Sir Godfrey Kneller, 1st Baronet was a German-British painter. The leading portraitist in England during the late Stuart and early Georgian eras, he served as court painter to successive English and British monarchs, including Charles II of England and George I of Great Britain. Kneller also painted scientists such as Isaac Newton, foreign monarchs such as Louis XIV of France and visitors to England such as Michael Shen Fu-Tsung. A pioneer of the kit-cat portrait, he was also commissioned by William III of England to paint eight "Hampton Court Beauties" to match a similar series of paintings of Charles II's "Windsor Beauties" that had been painted by Kneller's predecessor as court painter, Peter Lely.
Thomas Sully was an American portrait painter in the United States. Born in Great Britain, he lived most of his life in Philadelphia, Pennsylvania. He painted in the style of Thomas Lawrence. His subjects included national political leaders such as United States presidents: Thomas Jefferson, John Quincy Adams, and Andrew Jackson, Revolutionary War hero General Marquis de Lafayette, and many leading musicians and composers. In addition to portraits of wealthy patrons, he painted landscapes and historical pieces such as the 1819 The Passage of the Delaware. His work was adapted for use on United States coinage.
Stanhope Alexander Forbes was a British artist and a founding member of the influential Newlyn school of painters. He was often called 'the father of the Newlyn School'.
Sir James Guthrie was a Scottish painter, associated with the Glasgow Boys. He is best known in his own lifetime for his portraiture, although today more generally regarded as a painter of Scottish Realism.
Pietro Annigoni, OMRI was an Italian artist, portrait painter, fresco painter and medallist, best known for his painted portraits of Queen Elizabeth II. His work was in the Renaissance tradition, contrasting with the modernist style that prevailed in his time.
Mary Beale was an English portrait painter. She was part of a small band of female professional artists working in London. Beale became the main financial provider for her family through her professional work Discourse on Friendship of 1666 presents a scholarly, uniquely female take on the subject. Her 1663 manuscript Observations, on the materials and techniques employed "in her painting of Apricots", though not printed, is the earliest known instructional text in English written by a female painter. Praised first as a "virtuous" practitioner in "Oyl Colours" by Sir William Sanderson in his 1658 book Graphice: Or The use of the Pen and Pensil; In the Excellent Art of PAINTING, Beale's work was later commended by court painter Sir Peter Lely and, soon after her death, by the author of "An Essay towards an English-School", his account of the most noteworthy artists of her generation.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
Doris Clare Zinkeisen was a Scottish theatrical stage and costume designer, painter, commercial artist, and writer. She was best known for her work in theatrical design.
Christian Furr is an English painter. In 1995 he was commissioned to paint Queen Elizabeth II.
Michael Noakes was an English artist and portrait painter.
Marjorie Helen Arnfield, was an English artist who specialised in both industrial and rural landscapes, painting in oil, acrylic and watercolour. Her landscapes, particularly her paintings of Provence and Spain, are characterised by vivid colours and an impressionistic style. In an interview in the magazine Artists & Illustrators in 1998, Arnfield described her palette of colours, which included ochres, burnt siennas, cadmium, viridian, reds and blues, as "colours that sing".
Henry Mee is a British painter. He read Fine Art at the University of Leeds awarded a place by Professor Sir Lawrence Gowing, graduating in 1979.
Juliet Kathleen Pannett was an English portrait painter.
June Yvonne Mendoza, AO, OBE, RP, ROI, HonSWA is an Australian portrait painter, working mainly in oil.
Pietro Annigoni completed a number of portraits of Queen Elizabeth II between 1954 and 1972. In 1955, he painted her for the Worshipful Company of Fishmongers and in 1969 for the National Portrait Gallery. The two portraits were united for the National Portrait Gallery's exhibition; The Queen: Art and Image, held to mark the Diamond Jubilee of Queen Elizabeth II in 2012. In 1972, Annigoni completed a circular drawing of the Queen and Prince Philip, Duke of Edinburgh to mark their silver wedding anniversary.
Henry Ward is a British artist, who in 2010 was selected to exhibit his entry of The 'Finger-Assisted' Nephrectomy of Professor Nadey Hakim at the ‘BP Portrait Award’ at the National Portrait Gallery, London, and in 2016 was chosen to paint a portrait of Queen Elizabeth II to mark her 60-year tenure as the longest-serving patron of the British Red Cross.
Molly Guion was an American portrait painter. She taught at the Art Students League of New York.
The Pelican Portrait is an oil painting of Elizabeth I of England on a wood panel, named for the pelican pendant shown on Elizabeth's breast. It is generally attributed to Nicholas Hilliard, on the basis of a scientific study and similarities to his other work.
Florence Veric Hardy Small was an English painter. She was born in Nottingham and died at South Hampstead in north London.
Conversation Piece at the Royal Lodge, Windsor is an oil-on-canvas painting by Herbert James Gunn. It is part of the collection of the National Portrait Gallery (NPG) in London. The painting depicts King George VI and Queen Elizabeth and their daughters, Princesses Elizabeth and Margaret, taking tea in the Royal Lodge in Windsor Great Park. It was commissioned by the NPG in 1950.
