Kraftwerk is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet.
Clara Josephine Schumann was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately 80 kilometres southwest of Leipzig, 170 kilometres north of Nuremberg and 170 kilometres west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its large cultural heritage and its importance in German history.
Buchenwald was a Nazi concentration camp established on Ettersberg hill near Weimar, Germany, in July 1937. It was one of the first and the largest of the concentration camps within Germany's 1937 borders. Many actual or suspected communists were among the first internees.
Johann Nepomuk Hummel was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Mozart, Salieri and Clementi. He also knew Beethoven and Schubert.
Ensemble Modern is an international ensemble dedicated to performing and promoting the music of modern composers. Formed in 1980, the group is based in Frankfurt, Germany, and made up variously of about twenty members from numerous countries.
Udo Lindenberg is a German singer, drummer, and composer.
Hannes Wader is a German singer-songwriter ("Liedermacher"). He has been an important figure in German leftist circles since the 1970s, with his songs covering such themes as socialist and communist resistance to oppression in Europe and other places like Latin America. He both wrote new songs and played versions of older historical works.
Dr. Hoch's Konservatorium – Musikakademie was founded in Frankfurt am Main on 22 September 1878. Through the generosity of Frankfurter Joseph Hoch, who bequeathed the Conservatory one million German gold marks in his testament, a school for music and the arts was established for all age groups. Instrumental to the foundation, prosperity and success of the conservatory was its director Joachim Raff who did most of the work including setting the entire curriculum and hiring all its faculty. It has played an important role in the history of music in Frankfurt. Clara Schumann taught piano, as one of distinguished teachers in the late 19th century, gaining international renown for the conservatory. In the 1890s, about 25% of the students came from other countries: 46 were from England and 23 from the United States.
An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the US, in several respects.
The New German School is a term introduced in 1859 by Franz Brendel, editor of the Neue Zeitschrift für Musik, to describe certain trends in German music. Although the term has frequently been used in essays and books about music history of the 19th and early 20th centuries, a clear definition is complex.
"Music of the Future" is the title of an essay by Richard Wagner, first published in French translation in 1860 as "La musique de l'avenir" and published in the original German in 1861. It was intended to introduce the librettos of Wagner's operas to a French audience at the time when he was hoping to launch in Paris a production of Tannhäuser, and sets out a number of his desiderata for true opera, including the need for 'endless melody'. Wagner deliberately put the title in quotation marks to distance himself from the term; Zukunftsmusik had already been adopted, both by Wagner's enemies, in the 1850s, often as a deliberate misunderstanding of the ideas set out in Wagner's 1849 essay, The Artwork of the Future, and by his supporters, notably Franz Liszt. Wagner's essay seeks to explain why the term is inadequate, or inappropriate, for his approach.
Klang —Die 24 Stunden des Tages is a cycle of compositions by Karlheinz Stockhausen, on which he worked from 2004 until his death in 2007. It was intended to consist of 24 chamber-music compositions, each representing one hour of the day, with a different colour systematically assigned to every hour. The cycle was unfinished when the composer died, so that the last three "hours" are lacking. The 21 completed pieces include solos, duos, trios, a septet, and Stockhausen's last entirely electronic composition, Cosmic Pulses. The fourth composition is a theatre piece for a solo percussionist, and there are also two auxiliary compositions which are not part of the main cycle. The completed works bear the work (opus) numbers 81–101.
Josef Anton Riedl was a German composer.
Dieter Rubach is a German bass player, composer, engineer and producer.
Timo Kahlen is a German sound sculptor and media artist who currently lives and works in Berlin.
Regine Schumann is a German artist who is classified as a light artist and a contemporary art painter and installation artist.
Gerhard Friedrich Mantel was a German cellist, University lecturer and writer instrumental-pedagogical and music-psychological publications.
Ludwig Hoelscher was a German cellist. He played internationally as a soloist, and was well known as a chamber musician, first playing from 1932 in Elly Ney's piano trio, then in the Strub Quartet and other formations. He was an important cellist of the Nazi era, playing in propaganda concerts and teaching in Berlin and Salzburg. After the World War, he taught at the Musikhochschule Stuttgart and played internationally. He played the world premieres of more than 50 compositions.
Eva-Maria Houben is a German composer, organist, pianist, musicologist and university lecturer.