Leap of Faith (musical)

Last updated

Leap of Faith
Leap of Faith Broadway Playbill cover.jpg
Broadway Playbill cover
Music Alan Menken
Lyrics Glenn Slater
Book Janus Cercone
Warren Leight
Basis Leap of Faith
by Janus Cercone
Productions2010 Los Angeles
2012 Broadway (St. James Theatre)

Leap of Faith is a stage musical based on the 1992 American movie of the same name, which starred Steve Martin. The music is by Alan Menken, with lyrics by Glenn Slater and a book by Janus Cercone and Warren Leight about a con man posing as a man of faith, who is redeemed by the love of a good woman.

Contents

The musical premiered in September 2010 in Los Angeles for a limited run through October, directed and choreographed by Rob Ashford. [1] The musical opened on Broadway in April 2012.

Production history

A workshop was held in May 2008, with Taylor Hackford directing. The cast included Raul Esparza as Jonas Nightingale and Elizabeth Stanley as Marla McGowan. [2] At the time, producer Tom Viertel said :"As with any productive workshop of a new musical, we learned a lot about 'Leap of Faith' last month, including what works well and what needs work. But we have no plans and have made no decisions to alter the creative team in any way whatsoever." [3]

Another workshop was held in New York in early 2010, with Sutton Foster and a new director, Rob Ashford. [4]

Leap of Faith, with Rob Ashford as director and choreographer, made its world premiere at the Ahmanson Theatre in Los Angeles. Previews commenced on September 11, 2010, opening night was on October 3, with the run ending October 24. [5] [6] [7] [8]

The show opened on Broadway at the St. James Theatre in previews on April 3, 2012, officially on April 26. [9] Raul Esparza, Jessica Phillips and Kendra Kassebaum played the lead roles, with direction by Christopher Ashley and choreography by Sergio Trujillo. [9] [10] The book was revised by Warren Leight. [11] Menken discussed the style of the songs: "Menken told Playbill.com that his score is flavored with the sounds of gospel, country and American roots music." [9]

The production closed on May 13, 2012, after 24 previews and 20 performances. It was reported (by The New York Times) that the entire $14 million investment was lost. [12]

Synopsis

Note: Based on the Broadway production [11]

A con artist, the "Reverend" Jonas Nightingale, travels with his ministry, but his bus breaks down in a small Kansas town. The some-time reverend pitches a tent and invites the townspeople to a revival. However, the sheriff, a woman named Marla McGowan, is determined to stop Jonas from taking the people's money. Jonas is challenged when he becomes romantically involved with the sheriff. Her love forces the cynical Reverend to come to terms with his life.

Musical numbers

Cast and characters

Critical response

Los Angeles

The Backstage reviewer wrote: "Though the overlong show improves marginally during the home stretch, its story and themes never fully cohere, and the derivative, gospel-driven Alan Menken-Glenn Slater score is disappointing. By inserting superfluous Agnes de Mille-style ballet segments, as if this were a modern-day Rodgers-and-Hammerstein opus, and pumping up the volume and the histrionics, it's clear Menken, director-choreographer Rob Ashford, and co-librettists Slater and Janus Cercone envisioned this adaptation as more of an artsy prestige musical than a sentimental bromide for The Sound of Music crowd ... Esparza has a dynamic singing voice and is a formidable presence, but his Mephistophelean con man seems a shade too smarmy for us to buy into his eventual redemption. The performer also sometimes indulges in a mush-mouthed Brando broodiness that seems inappropriate here. Shields sings sweetly if not spectacularly and provides a welcome note of calmness amid the boisterous goings-on." [13]

Charles McNulty, in his review for the Los Angeles Times , wrote: "much of the score is derivative, the dancing often seems like ballet school parody, Shields' singing defensively retreats to the safest possible key and the closing moments are pure sentimental hokum. But there's a fascinating character in the middle of it all, and a performance by Esparza that digs deep into questions of faith, love and mystery. The show needs another overhaul, but it's easy to see why the creators have persisted for so long with this project: There's something uniquely compelling in the source material. I hope the collaborators press on (Broadway is apparently in their sights). They can begin with some radical pruning." [14]

Broadway

The show received mixed-to-negative reviews on Broadway, with critics writing generally of the show's unsurprising and predictable plot, Esparza's hardworking performance (whether for good or ill), and a bland and confused tone.

Ben Brantley of The New York Times called the show "this season's black hole of musical comedy, sucking the energy out of anyone who gets near it." He criticized Esparza for "[seeming] to keep a chilly distance from his character", and the show in general for working in "bad faith" and "[recycling] its clichés without a shred of true conviction." [15] Erik Haagensen of Backstage called the "ersatz musical" "a compendium of formulaic characters and clichéd situations all too obviously cribbed from better and more original works"; [16] and Joe Dziemianowicz of the New York Daily News wrote that "nothing happens in this frustrating and manipulative new Broadway musical ... you don't see coming a mile away." [17]

Dziemianowicz also called Esparza's performance "big, bold and a little buggy, but ... never boring", [17] while Elisabeth Vincentelli of the New York Post (in a highly positive review) called his performance somewhat "sinister", but also alluring ("[Y]ou can also see why the good people of Sweetwater would so eagerly swallow Jonas's hooks: He's got some bright, snazzy lures.") [18] Scott Brown of New York Magazine, however, called Esparza "transparently shifty" and "[seeming] to be winking at his marks at every turn", and wrote that "there's not an ounce of adequately feigned sincerity in him." [19]

Brown also described the show as "persistently confused ... in tone, content, and mood", and that "Leap feels like the not-awful, not-wonderful product of a long series of compromises"; [19] Elysa Gardner of USA Today (in a 2 1/2-star out of 4 review) called it "an odd, uneasy mix of souped-up razzle-dazzle and earnest romantic drama"; [20] and David Cote of Time Out New York (in a 2 out of 5-star review) called the show "bland and confused", "never [finding] the right proportion of comic cynicism to wide-eyed spiritual wonder". [21]

Terry Teachout of the Wall Street Journal called the show "as slick as ice on Teflon", lacking in "sweat and heart" - but that "if you're looking for pure Broadway razzmatazz, Leap of Faith delivers the goods". [22]

Some critics, however, were more positive. Vincentelli wrote that while "you can see everything coming a mile away" in the show, "[t]he only surprise is ... how ridiculously fun it is" – and that "[i]f there's a lesson in Leap of Faith, it's that high-energy entertainment is the perfect sweetener". [18] Chris Jones of the Chicago Tribune wrote that the show was "actually an interesting new American musical that, in its best moments, takes a look at a side of America that musicals usually fly right over", while praising the "admirably complex" Esparza as "the guy you want in your show when your leading character is having a crisis of faith", and that the show "delivers, with considerable flourish, the always-useful message that the more you think you know about life, the less the truth reveals itself." [23] David Finkle of TheaterMania described Esparza's performance as "his finest ... to date", and praised the show for having three of that Broadway seasons' best musical numbers (in "I Can Read You", "Dancin' in the Devil's Shoes" and "Are You On the Bus?"). [24]

Awards and nominations

Original Broadway production

YearAwardCategoryNomineeResult
2012 Tony Award Best Musical Nominated
Drama Desk Award Outstanding Musical Nominated
Outstanding Book of a Musical Janus Cercone and Warren Leight Nominated
Outstanding Actor in a Musical Raúl Esparza Nominated
Outstanding Director of a Musical Christopher Ashley Nominated
Outstanding Choreography Sergio Trujillo Nominated
Outstanding Music Alan Menken Nominated

Related Research Articles

<span class="mw-page-title-main">Alan Menken</span> American composer (born 1949)

Alan Irwin Menken is an American composer, pianist, music director, and record producer, best known for his scores and songs for films produced by Walt Disney Animation Studios. Menken's music for The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and Pocahontas (1995) has each won him two Academy Awards. He also composed the scores and songs for Little Shop of Horrors (1986), Newsies (1992), The Hunchback of Notre Dame (1996), Hercules (1997), Home on the Range (2004), Enchanted (2007), Tangled (2010), and Disenchanted (2022), among others. His accolades include winning eight Academy Awards — becoming the second most prolific Oscar winner in the music categories after Alfred Newman, a Tony Award, eleven Grammy Awards, seven Golden Globe Awards, and a Daytime Emmy Award. Menken is one of nineteen people to have won an Emmy, a Grammy, an Oscar and a Tony.

<i>How to Succeed in Business Without Really Trying</i> (musical) 1961 musical by Frank Loesser, Abe Burrows, Jack Harlow, and Willie Gilbert

How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.

Glenn Slater is an American lyricist for musical theatre. He has collaborated with Alan Menken, Christopher Lennertz, Andrew Lloyd Webber, among other composers. He was nominated for three Tony Awards for Best Original Score for the Broadway version of The Little Mermaid at the 62nd Tony Awards in 2008, Sister Act at the 65th Tony Awards in 2011, and School of Rock at the 70th Tony Awards in 2016.

<span class="mw-page-title-main">Disney Theatrical Productions</span> Subsidiary of The Walt Disney Company

Disney Theatrical Productions Limited (DTP), also known as Disney on Broadway, is the stageplay and musical production company of the Disney Theatrical Group, a subsidiary of Disney Entertainment, a major division and business unit of The Walt Disney Company.

<span class="mw-page-title-main">Stephanie J. Block</span> American actress and singer (born 1972)

Stephanie Janette Block is an American actress and singer, best known for her work on the Broadway stage.

David Joel Zippel is an American musical theatre lyricist, director, and producer.

<i>Leap of Faith</i> (film) 1992 film by Richard Pearce

Leap of Faith is a 1992 American comedy-drama film directed by Richard Pearce and starring Steve Martin, Debra Winger, Lolita Davidovich, Liam Neeson, and Lukas Haas. The film is about Jonas Nightengale, a Christian faith healer who uses his revival meetings to milk money out of the inhabitants of Rustwater, Kansas.

Kendra Kassebaum is an American theatre actress, who has performed in many different musicals, and is perhaps best remembered for playing the role of Glinda in the first national tour, Broadway, and San Francisco casts of the blockbuster musical Wicked.

<span class="mw-page-title-main">Kelli O'Hara</span> American actress and singer (born 1976)

Kelli Christine O'Hara is an American actress and singer, most known for her work on the Broadway and opera stages.

<i>Memphis</i> (musical) Musical

Memphis is a musical with music by David Bryan, lyrics by Bryan and Joe DiPietro, and a book by DiPietro.

<span class="mw-page-title-main">Raúl Esparza</span> American actor

Raúl Eduardo Esparza is an American actor and singer. Considered one of Broadway's most prominent leading men since the 2000s, he is best known for his Tony Award-nominated performance as Bobby in the 2006 Broadway revival of Company and for his television role as New York Assistant District Attorney (ADA) Rafael Barba in Law & Order: Special Victims Unit, where he had a recurring role in Season 14 and was promoted to a series regular in Seasons 15 to 19.

<span class="mw-page-title-main">Rob Ashford</span> American stage director and choreographer

Rob Ashford is an American stage director and choreographer. He is a Tony Award, Olivier Award, Emmy Award, Drama Desk Award, and Outer Critics Circle Award winner.

<span class="mw-page-title-main">Annaleigh Ashford</span> American actress, singer, and dancer (born 1985)

Annaleigh Amanda Ashford is an American actress, singer, and dancer. Her early roles on Broadway include in the musicals Wicked (2007), Legally Blonde (2007), and Hair (2010). She received the Tony Award for Best Featured Actress in a Play for playing Essie Carmichael in You Can't Take It With You (2014–2015). Her other Tony-nominated roles include Lauren in Kinky Boots (2013) and Mrs. Lovett in Sweeney Todd: The Demon Barber of Fleet Street (2023). She also starred in the Broadway revival of Sunday in the Park with George (2017).

Warren Carlyle is a British director and choreographer who was born in Norwich, Norfolk, England. He received Drama Desk Award nominations for Outstanding Choreography and Outstanding Director of a Musical for the 2009 revival of Finian's Rainbow.

Christopher Ashley is an American stage director. Since 2007, he has been the artistic director of the La Jolla Playhouse.

<i>The Scottsboro Boys</i> (musical) Musical

The Scottsboro Boys is a musical with a book by David Thompson, music by John Kander and lyrics by Fred Ebb. Based on the Scottsboro Boys trial, the musical is one of the last collaborations between Kander and Ebb prior to the latter's death. The musical has the framework of a minstrel show, altered to "create a musical social critique" with a company that, except for one, consists "entirely of African-American performers".

<span class="mw-page-title-main">66th Tony Awards</span>

The 66th Annual Tony Awards was held on June 10, 2012, to recognize achievement in Broadway productions during the 2011–2012 season. The ceremony was held at the Beacon Theatre, and was broadcast live on CBS television,

<i>Fun Home</i> (musical) Musical adapted by Lisa Kron and Jeanine Tesori

Fun Home is a musical theatre adaptation of Alison Bechdel's 2006 graphic memoir of the same name, with music by Jeanine Tesori, and book and lyrics by Lisa Kron. The story concerns Bechdel's discovery of her own lesbian sexuality, her relationship with her closeted gay father, and her attempts to unlock the mysteries surrounding his life. It is told in a series of non-linear vignettes connected by narration provided by the adult Alison character.

<i>Kurt Vonneguts God Bless You, Mr. Rosewater</i>

Kurt Vonnegut's God Bless You, Mr. Rosewater is a 1979 musical that marked the first collaboration of composer Alan Menken and writer Howard Ashman. Based on Kurt Vonnegut's 1965 novel of the same name, the musical tells the story of Eliot Rosewater, a millionaire who develops a social conscience and creates a foundation to improve the lives of the citizens of an impoverished Indiana town.

Jessica Phillips is an American actress, best known for her roles in multiple Broadway shows and the role of Pippa Cox in Law & Order: Special Victims Unit.

References

  1. ↑ Jones, Kenneth (January 28, 2010). "Leap of Faith, Menken's Gospel-Filled Musical Comedy, Will Premiere in L.A." Playbill. Retrieved July 3, 2022.
  2. ↑ Gans, Andrew; Hernandez, Ernio (April 30, 2008). "Esparza, Kassebaum, White, Mann and More Take a Leap of Faith in Musical Workshop". Playbill. Retrieved July 3, 2022.
  3. ↑ Riedel, Michael (June 20, 2008). "No 'Faith' in Director". New York Post.
  4. ↑ Horn, John (September 26, 2010). "Musical makes one 'Leap of Faith' after another". Los Angeles Times. Retrieved July 3, 2022.
  5. ↑ Fick, David (September 11, 2010). "Take A LEAP OF FAITH: Previews Start Tonight". MusicalCyberspace.com.
  6. 1 2 "Leap of Faith | Ahmanson Theatre". CenterTheatreGroup.org. Archived from the original on September 5, 2010. Retrieved December 25, 2010.
  7. ↑ Hodgins, Paul (October 5, 2010). "'Leap of Faith' needs change of story". The Orange County Register. Retrieved July 3, 2022.
  8. ↑ Jones, Kenneth (April 22, 2010). "Leap of Faith, the Musical, Will Premiere in L.A. in September; Ashford Directs". Playbill. Retrieved July 3, 2022.
  9. 1 2 3 Jones, Kenneth (April 26, 2012). "Leap of Faith, With Raúl Esparza at the Musical Pulpit, Opens on Broadway". Playbill. Retrieved July 3, 2022.
  10. ↑ Cerasaro, Pat (November 15, 2010). "BWW Exclusive: Alan Menken Talks Tangled, Sister Act, Leap Of Faith, Hunchback, Aladdin & More". BroadwayWorld.
  11. 1 2 3 Jones, Kenneth (April 3, 2012). "Come All Ye Faithful: Raúl Esparza Begins Preaching in Broadway's Leap of Faith April 3". Playbill. Retrieved July 3, 2022.
  12. ↑ Jones, Kenneth (May 13, 2012). "Leap of Faith, the Musical, Pulls Down Its Broadway Tent May 13". Playbill. Retrieved July 3, 2022.
  13. ↑ (no author). "LA Theatre Reviews, 'Leap Of Faith'", backstage.com, October 4, 2010 (retrieved December 26, 2010)
  14. ↑ McNulty, Charles. "Theater Review; It takes faith", Los Angeles Times, October 5, 2010, P.1, Part D
  15. ↑ Brantley, Ben (April 26, 2012). "'Leap of Faith,' With Raúl Esparza at St. James Theater". The New York Times. ISSN   0362-4331 . Retrieved June 12, 2019.
  16. ↑ Haagensen, Erik (April 26, 2012). "NY Review: 'Leap of Faith'". www.backstage.com. Retrieved June 12, 2019.
  17. 1 2 Dziemianowicz, Joe (April 26, 2012). "Theater review: 'Leap of Faith'". nydailynews.com. Retrieved June 12, 2019.
  18. 1 2 Vincentelli, Elisabeth (April 27, 2012). "Celebrate 'Leap' here". New York Post. Retrieved June 12, 2019.
  19. 1 2 Brown, Scott (April 26, 2012). "Theater Review: "Leap of Faith" Falls Short". Vulture. Retrieved June 11, 2019.
  20. ↑ Gardner, Elysa (April 26, 2012). "'Leap of Faith' doesn't quite soar". USA Today. Archived from the original on April 30, 2012. Retrieved June 12, 2019.
  21. ↑ Cote, David (April 26, 2012). "Leap of Faith | in New York". Time Out New York. Retrieved June 12, 2019.
  22. ↑ Teachout, Terry (April 26, 2012). "Ersatz Antique". Wall Street Journal. ISSN   0099-9660 . Retrieved June 12, 2019.
  23. ↑ Jones, Chris. "'Leap of Faith' is a musical with a message". Chicago Tribune. Retrieved June 12, 2019.
  24. ↑ Finkle, David (April 26, 2012). "Leap of Faith". TheaterMania. Retrieved June 12, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.