This is a list of notable works of dystopian literature. A dystopia is an unpleasant (typically repressive) society, often propagandized as being utopian. The Encyclopedia of Science Fiction states that dystopian works depict a negative view of "the way the world is supposedly going in order to provide urgent propaganda for a change in direction." [1] [2]
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An ansible is a category of fictional devices or technology capable of near-instantaneous or faster-than-light communication. It can send and receive messages to and from a corresponding device over any distance or obstacle whatsoever with no delay, even between star systems. As a name for such a device, the word "ansible" first appeared in a 1966 novel by Ursula K. Le Guin. Since that time, the term has been broadly used in the works of numerous science fiction authors, across a variety of settings and continuities. A related term is ultrawave.
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Philip Kindred Dick, often referred to by his initials PKD, was an American science fiction writer. He wrote 44 novels and about 121 short stories, most of which appeared in science fiction magazines during his lifetime. His fiction explored varied philosophical and social questions such as the nature of reality, perception, human nature, and identity, and commonly featured characters struggling against elements such as alternate realities, illusory environments, monopolistic corporations, drug abuse, authoritarian governments, and altered states of consciousness. He is considered one of the most important figures in 20th century science fiction.
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
Ursula Kroeber Le Guin was an American author best known for her works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series. She was first published in 1959, and her literary career spanned nearly sixty years, producing more than twenty novels and over a hundred short stories, in addition to poetry, literary criticism, translations, and children's books. Frequently described as an author of science fiction, Le Guin has also been called a "major voice in American Letters". Le Guin said she would prefer to be known as an "American novelist".
Utopian and dystopian fiction are subgenres of science fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
The Handmaid's Tale is a futuristic dystopian novel by Canadian author Margaret Atwood published in 1985. It is set in a near-future New England in a patriarchal, totalitarian theonomic state known as the Republic of Gilead, which has overthrown the United States government. Offred is the central character and narrator and one of the "Handmaids", women who are forcibly assigned to produce children for the "Commanders", who are the ruling class in Gilead.
Oryx and Crake is a 2003 novel by Canadian author Margaret Atwood. She has described the novel as speculative fiction and adventure romance, rather than pure science fiction, because it does not deal with things "we can't yet do or begin to do", yet goes beyond the amount of realism she associates with the novel form. It focuses on a lone character called Snowman, who finds himself in a bleak situation with only creatures called Crakers to keep him company. The reader learns of his past, as a boy called Jimmy, and of genetic experimentation and pharmaceutical engineering that occurred under the purview of Jimmy's peer, Glenn "Crake".
Bina Shah is a Pakistani writer, columnist and blogger living in Karachi.
The exploration of politics in science fiction is arguably older than the identification of the genre. One of the earliest works of modern science fiction, H. G. Wells’ The Time Machine, is an extrapolation of the class structure of the United Kingdom of his time, an extreme form of social Darwinism; during tens of thousands of years, human beings have evolved into two different species based on their social class.
Suzanne Collins is an American author and television writer. She is best known as the author of the young adult dystopian book series The Hunger Games. She is also the author of the children's fantasy series The Underland Chronicles.
Katharine Penelope Burdekin was a British novelist who wrote speculative fiction concerned with social and spiritual matters. She was the younger sister of Rowena Cade, creator of the Minack Theatre in Cornwall. Several of her novels could be categorised as feminist utopian/dystopian fiction. She also wrote under the name Kay Burdekin and under the pseudonym Murray Constantine. Daphne Patai unraveled "Murray Constantine's" true identity while doing research on utopian and dystopian fiction in the mid-1980s.
A fix-up is a novel created from several short fiction stories that may or may not have been initially related or previously published. The stories may be edited for consistency, and sometimes new connecting material, such as a frame story or other interstitial narration, is written for the new work. The term was coined by the science fiction writer A. E. van Vogt, who published several fix-ups of his own, including The Voyage of the Space Beagle, but the practice exists outside of science fiction. The use of the term in science fiction criticism was popularised by the first (1979) edition of The Encyclopedia of Science Fiction, edited by Peter Nicholls, which credited van Vogt with the creation of the term. The name “fix-up” comes from the changes that the author needs to make in the original texts, to make them fit together as though they were a novel. Foreshadowing of events from the later stories may be jammed into an early chapter of the fix-up, and character development may be interleaved throughout the book. Contradictions and inconsistencies between episodes are usually worked out.
Swastika Night is a futuristic novel by British writer Katharine Burdekin, writing under the pseudonym Murray Constantine. First published in 1937 and subsequently as a Left Book Club selection in 1940, the novel depicts a world where Adolf Hitler's claim that Nazism would create a "Thousand Year Reich" is realised. Forgotten for many years, until republication in 1985 in England and the United States, literary historian Andy Croft has described Swastika Night as "the most original of all the many anti-fascist dystopias of the late 1930s."
A dystopia, also called a cacotopia or anti-utopia, is a speculated community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Sir Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one simple opposition, as many utopian elements and components are found in dystopias as well, and vice versa.
Climate fiction is literature that deals with climate change. Generally speculative in nature but inspired by climate science, works may take place in the world as we know it, in the near future or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. The genre typically focuses on anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.
Emmi Elina Itäranta is a Finnish novelist. Her debut novel Memory of Water was published by HarperCollins in 2014.
Carl Howard Freedman is an American writer, literary theorist and professor of English literature at Louisiana State University. He is best known for the non-fiction book Critical Theory and Science Fiction, and his scholarly work on the writer Philip K. Dick. Freedman's other works include a series of books on Isaac Asimov, Ursula K. Le Guin and Samuel R. Delany, and several essays and a book on China Miéville. In 2018, he won the Pilgrim Award for lifetime contribution to science fiction and fantasy scholarship.
"The Repairer of Reputations", which offers a dystopic vision of the future...
...the dystopic satire Válka s mloky (The War With The Newts)...
Invitation also resembles other absurdist dystopias of the 1930s, such as Ruthven Todd's Over the Mountain (1939) and Rex Warner's The Wild Goose Chase.
Fans aren't likely to be disappointed
Monsters of Men was a real thrill to read, with a cliffhanger at the end of nearly every chapter.