The Turner Prize, named after the English painter J. M. W. Turner, is an annual prize presented to a British visual artist. Between 1991 and 2016, only artists under the age of 50 were eligible. The prize is awarded at Tate Britain every other year, with various venues outside of London being used in alternate years. Since its beginnings in 1984 it has become the UK's most publicised art award. The award represents all media.
Mark Wallinger is an English artist. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation State Britain. His work Ecce Homo (1999–2000) was the first piece to occupy the empty fourth plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. Labyrinth (2013), a permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work Writ in Water was realized for the National Trust to celebrate where Magna Carta was signed at Runnymede.
Douglas Gordon is a Scottish artist. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. He lives and works in Berlin, Germany.
Sarah Sze is an American artist and professor of visual arts at Columbia University.Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Grizedale Arts is a contemporary arts residency and commissioning agency based in Cumbria, England. Its primary artists' residency space is the former hill farm Lawson Park, sited on the edge of Grizedale Forest in the central Lake District. It also owns and runs a hybrid pub / arts centre The Farmer's Arms at Lowick, a listed building that was purchased with the support of investors and donors during the Covid19 pandemic. Grizedale Arts produces cultural projects locally, nationally and internationally with a particular focus on Japan, where a number of significant long term projects in rural communities have evolved. The focus of the organisation is on developing emerging artists and producing experimental projects that demonstrate the function of art as an everyday aspect of a worthwhile and productive life. The organisation is financially supported by Arts Council England. Adam Sutherland MBE, director since 1999, guest-curated 'The Land We Live In, The Land We Left Behind' for Hauser & Wirth Somerset in 2018, a major historic and contemporary survey of rural cultures that attracted over 40,000 visitors to the galleries in Bruton.
Margaret Salmon is an American and British based film maker-artist.
The Max Mara Art Prize for Women is a biennial arts prize awarded to a young female artist working in the United Kingdom. It is organized by the Max Mara fashion company and the Whitechapel Gallery in London. The prize includes a six-month residency in Italy, during which the artist creates an art project to be exhibited at the Whitechapel Gallery and at the Collezione Maramotti in Reggio Emilia, in Emilia-Romagna in northern Italy.
Cathy Wilkes is a Northern Irish artist who lives and works in Glasgow. She makes sculpture, paintings, and installations. She was the recipient of the Inaugural Maria Lassnig Prize in 2017 and was commissioned to create the British Pavilion in Venice in 2019.
Adam Chodzko is a contemporary British artist, exhibiting internationally. His practice uses a wide range of media, including video, installation, photography, drawing, and performance.
The Collezione Maramotti is the private collection of contemporary art of Achille Maramotti, who founded Max Mara. It is housed in the former premises of the company in Reggio Emilia, in Emilia Romagna in central Italy, converted for the purpose by the British architect Andrew Hapgood. It contains some two hundred works, and is open to visitors by appointment only. It also organises temporary exhibitions.
Mika Rottenberg is a contemporary Argentine born US based video artist who lives and works in New York. Rottenberg is best known for her video and installation work that often "investigates the link between the female body and production mechanisms". Her work has been exhibited both nationally and internationally.
Kimsooja was born in Daegu, South Korea. Kimsooja is a multi-disciplinary conceptual artist who travels between her three homes and places of work in New York City, Paris, and Seoul. In 1980 Kim graduated with a B.F.A in Painting from Hong-Ik University, Seoul and continued to pursue her M.F.A there, obtaining the degree in 1984 at the age of 27. Her origin as a painter was a crucial starting point for the development of her art. That same year, she received a scholarship to study art at Ecole Nationale Supérieure des Beaux-Arts in Paris, France, where she studied Printmaking. Her first solo exhibition was held in 1988 at Gallery Hyundai, Seoul. Currently, her work is featured in countless international museums and galleries as well as public art fairs and other spaces. Her practice combines performance, film, photo, and site-specific installation using textile, light, and sound. Kimsooja's work investigates questions concerning the conditions of humanity, while engaging issues of aesthetics, culture, politics, and the environment. Her principle of ‘non-doing’ and ‘non-making,’ which follows a conceptual and structural investigation of performance through modes of mobility and immobility, inverts the notion of the artist as the predominant actor.
Andrea Büttner is a German artist. She works in a variety of media including woodcuts, reverse glass paintings, sculpture, video, and performance. She creates connections between art history and social or ethical issues, with a particular interest in notions of poverty, shame, vulnerability and dignity, and the belief systems that underpin them.
Moon Kyungwon is a Seoul-based artist who received her Masters of Fine Arts from the California Institute of the Arts (CalArts) and Ph.D in Visual Communication from Yonsei University, South Korea. Moon held her solo exhibition at the Fukuoka Asian Art Museum in 2004. Her recent exhibitions include Poiesis of Collective Intelligence at Yamaguchi Center Arts and Media in 2013 and A Different Similarity at BOCUM Museum, Germany in 2010. In 2012, Moon and a fellow artist, Jeon Joonho, participated in Documenta (13) in Kassel, Germany and collectively received the 2012 Noon Award Grand Prize and 2012 Korea Artist Prize at Gwangju Biennale. In 2013, the two artists put on a large-scale exhibition called News from Nowhere at the Sullivan Galleries inside the School of the Art Institute of Chicago (SAIC). Curated by Sook-Kyung Lee from Tate Modern, Moon Kyungwon and Jeon Joonho were selected to showcase their collaborative video installation, The Ways of Folding Space and Flying at the Korean Pavilion for 2015 Venice Biennale. Moon currently works and resides in Seoul, South Korea and teaches at the College of Art and Design, Ewha Womans University
The 2013 Turner Prize was won by the French artist Laure Prouvost. The prize exhibition was held at Building 80/81, Ebrington Square in Derry~Londonderry, from 23 October 2013 to 5 January 2014, as part of the UK City of Culture celebrations. The building, a former army barracks converted into offices, was transformed into a temporary art gallery for the Turner show, and returned to offices afterwards The awards ceremony was held at Ebrington on 2 December 2013. It was the first-time the exhibition and prize ceremony were held outside England.
Helen Elizabeth Marten is an English artist based in London who works in sculpture, video, and installation art. Marten studied at the Ruskin School of Drawing and Fine Art at the University of Oxford (2005–2008) and Central Saint Martins (2004). Her work has been included in the 56th Venice Biennale and the 20th Biennale of Sydney. She has won the 2012 LUMA Award, the Prix Lafayette in 2011, the inaugural Hepworth Prize and the Turner Prize, both in 2016. Marten is represented by Greene Naftali Gallery in New York.
Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, Art Fund Museum of the Year 2018. There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including: Outi Pieski (2024); Hera Büyüktaşcıyan (2023); Burçak Bingöl (2022); Prabhakar Pachpute (2022); Thảo Nguyên Phan (2022); Petrit Halilaj (2021); Haegue Yang (2020); Otobong Nkanga (2019); Huguette Caland (2019); Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019).
The French pavilion houses France's national representation during the Venice Biennale arts festivals.
Alberta Whittle is a Barbadian-Scottish multidisciplinary artist who works across media: film, sculpture, print, installation and performance. She lives and works in Glasgow. She was the winner of the Margaret Tait Award in 2018, winner of the Frieze Artist Award in 2020, received a Turner Prize bursary, also in 2020, and represented Scotland at the 59th International Art Exhibition – La Biennale di Venezia in 2022.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which was described by ARTnews as one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
