| Kele Mou Bana | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1991 | |||
| Recorded | September 25 & 25, 1990 | |||
| Genre | Jazz | |||
| Length | 55:36 | |||
| Label | Blue Note | |||
| Producer | Michael Cuscuna | |||
| Don Pullen chronology | ||||
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Kele Mou Bana is an album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1990 for the Blue Note label. [1]
The Allmusic review by Michael G. Nastos awarded the album 3½ stars stating "Everything with this band clicks from the word go, as Pullen weaves his way through a panoramic world view that, in this limited CD format, seems like he's merely scratching the surface of what this ensemble is capable of". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [2] |
Don Gabriel Pullen was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style.
Beat the Donkey is an album by percussionist Cyro Baptista, which marked the debut of his rotating percussion and dance ensemble that would become known as Beat the Donkey, which was released on the Tzadik label in 2002.
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Back Hand is an album by American jazz pianist Keith Jarrett recorded in two sessions in October 1974 that also gave way to the album Death and the Flower. Originally released in 1975 by Impulse!, it features performances by Jarrett's American Quartet, which included Dewey Redman, Charlie Haden and Paul Motian along with Guilherme Franco added on percussion. For a long time, the album remained a relatively obscure work until it was resuscitated by Impulse! years later.
Bap-Tizum is a 1972 live album by the Art Ensemble of Chicago recorded at the Ann Arbor Blues and Jazz Festival held at the Otis Spann Memorial Field and first released on the Atlantic label in 1973. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
Silver 'n Percussion is an album by jazz pianist Horace Silver released on the Blue Note label in 1977.
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Ode to Life is an album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1993 for the Blue Note label.
Live...Again: Live at Montreux is a live album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1993 at the Montreux Jazz Festival for the Blue Note label.
Jazz a Confronto 21 is an album by American jazz pianist Don Pullen recorded in Rome, Italy, on March 21, 1975 and released on the Horo label as part of the "Jazz a Confronto" series.
Solo Piano Album is an album by American jazz pianist Don Pullen recorded in 1975 for the Canadian Sackville label. In 2014 Delmark Records, which purchased the catalog of the Sackville label, reissued the album under the title Richard's Tune with two bonus tracks.
Tomorrow's Promises is an album by American jazz pianist Don Pullen recorded in 1976 and 1977 and released on the Atlantic label.
Don't Lose Control is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Soul Note label.
Decisions is an album by the George Adams–Don Pullen Quartet recorded in 1984 for the Dutch Timeless label.
Café is the stage name of Edson Aparecido da Silva, sometimes credited as Edson da Silva or Café da Silva, a percussionist, singer, composer, and music producer born in Villa Maria, São Paulo, Brazil. He moved to the U.S. in 1985.
Multikulti is an album by jazz trumpeter Don Cherry recorded between 1988 and 1990 and released in 1991 on the A&M label.
Much in Common is an album by bassist Ray Brown and vibraphonist Milt Jackson recorded in 1964 and released on the Verve label.
Unity is a live double album by jazz composer, bandleader and keyboardist Sun Ra and his Arkestra recorded in 1977 and originally released on the Italian Horo label.
Comin' and Goin' is the second album led by Native American saxophonist and composer Jim Pepper recorded in 1983 and first released on the French Europa label. The album was reissued on Antilles in 1987.
Sacred Common Ground is a 1995 album by pianist and composer Don Pullen. Recorded shortly before his death, it combines the forces of his African Brazilian Connection ensemble with a group of Native American musicians.
