoming their final top ten hit, and made the top ten elsewhere.
"Chant No. 1 " is a song by the English new wave band Spandau Ballet, released on 10 July 1981 as the first single from their second album, Diamond. The band's guitarist/songwriter, Gary Kemp, wanted to pay homage to the latest London hotspot, Le Beat Route, by emulating the funk music that was popular there and even using the club as the location for the music video, all in order to show that the band was still part of the trendy Soho scene. Except for the remix of the song from the album's box set, "Chant No. 1" received good reviews, and the 7-inch single became their third top ten hit in the United Kingdom, peaking at number 3 on the UK Singles Chart.
"Instinction" is a song by Spandau Ballet whose original version was included on their second album Diamond as produced by Richard James Burgess. The song was written by band guitarist/songwriter Gary Kemp. A remix by Trevor Horn was released on 2 April 1982 as the last single from the album and reached number 10 on the UK Singles Chart. This new version received good reviews but constituted a shift into pop music that did not interest the patrons of trendy London nightclubs that Spandau Ballet originally intended to represent. The band tried continuing their work with Horn on the songs for their next album but came to an impasse with him and moved on to a successful relationship with producers Steve Jolley and Tony Swain.
"I'll Fly for You" is a song by English new wave band Spandau Ballet, released as the second single from their fourth studio album, Parade (1984). It became the band's ninth top-10 entry in their native United Kingdom, reaching number 9 on the UK Singles Chart. It also performed well in several other countries. Critics were divided, with some finding fault with the lyrics and others calling it their best single in quite some time. The music video was shot in and around New Orleans and incorporated a Mardi Gras parade into its storyline.
"Paint Me Down" is a song by the English new wave band Spandau Ballet, released on 2 November 1981 as the second single from what would be their second album, Diamond. Their guitarist/songwriter Gary Kemp copied some of the elements of their previous hit, "Chant No. 1 ", and the conflict between producer Richard James Burgess and lead singer Tony Hadley that began with that song continued as they recorded the vocals for "Paint Me Down". A controversial music video for the song was rejected by the British music chart television programme Top of the Pops, and its number 30 peak position on the UK Singles Chart was not enough to justify airing the studio performance they had filmed for the show either.
"She Loved Like Diamond" is a song by the English new wave band Spandau Ballet, released on 11 January 1982 as the third single from what would be their second album, Diamond. The music video and cover art for the single focused on the sexual themes in the lyrics and the allure of the title character. In writing the song, their guitarist/songwriter Gary Kemp was influenced by American Jewish music with an eastern European flavour that he had heard in movie themes and musicals. Most reviews singled out lead singer Tony Hadley's performance as the main problem with the recording, which only mustered a number 49 peak position on the UK Singles Chart. The poor showing prompted the idea to release another song from the album, but the band realized that getting a new single to succeed would require a remix of the disappointing work of their current producer and decided to discontinue their association with him in doing so.
"Fight for Ourselves" is a song by English new wave band Spandau Ballet, released as the first single from their 1986 album Through the Barricades. In their native UK, the song reached number 15 on the UK Singles Chart, and reviews were mostly negative.
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