Aachen is the 13th-largest city in North Rhine-Westphalia and the 27th-largest city of Germany, with around 249,000 inhabitants.
Charlemagne was King of the Franks from 768, King of the Lombards from 774, and Emperor from 800, all until his death. Charlemagne succeeded in uniting the majority of Western and Central Europe, and he was the first recognized emperor to rule Western Europe after the fall of the Western Roman Empire approximately three centuries earlier. Charlemagne's rule saw a program of political and societal changes that had a lasting impact on Europe in the Middle Ages.
Year 1002 (MII) was a common year starting on Thursday of the Julian calendar.
Aachen Cathedral is a Catholic church in Aachen, Germany and the seat of the Diocese of Aachen.
Fastrada was queen consort of East Francia by marriage to Charlemagne, as his third wife.
The Palatine Chapel in Aachen is an early medieval chapel and remaining component of Charlemagne's Palace of Aachen in what is now Germany. Although the palace itself no longer exists, the chapel was preserved and now forms the central part of Aachen Cathedral. It is Aachen's major landmark and a central monument of the Carolingian Renaissance. The chapel held the remains of Charlemagne. Later it was appropriated by the Ottonians and coronations were held there from 936 to 1531.
The Imperial Crown of the Holy Roman Empire, a hoop crown with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury at the Hofburg in Vienna, Austria.
Imperial cathedral is the designation for a cathedral linked to the Imperial rule of the Holy Roman Empire.
The Proserpina sarcophagus is a Roman marble sarcophagus from the first quarter of the third century AD, in which Charlemagne was probably interred on 28 January 814 in Aachen cathedral. It is displayed today in the Aachen Cathedral Treasury.
The following is a timeline of the history of the city of Aachen, Germany.
The Barbarossa Chandelier was made on the order of Emperor Frederick I, nicknamed Barbarossa, and his wife Beatrice sometime between 1165 and 1170 and was installed under the cupola of the Palatine Chapel in Aachen Cathedral. The chandelier was a donation in honour of Mary, Mother of God, the patroness of Aachen Cathedral and simultaneously represented a tribute to the builder of the cathedral, Charlemagne.
The Marienschrein in Aachen Cathedral is a reliquary, donated on the order of the chapter of Mary around 1220 and consecrated in 1239. Along with the Karlsschrein, the artwork, which is from the transitional period between romanesque and gothic, is among the most important goldsmith works of the thirteenth century.
The Noli me tangere casket was a small silver-gilt casket made in 1356 for the Aachen Cathedral Treasury. It measured 15.2 cm in length, 3.7 cm in height and 4.8 cm in width. The casket was kept in the Marienschrein together with the key relics of the cathedral until the nineteenth century and the casket remained in the possession of the cathedral treasury until its destruction during the Second World War.
The Throne of Charlemagne is a throne erected in the 790s by Charlemagne, as one of the fittings of his palatine chapel in Aachen and placed in the Octagon of the church. Until 1531, it served as the coronation throne of the King of the Romans, being used at a total of thirty-one coronations. As a result, especially in the eleventh century, it was referred to as the totius regni archisolium. Charlemagne himself was not crowned on this throne, but instead in the Old St. Peter's Basilica in Rome by Pope Leo III in 800 AD.
The Liuthar Gospels are a work of Ottonian illumination which are counted among the masterpieces of the period known as the Ottonian Renaissance. The manuscript, named after a monk called Liuthar, was probably created around the year 1000 at the order of Otto III at the Abbey of Reichenau and lends its name to the Liuthar Group of Reichenau illuminated manuscripts. The backgrounds of all the images are illuminated in gold leaf, a seminal innovation in western illumination.
The Aachen Gospels are a Carolingian illuminated manuscript which was created at the beginning of the ninth century by a member of the Ada School. The Evangeliary belongs to a manuscript group which is referred to as the Ada Group or Group of the Vienna Coronation Gospels. It is part of the church treasury of Charlemagne's Palatine Chapel, now Aachen Cathedral, and is today kept in the Aachen Cathedral Treasury. The Treasury Gospels and the more recent Ottonian Liuthar Gospels are the two most significant medieval manuscripts on display there.
The Ambon of Henry II, commonly known as Henry's Ambon (Heinrichsambo) or Henry's Pulpit (Heinrichskanzel) is an ambon in the shape of a pulpit built by Henry II, Holy Roman Emperor in the Palatine chapel in Aachen between 1002 and 1014. It is among the most significant artworks of the Ottonian period.
The Talisman of Charlemagne is a 9th-century Carolingian reliquary encolpion that may once have belonged to Charlemagne and is purported to contain a fragment of the True Cross. It is the only surviving piece of goldwork which can be connected with Charlemagne himself with some degree of probability, but the connection has been seriously questioned. The talisman is now kept in Rheims in the Palace of Tau.
The rich iconography of Charlemagne is a reflection of Charlemagne's special position in Europe's collective memory, as the greatest of the Frankish kings, founder of the Holy Roman Empire, unifier of Western Europe, protector of the Catholic Church, promoter of education and of the Carolingian Renaissance, fictional precursor of the crusades, one of the Nine Worthies, a (contested) Catholic saint, and a national icon in Andorra, Belgium, France and Germany.
