Kenny Rogers and the First Edition, until 1970 billed as The First Edition, were an American rock band. The band's style was difficult to singularly classify, as it incorporated elements of country, rock and psychedelic pop.[3] Its stalwart members were Kenny Rogers (lead vocals and bass guitar), Mickey Jones (drums and percussion) and Terry Williams (guitar and vocals). The band formed in 1967, with folk musician Mike Settle (guitar and backing vocals) and the operatically trained Thelma Camacho (lead vocals) completing the lineup.[citation needed]
For the next six years, the First Edition enjoyed worldwide success. By the mid-1970s, frontman Kenny Rogers had embarked on a solo music career, becoming one of the top-selling country artists of all time.
Early days
Kenny Rogers and The First Edition were mostly made up of former members of the New Christy Minstrels who felt creatively stifled.[citation needed] The exception was Mickey Jones, who had been part of Bob Dylan's backing group on his first electric world tour.[citation needed] In 1967, with the help of Terry Williams' mother, who worked for producer and executive Jimmy Bowen, they signed with Reprise and recorded their first single together, "I Found a Reason", which had minor sales.[citation needed] Settle had first come up with the idea of forming the band as his work took on the characteristics of rock.[citation needed] Over the previous seven years, Settle had been writing decidedly more folk-oriented songs, most notably the oft-covered "Sing Hallelujah".[citation needed]
According to Mickey Jones' book That Would Be Me, Thelma was fired from the group in late 1968 (soon after the release of "But You Know I Love You" and the aforementioned Smothers Brothers television appearance, but before the record would chart on the Hot 100), after missing too many gigs and rehearsals.[citation needed] For her part, Thelma did not see it the same way. She has stated that while she always loved being with them in the studio, the road was too hard on her from a health and personal standpoint.[citation needed] All agreed that the situation could not continue, and she was replaced by her roommate, Mary Arnold, an Iowa-born singer who beat out newcomer Karen Carpenter for the job.[4] Thelma appears on the first three LPs plus half of the fourth album. Arnold made her debut on "Reuben James".[citation needed]
By the end of the decade Rogers had long brown hair, an earring, and pink sunglasses. Known affectionately in retrospect as "Hippie Kenny".[citation needed] Rogers had a notably smoother vocal style at the time.[citation needed] During mid-1969 the band scored another Top Ten hit with Mel Tillis' "Ruby, Don't Take Your Love to Town".[citation needed] Mickey's drumming was part of the hook. At Rogers' shows the song was often clapped along to, or joked around with, but it was meant seriously at the time.[citation needed] Telling the graphic story of a crippled veteran was admirably daring at the height of America's involvement with the war in Vietnam. The song lyrics were originally meant to address the Korean War, albeit in such a vague way that it could have referred to Korea, Vietnam, or even the Japanese attack on Pearl Harbor.[citation needed] The song was picked up by some disc jockeys, and there was suddenly great demand to release the final track recorded for, and included on, the First Edition '69 album.[citation needed] In order to release "Ruby" at the same time as the "But You Know I Love You" soundalike "Once Again She's All Alone", the group renamed themselves "Kenny Rogers and the First Edition".[citation needed] When "Ruby" became the hit, the name stuck.[citation needed] Terry later said that this made him feel like one of Gladys Knight's Pips.[citation needed] This, their third major hit single, like the previous two featured Kenny Rogers on lead, along with the band name change, these factors cemented Kenny's fate as a global household name.[citation needed]
Prime period
Kenny Rogers and the First Edition had five hits.[citation needed] A man Rogers at first took to be a rude fan first pitched "Reuben James" to Rogers at a golf match. The man, who turned out to be a song pitcher for American songwriter Alex Harvey, followed him around the greens singing the song until Rogers listened. Rogers loved the song's look at a black man raising a white boy and agreed to record it.[citation needed] "Reuben James" came out at the end of 1969, by which time Mike Settle had been gone for several months.[citation needed] During his absence, he was replaced by Kin Vassy.[citation needed] The group continued to record country, rock, and folk by fairly equal measures, blurring the lines among the genres.[citation needed]
The First Edition reached what was arguably the peak of their fame with "Something's Burning", a No.11 hit in early 1970.[citation needed] A blatantly sexual song, it was slightly hindered chart-wise by the controversy surrounding it.[citation needed] Regardless, Kenny's soft voice on verses and rock shouting on the chorus earned the group much acclaim. "Burning" opened with a sample of an actual heartbeat played backward to replicate the song's rhythmic beat.[citation needed]
Meanwhile, Terry Williams had begun to record some solo singles.[citation needed] Williams' "I'm Gonna Sing You A Sad Song Susie" was part of the First Edition's next LP Tell It All Brother. The title track (also written by Harvey), which dealt with love and brotherhood, was a national top 20 hit and topped WRKO's August 13, 1970, top 30 survey for one week.[citation needed] Released a month or so after the Kent State shootings, the song drew a standing ovation the night it debuted live.[citation needed]
In addition to the band's continuing frequent appearances on television, songs by Kenny Rogers and the First Edition were featured in two 1970 films.[citation needed] First up was the never released on record "If Nobody Loved" for the camp political comedy Flap.[citation needed] A few months later they recorded "Someone Who Cares" and "A Poem I Wrote For Your Hair" to appear in the soundtrack for the romantic film Fools starring Jason Robards Jr., and Katharine Ross. The Fools (soundtrack) was released in 1971.[citation needed]
At the end of 1970, the First Edition had their seventh Top 40 hit with the Vassy-penned "Heed the Call".[citation needed] Another song about the need for brotherhood, it was seen as an uptempo counterpart to the balladry of "Tell It All Brother."[citation needed] The next single, "Someone Who Cares", was taken from the Fools movie soundtrack.[citation needed] Though scoring high on the easy listening charts, "Someone Who Cares" failed to reach the pop top fifty.[citation needed] This ushered in a period during which the First Edition attempted to retool its image. Keyboard player John Hobbs was briefly in the lineup, but, though he played on future recordings, was not in the group long enough to appear on any album covers or publicity photos. His brief tenure was captured in the PBS television special Tell It All. The special provided an unusually in-depth look at the group, all of whom were at ease speaking in front of the camera.[citation needed] In mid-1971 the First Edition released a gospel single called "Take My Hand", which barely scraped into the bottom of the charts.[citation needed]
TV and later releases
After the success of a pilot shot in late 1970, the fall of 1971 saw Kenny Rogers and the First Edition become hosts of their own television series Rollin' on the River.[citation needed] Later to be shortened to Rollin, this was a variety show that was taped in Canada (taking advantage of recently imposed Canadian content requirements) which geared itself toward rock, blues, and folk performers and groups.[citation needed] Unlike the more Las Vegas-styled The Sonny & Cher Comedy Hour, Rollin was focused on harder-edged guests like Ike and Tina Turner, veterans like Bo Diddley, veteran Canadian based artists such as Ronnie Hawkins, and up and coming performers such as Jim Croce.[citation needed] The show also gave the First Edition a chance to do the comedy Kenny and Terry had long made a part of their act.[citation needed] Though it got good ratings, Rollin did have one ill side effect: the First Edition were now seen as television personalities instead of recording stars.[citation needed] Terry Williams' signature song, "What Am I Gonna Do", was to become the group's next single in late 1971.[citation needed] It was the first First Edition 45 not to chart since 1968.[citation needed]
Recorded over six months in 1971, and released in March 1972, The Ballad of Calico was written by future star Michael Martin Murphey and the First Edition's musical director and arranger Larry Cansler.[citation needed] Cansler replaced Hobbs on stage during this period, but despite his large creative role here, and on Rollin' on the River, he was not promoted on either as a member of the group.[citation needed] The album was a country rock opera about a late 19th-century mining town, but unlike most like-minded projects of the era, all of the songs were based on fact.[citation needed] The sleeve and booklet of this two-LP set had genuine and period-styled photos depicting the era, with all of the lyrics presented in hand-written script.[citation needed] The music was critically well received,[by whom?] with all of the group (outside of Mickey) taking at least one lead.[citation needed] The song chosen for a single was "School Teacher," an acoustic rhythm and blues song with a lead by Kin.[citation needed] "The Ballad Of Calico" has since picked up a large cult following, but back in 1972 it was all but ignored.[citation needed] According to Mickey Jones' book That Would Be Me, Vassy was fired several months after the "Calico's" release following a drunken backstage confrontation with Terry Williams.[citation needed]
By early 1972, Gene Lorenzo replaced Larry Cansler on stage and was made a full First Edition member.[citation needed] Jimmy Hassell joined the group about six months later to replace Vassy.[citation needed] Lorenzo was a keyboard and piano virtuoso.[citation needed] Hassell was a hard rock singer similar to Vassy, and physically resembled a friend of Terry's, actor Gary Busey.[citation needed] Both fit in well, without marring the public impression of the original members.[citation needed] Around the same time, Rogers formed his own label, Jolly Rogers (distributed by MGM.[citation needed] Rogers retained the name when he started his own publishing company as a solo artist) and the group left Reprise.[citation needed]
Their first Jolly Rogers release was a late 1972 country LP called Backroads.[citation needed] The third single from the album, a version of Merle Haggard's "Today I Started Loving You Again" reached the lower regions of the country charts in mid-1973.[citation needed] Then came a soundtrack from Rollin'.[citation needed] The album consisted mainly of cover songs, of which Kenny's remake of "The Long and Winding Road" and Gene and Terry's reworking of Bach's "Joy" were most notable.[citation needed] The album did not do well, and the TV show was soon canceled.[citation needed] The group increasingly played on the county fair circuit.[citation needed]
It was decided that a new image far away from their TV persona was required.[citation needed]Monumental tried to give them just this. Combining a wide variety of styles, it ranged from a Rogers-written rocker about prostitute "Morgana Jones" (later rerecorded by Rogers for his album The Gambler in 1978) to the nostalgic "42nd Street."[citation needed] The latter compared the New York of 1973 to the Broadway of the 1930s.[citation needed] "The Hoodooin' of Miss Fannie Deberry" (also re-recorded by Rogers for "The Gambler") and "The Ritual", was the LP's centerpiece.[citation needed]Monumental was one of their biggest sales failures in the United States, but in New Zealand it went gold.[citation needed] Following on the local success of "Rollin'" and the understated ballad "Lady, Play Your Symphony," "Lena Lookie" went to number six, and the group embarked on three New Zealand tours over the next two years.[citation needed] A documentary of their first trip, in late 1973, was aired as a 1975 TV special, Rollin Through New Zealand.[5]
As their domestic popularity continued to decline, Terry wanted to focus on the hard rockers that had done so well for them overseas. Kenny disagreed, wanting a more conservative agenda.[citation needed] Kenny admitted in his book Making It with Music, that he perhaps should not have complained about MGM's poor distribution on a radio show.[citation needed] Despite their mounting problems, New Zealand continued to consider the First Edition as superstars.[citation needed] Their next album was titled I'm Not Making My Music for Money especially for their New Zealand fans. An LP of this title was to have come out in the US but MGM rejected it.[citation needed] The US LP was basically going to be the same but with two new cuts replacing the two songs reused from "Monumental."[citation needed] Despite the retreads, the album did show continued development.[citation needed] A mix of new songs and remakes (possibly done because some songs were not available in New Zealand), "Love Woman" was now a hard rock jam featuring Jimmy on lead.[citation needed] This arrangement was borrowed from the band's stage performances of Bill Haley's "Rockin' Through the Rye".[citation needed] The ballads "Dirty Work" and "Daddy Was a Traveling Man" were a return to the more adult style of Terry's early work.[citation needed] "Making Music for Money" (another song remade for "The Gambler") is a song about art vs. commerce that Jimmy Buffett later covered. It charted well, but again only in New Zealand.[citation needed]
The split
In late 1974, they filmed a television movie called The Dream Makers.[citation needed] It was a drama about the music business and they played the group Catweazel.[citation needed] It was a small role with only Kenny and Mickey speaking any major lines.[citation needed] Despite the film giving them a chance to perform recent songs, the exposure did not halt their decline.[citation needed] Kenny had become short on money by 1974, and was in debt when he decided to hawk guitar lesson records on a commercial.[citation needed]
Wanting to give a solo career a shot, Terry left in the late spring of 1975.[citation needed] Kenny was upset but agreed to it, succeeding in getting Kin to come back so they could fill their pending engagements.[citation needed] Though he was hired to stay permanently, the reunion with Vassy did not go well and he ended up playing only one night.[citation needed] Mickey was the first to decide to leave in order to pursue his other dream, which was acting.[citation needed] Kenny began recording as a solo act that fall.[citation needed] The First Edition played their last scheduled shows in the fall of 1975 at Harrah's in Reno.[citation needed] Without Mickey, there were a few First Edition gigs in early 1976, done as a favor to Kenny who had not yet formed his solo band.[citation needed] Kenny later said that writing the song "Sweet Music Man" made him cut his hair and let it go gray, plus get rid of the earring.[citation needed] Mary Arnold often sang "Sweet Music Man" on the First Edition's post Terry Williams gigs and Kenny also tried the lead out a few times.[citation needed] This was to become one of Rogers' most covered compositions, and he himself had a No.9 country hit with it in the fall of 1977.[citation needed]
After the split
Kin and Terry fronted a new First Edition in 1993–94. They continued on a few months after Vassy's death, but they disbanded several months later. It was to be an attempt at relaunching the group as a contemporary country band who also played their hits. Terry's younger brother Ress played the drums.[citation needed]
In 1980, a compilation of some of the First Edition's greatest hits and album cuts, titled "Shine On", was issued in the United Kingdom.[citation needed] It sold fairly well but was overshadowed by The Kenny Rogers Singles Album, a Kenny Rogers solo greatest hits collection that, in addition to his solo hits, featured reworkings of the group's best known songs.[citation needed]
Currently there are many compilations of their work in print on various labels, some miscredited to Kenny alone with picture not of the period.[citation needed]
"Live Vegas '72" is the first new First Edition music to be released since 1974.[citation needed] The recording was a Kin Vassy era performance of an unknown date.[citation needed]
The band scored a total of 11 hit singles and eight hit albums on the Billboard charts.[citation needed]
On April 10, 2010, Kenny, Mike, Mickey, Terry, Mary, and Gene reunited as part of the Kenny Rogers: The First 50 Years TV special. This was filmed at the Foxwoods Resort Casino in Connecticut. They were joined by Wynonna Judd on a rendition of "Just Dropped In".[citation needed]
The First Edition semi-reunited with Rogers several times in 2014-2015 when he was elected to the Country Music Hall Of Fame.[citation needed] These were brief press conferences and performances only.
2005: Kenny Rogers: Going Home-Live at the House Of Blues UK DVD compatible with US format contains a 1994 Disney Channel documentary. Includes a five-minute First Edition segment with rare footage.
2005: Remember The 70's 60 min compilation of Rollin' hosted by Mickey Jones. Two First Edition performances are included as well as their intros for other artists.[9]
Note: all View Video releases were originally issued on VHS in the early nineties.
Numerous releases with miscellaneous Rollin' footage have come out in Europe and Australia. They are of dubious legality and were all quickly pulled from the market.
Further reading
Rogers, Kenny (1978). Making It with Music. New York: Harper & Row. ISBN0-06-013598-0.
Information on how to start an entertainment career. Insight on the First Edition in photos, their image, their music, how they got along etc.
Jones, Mickey (2007) That Would Be Me. Bloomington, Indiana: AuthorHouse. ISBN978-1-4343-0835-1
Mickey's autobiography contains previously unknown info on the First Edition. Photo section on the group is included.
Hume, Martha (1980). Kenny Rogers: Gambler, Lover, Dreamer. New York: New American Library. ISBN0-452-25254-7
Short biography of Rogers that goes into personal detail not covered in his own book.
Documentaries
"Tell It All"-Airdate: syndicated in fall of 1972. A PBS special filmed in early 1971 during a date in South Carolina. Goes backstage, shows rehearsals, and has in depth interviews with all of the group. Some of this was reused in "Kenny Rogers-The Journey". The rest is yet to be released on home video.
"Rollin' Through New Zealand"-Airdate: syndicated in early 1975. The First Edition star in this look at their visits and success in New Zealand. No official home video released, but producer Tony Williams put it online.[5]
"Kenny Rogers: A Gambler's Tale"-A&E Biography 1999. Kenny and Mike Settle are interviewed for this 60 min doc. Was available on VHS
"The Life and Times of Kenny Rogers"-CMT 2002. In depth look at Rogers includes interviews with Kenny, Mickey Jones, and Terry Williams
"Kenny Rogers-The Journey"-DVD 2006. A performance based documentary, that devotes about a quarter of its two-hour playing time to the First Edition. Includes vintage and new interviews with Rogers, as well as a new one by Mickey Jones.
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↑ Staff (March 21, 2020). "Kenny Rogers, Country and Pop Legend, Dies at 81". Billboard. Retrieved 2022-12-18. The Houston, Texas native — who carved out a successful pop/rock career with backing band the First Edition in the late 1960s
↑ Staff. "First Edition Biography". AllMusic. Retrieved 2022-12-18. Hard to pigeonhole, they included elements of country, rock and psychedelic pop.
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