Limekiln at Coalbrookdale is an oil on panel painting by J. M. W. Turner, painted c. 1797. It is held at the Yale Center for British Art, in New Haven. [1] [2]
Limekiln at Coalbrookdale is an oil on panel painting by J. M. W. Turner, painted c. 1797. It is held at the Yale Center for British Art, in New Haven. [1] [2]
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Joseph Mallord William Turner, known in his time as William Turner, was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper. He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.
John Sell Cotman was an English marine and landscape painter, etcher, illustrator, and a leading member of the Norwich School of painters.
The Yale Center for British Art at Yale University in central New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.
The Yale School of Art is the art school of Yale University. Founded in 1869 as the first professional fine arts school in the United States, it grants Masters of Fine Arts degrees to students completing a two-year course in graphic design, painting/printmaking, photography, or sculpture.
Rain, Steam, and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner.
Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. It houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. The museum had 525,144 visitors in 2021, an increase of 34 percent from 2020 but still well below pre- COVID-19 pandemic levels. In 2021 it ranked 50th on the list of most-visited art museums in the world.
Modern Rome – Campo Vaccino is a landscape by British artist Joseph Mallord William Turner completed in 1839. It is Turner's final painting of Rome and had been in the possession of the family of the 5th Earl of Rosebery since 1878, until the painting came to auction, 7 July 2010. It was bought by the J. Paul Getty Museum, Los Angeles, and was subject to an export bar to allow a British gallery time to attempt to match the Getty's bid.
Thomas Hearne was an English landscape painter, engraver and illustrator. Hearne's watercolours were typified by applying a wash of subtle subdued colours over a clear outline in fine brush, pen or pencil. His techniques were studied by younger artists such as Thomas Girtin and J. M. W. Turner.
The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834. They are now in the Philadelphia Museum of Art and Cleveland Museum of Art.
The Fountain of Indolence is an oil painting by the English artist J. M. W. Turner. First exhibited in 1834, it is now in the collection of the Beaverbrook Art Gallery in Fredericton, New Brunswick, Canada.
High Street, Oxford is an oil painting by J. M. W. Turner that was exhibited in 1810.
The Dort, or Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed is an 1818 painting by J. M. W. Turner, based on drawings made by him in mid September 1817. It shows a view of the harbour of Dordrecht. It is the finest example of the influence of Dutch marine painting on Turner's work.
Port Ruysdael is an 1826 oil on canvas painting by the English painter J. M. W. Turner. It is in the collection of the Yale Center for British Art in New Haven.
Martin Richard Fletcher Butlin, CBE, FBA is a British art historian. His main field of study is British art history and his published works reflect, in particular, a study of art of the 18th and 19th centuries. He is an authority on J.M.W. Turner (1775–1851) and William Blake (1757–1827).
The Destruction of Sodom and Gomorrah is a painting by the English painter John Martin from 1852.
Fishermen at Sea, sometimes known as the Cholmeley Sea Piece, is an early oil painting by English artist J. M. W. Turner. It was exhibited at the Royal Academy in 1796 and has been owned by the Tate Gallery since 1972. It was the first oil painting by Turner to be exhibited at the Royal Academy. It was praised by contemporary critics and burnished Turner's reputation, both as an oil painter and as a painter of maritime scenes.
Corvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery represents emerging and established international artists including Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye.
The new World Trade Center complex features public art by a variety of artists.
The Shipwreck is a landscape painting by J. M. W. Turner in the collection of the Tate. It was completed around 1805, when it was exhibited in Turner's own gallery. The painting is an important example of the sublime in British art.
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