Jonathan Jennings Harris (born August 27, 1979 in Burlington, Vermont [1] [2] ) is an American artist and computer scientist, known for his work with data visualization, interactive documentary, and ritual. [3]
Jonathan Jennings Harris (born August 27, 1979 in Burlington, Vermont [1] [2] ) is an American artist and computer scientist, known for his work with data visualization, interactive documentary, and ritual. [3]
Harris is the co-creator (with Sep Kamvar) of We Feel Fine, a search engine for human emotions. [4] [5] The project was named by AIGA one of the most influential design works of the last century, and later became a book (We Feel Fine: An Almanac of Human Emotion) published by Scribner in 2009. [6] [7]
In 2006, Harris was commissioned by Yahoo! to create the Yahoo! Time Capsule, which sought to record a digital fingerprint of the world at that time. [8] [9] In 2007, he spent two weeks living with an Iñupiat Eskimo family during their traditional spring whale hunt in Utqiagvik, Alaska (formerly Barrow), producing the interactive documentary, The Whale Hunt. [10] [11] [12] In 2008, he and Kamvar were commissioned by The Museum of Modern Art to create the interactive installation, I Want You To Want Me, visualizing thousands of online dating profiles as colorful balloons. [13] [14] The project was installed at the museum on Valentine's Day 2008. [15]
In 2011, Harris released Cowbird, a free digital storytelling platform with the mission of creating a "public library of human experience." [16] [17] [18] The project was active until 2017, when it was closed due to "growing awareness" of "attention economies and screen addiction." [19] [20]
From 2015–2021, Harris worked on a series of personal rituals at High Acres Farm, his family's ancestral land in Shelburne, Vermont—ultimately producing a set of 21 short films, released in 2022 as In Fragments. [21] [22] [23]
Harris attended St. Bernard's School in New York City and Deerfield Academy in Massachusetts. He received his BA in computer science from Princeton University, where he studied with Brian Kernighan and Emmet Gowin. [24] [25] He also received a fellowship at the Fabrica Research Center in Italy. [26] [27]
Harris was named a "Young Global Leader" by the World Economic Forum in 2009. [28] [29] His projects have been widely exhibited around the world, and are in the permanent collection of the Museum of Modern Art in New York, and the Museum of Fine Arts, Houston. [30] [31] [32] In 2017, he was the Guest of Honor at the IDFA Film Festival in Amsterdam, where he offered a Master Talk summarizing his life and work. [33] [34]
Robert Frank was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Jonathan Jones is a British art critic who has written for The Guardian since 1999. He has appeared in the BBC television series Private Life of a Masterpiece and in 2009 was a judge for the Turner Prize. He has also been a judge for the BP Portrait Award.
The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Building in 2020, it is the 12th largest art museum in the world based on square feet of gallery space. The permanent collection of the museum spans more than 6,000 years of history with approximately 70,000 works from six continents.
Paola Antonelli is an Italian architect, curator, author, editor, and educator. Antonelli is the Senior Curator of Architecture and Design at the Museum of Modern Art (MoMA), New York, where she also serves as the founding Director of Research and Development. She has been described as "one of the 25 most incisive design visionaries in the world" by TIME magazine.
Sepandar David Kamvar, also known as Sep Kamvar, is a computer scientist, artist, author and entrepreneur. He is a cofounder of Mosaic, an AI-powered construction company, Celo, a cryptocurrency protocol, and Wildflower Schools, a decentralized network of Montessori microschools. He was previously a Professor of Media Arts and Sciences and LG Career Development Chair at MIT, and director of the Social Computing group at the MIT Media Lab. He left MIT in 2016.
Vanalyne Green is an American artist who also teaches and writes about culture. She has screened her video work extensively in the United States and abroad, including The Whitney Biennial (1991), American Film Institute, Rotterdam International Film Festival, the Videotheque de Paris, The Robert Flaherty Film Seminar, The Guggenheim Museum and many other museums, universities and film festivals. She has received a Guggenheim Foundation fellowship, as well as grants from Creative Capital, the Jerome Foundation, the Richard H. Driehaus Foundation (2003), the National Endowment for the Arts, the New York State Council of the Arts, and a Rome Prize at the American Academy in Rome (2001–2002). Her work has been covered in the Village Voice, the Los Angeles Weekly, The Chicago Reader, and Artforum. Publications by and about, and interviews with, Green also can be found in "Performance Artists Talking in the Eighties" by Linda M. Montano, "Women of Vision" by Alexandra Juhasz, in addition to M/E/A/N/I/N/G: An Anthology of Artists' Writings, Theory, and Criticism. Green's videotape "A Spy in the House that Ruth Built" was listed as one of the 1,000 best films ever made by film critic and author Jonathan Rosenbaum.
George Worsley Adamson, RE, MCSD was a book illustrator, writer, and cartoonist, who held American and British dual citizenship from 1931.
Rives is an American poet, storyteller, and author. He appeared on Seasons 3-6 of HBO's Def Poetry Jam and was a member of Team Hollywood, which won the 2004 National Poetry Slam. His best-known poems include "Kite," about waking up alone in a new lover's apartment, and "Mockingbird," which he performs differently every time, incorporating the words of other poets and speakers in the program.
Philip Hoare is an English writer, especially of history and biography. He instigated the Moby Dick Big Read project. He is Professor of Creative Writing at the University of Southampton and Leverhulme artist-in-residence at the Marine Institute, Plymouth University, which awarded him an honorary doctorate in 2011.
The four nominees for the Tate gallery's 2009 Turner Prize were Enrico David, Roger Hiorns, Lucy Skaer and Richard Wright. The award went to Richard Wright on 7 December 2009 winning him the £25,000 prize. The Turner jury said in a statement that they "admired the profound originality and beauty of Wright's work." The other shortlisted nominees each won £5,000.
We Feel Fine is an interactive website, artwork, and book created by Jonathan Harris and Sep Kamvar that searches the internet every 10 minutes for expressions of human emotion on blogs and then displays the results in several visually-rich dynamic representations. Created in 2005 and launched in 2006, We Feel Fine was turned into a book in 2009.
Joris Hendricus Laarman is a Dutch designer, artist, furniture maker, and entrepreneur best known for his experimental designs inspired by emerging technologies. Laarman's projects are a blend of technology, art and design, with a focus on the potential of 3D printing. Major projects include 3D-printed stainless-steel bridge in Amsterdam, which showcases the potential for creating adaptive, lightweight, and uniquely designed structures using 3D printing. Laarman has also explored furniture design, including the 'Bone' series which used 3D-optimization software to achieve optimal construction. The designer's work often evokes a futuristic feel while nodding to historical art movements, exemplified by pieces like his "Digital Matter" series. When Laarman speaks about his work he discussed the implications and responsibilities that come with breakthrough technologies.
The Large Horse is a 1914-31 bronze sculpture by French artist Raymond Duchamp-Villon, installed at the Museum of Fine Arts, Houston's (MFAH) Lillie and Hugh Roy Cullen Sculpture Garden in Houston, Texas, in the United States.
Angélique Adrianna Govy, better known as Govy, was a French artist diagnosed on the autism spectrum in 2013, and was an advocate for the neurodiversity movement. Their career began after their interactive art piece Photographic Diary in 2000 to 2001. Govy's work, including under the work names "Kennedy James" and "Jimmy Owenns", has been exhibited internationally at the Zendai MoMA of Shanghai, Triennale Design Museum of Milan, Wiels Contemporary Art Center of Brussels, Casoria Contemporary Art Museum of Naples, Rosario Museum of Contemporary Art of Santa Fe (Argentina) and Nuit Blanche of Paris. They are the recipient of three A' Design awards and two Videoformes awards.
Sara Modiano was a Colombian artist. Modiano's professional artistic career was made up of many styles of art that developed over the years. She is most known for her performance art and photographic series with elements of geometric shapes that overlap her self-portraits.
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Afro-Atlantic Histories is the title of a touring art exhibition first held jointly at the São Paulo Museum of Art (MASP) and the Instituto Tomie Ohtake in Brazil in 2018. The exhibition is made up of artworks and historical artifacts from and about the African diaspora, specifically focusing "on the 'ebbs and flows' among Africa, Americas, Caribbean and also Europe." Built around the concept of histórias, a Portuguese term that can include fictional and non-fictional narratives, Afro-Atlantic Histories explores the artistic, political, social, and personal impacts and legacies of the Transatlantic slave trade. The exhibition has been hailed by critics as a landmark show of diasporic African art.
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