John Stango | |
|---|---|
 | |
| Born | August 9, 1958 Philadelphia, Pennsylvania, United States |
| Nationality | American |
| Education | Bachelor of Fine Arts, Tyler School of Art at Temple University |
| Known for | Printmaker, artist, painter |
| Movement | Pop art |
John Stango (born August 9, 1958) is an American pop artist. [1]
Born and raised in urban Philadelphia, Stango attended Tyler School of Art at Temple University and graduated with a Bachelor of Fine Arts in Painting and Graphic Design. After graduation, Stango was hired by Macy's and Bloomingdale's department stores as a visual merchandiser and display artist. Later, Stango began to create silk screen T-shirts. Eventually he turned his attention and energy to painting full-time. [2] [3]
Currently he works out of a historic warehouse outside of Philadelphia. Stango paints in the vein of such artists as Andy Warhol, Jean-Michel Basquiat, Robert Rauschenberg, Roy Lichtenstein, LeRoy Neiman, and Peter Max. Newspapers, retro advertising, pop icons, B-movies, mid-century modernism, magazines, noir films, vintage signage and pop-culture inspire his works. Batman and Elvis, Audrey Hepburn and Lucky Strike, and Mickey Mouse and Heineken are some of the well-known subjects of Stango's paintings. [2] [4] [5]
His paintings are shown in galleries across America, as well as in other countries including Sweden and Japan. [6] His work has been purchased by a number of notable individuals such as Nicole Miller, [7] Allen Iverson, [8] Adam Marks in 2003, and Governor Ed Rendell, [9] and Swizz Beatz. [10] In addition to selling his art, John also engages in philanthropy, using his paintings and proceeds to benefit charities. [11] [12] [13] [14]
Washington Post arts reporter Mark Jenkins wrote in a July 18, 2015 article, "In the world that Andy Warhol, Jasper Johns, Robert Rauschenberg and Roy Lichtenstein wrought, is it still possible to be a pop artist? Some may doubt it, but not John Stango." Jenkins draws out the similarities and differences between Stango's work and the works of his biggest influences. "Stango depicts such mid-'60s idols as John F. Kennedy, Muhammad Ali and Marilyn Monroe – as well as superheroes and commercial insignias – with a mixture of reverence and giddiness," Jenkins writes. "Where Warhol did Brillo boxes and Campbell's soup cans, his successor goes for Cadillac, Chanel, Abolut – and Campbell's soup cans." Stango's mother, Frances Rockwell, and his cousin, famed American artist Norman Rockwell, would be proud.
These works depict retro stewardess, employing such titles as "The Stewardess", Playgirl After Dark", "Southern Comfort". Most are titled after current day stewardess, notably Wendy, Judi, Ginger, Mimi, Buttercup, Kori, and Patrick (depicted as a female in the painting and dedicated to a cross-dressing steward[ess]). Judi was painted in honor of Judi Martino, a true '50s and '60s stewardess and the wife of singer Al Martino. John plans to continue this series especially following the popularity of ABC's Pan Am . [4]
Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
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Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising, comic books and mundane mass-produced objects. One of its aims is to use images of popular culture in art, emphasizing the banal or kitschy elements of any culture, most often through the use of irony. It is also associated with the artists' use of mechanical means of reproduction or rendering techniques. In pop art, material is sometimes visually removed from its known context, isolated, or combined with unrelated material.
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Events from the year 1964 in art.
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Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American Pop Art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called “Neo-Geo” show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.
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