The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid- to late 1970s.
Maurice Ernest Gibb was a British musician. He achieved worldwide fame as a member of the pop group Bee Gees. Although his elder brother Barry Gibb and fraternal twin brother Robin Gibb were the group's main lead singers, most of their albums included at least one or two songs featuring Maurice's lead vocals, including "Lay It on Me", "Country Woman" and "On Time". The Bee Gees are one of the most successful pop-rock groups of all time.
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded.
Mr. Natural is the twelfth studio album by the Bee Gees, released in 1974. It was the first Bee Gees release produced by Arif Mardin, who was partially responsible for launching the group's later major success with the follow-up album Main Course. The album's rhythm and blues, soul, funk, and hard rock sounds initiated the group's reinvention as a disco and blue-eyed soul act, which would solidify on subsequent albums. However, Barry Gibb has said that the album was "whiter" than Main Course. The cover photograph was taken at 334 West 4th Street, Greenwich Village, New York City by Frank Moscati, which is today known as The Corner Bistro tavern.
Main Course is the thirteenth studio album by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Idea is the fifth album by the Bee Gees. Released in September 1968, the album sold over a million copies worldwide. The album was issued in both mono and stereo pressings in the UK. The artwork on the Polydor release designed by Wolfgang Heilemann featured a "beehive" neon lightbulb with a group photo in its base, while the North American ATCO release designed by Klaus Voormann featured a composite head made from each band member. It was their third internationally released album – the first two albums being released only in the Australian market.
2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US, but peaked at No. 33 in the United Kingdom.
To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar. The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways: it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion.
Spicks and Specks is the second studio album by the Bee Gees. It was released in November 1966, on Spin. Primarily written by Barry Gibb, the album includes the first Robin Gibb composition "I Don't Know Why I Bother With Myself" and a Maurice Gibb composition "Where Are You".
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
"New York Mining Disaster 1941" is the debut American single by the Bee Gees, released on 14 April 1967. It was written by Barry and Robin Gibb. Aside from a moderately successful reissue of their Australian single "Spicks and Specks," it was the first single release of the group's international career and their first song to hit the charts in both the UK and the US. It was produced by Ossie Byrne with their manager Robert Stigwood as executive producer. The song was the first track of side two on the group's international debut album, Bee Gees' 1st. This was the first single with Australian drummer Colin Petersen as an official member of the band.
"Ordinary Lives" is a song by the Bee Gees from their 16th studio album One, released on 27 March 1989 by Warner Records as the album's first single. It was written by the group and they produced it with Brian Tench. Following the premature death of their younger brother Andy Gibb in 1988, the Bee Gees dedicated this song and their new album to him. Originally the song was titled "Cruel World" but was later changed to "Ordinary Lives". The song reached the top 10 in Switzerland and Germany, and hitting the top 40 in some European countries except France and the UK, where it peaked at number 49 and 54 respectively.
Bee Gees' 1st is the third studio album by the Bee Gees, and their first international full-length recording after two albums distributed only in Australia and New Zealand. Bee Gees' 1st was the group's debut album for the UK Polydor label, and for the US Atco label. Bee Gees 1st was released on 14 July 1967 in the UK. On 9 August it entered the UK charts; on that same day, the album was released in the US, and it entered the US charts on 26 August.
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
"Wouldn't I Be Someone" is a song by the Bee Gees. It was released on 22 June 1973 in the United Kingdom and in July 1973 in the United States. The photo on the cover of the single was also used on Best of Bee Gees, Volume 2.
"Every Christian Lion Hearted Man Will Show You" is a song written by Barry, Robin & Maurice Gibb released by the Bee Gees in 1967 on their album Bee Gees' 1st. It was released as the B-side to "Holiday" in the US, Australia and Canada.
"Saw a New Morning" is the 1973 single released by the Bee Gees. It was also the group's first single released on Robert Stigwood's newly created records label RSO Records. The Bee Gees moved to Los Angeles in 1972 to record the album Life in a Tin Can which was a new direction for the group, who had been recording in England since 1967. The B-side, "My Life Has Been a Song" features lead vocal by Robin Gibb as well as Barry Gibb.
A Kick in the Head Is Worth Eight in the Pants is an unreleased studio album by the Bee Gees. Originally known as The Bee Gees Album, recording began in late 1972 at The Record Plant in Los Angeles around the same time as tracks for Life in a Tin Can were being recorded. Ten tracks were recorded in October 1972 and four more were recorded in January 1973 in London, England.
"Kitty Can" is a song by the Bee Gees, composed by Barry, Robin and Maurice Gibb. It was released as the B-side of "I've Gotta Get a Message to You" in July 1968, and as the second track on the album Idea in September 1968. In 1973, RSO Records released a compilation called Kitty Can only in Argentina and Uruguay, and this song appeared as the first track on that album.
