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Hi-NRG is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100. American rock band Vanilla Fudge released a cover version in June the following year, which reached number six on the Billboard Hot 100. Wilson Pickett recorded it in 1969. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the Billboard Hot 100 in June 1987. In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of the six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US Billboard Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all-time UK downloads and streams.
"Venus" is a song by Dutch rock band Shocking Blue, released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen, the song topped the charts in nine countries.
Cruel Summer is a 1998 album by Swedish pop group Ace of Base, released as the band's third album in North America on 14 July 1998 and in Japan on 25 August 1998 by Arista Records. Flowers was the group's third album worldwide, but Arista Records decided to release a different version of the album in North America, Japan, and Latin America, retitled Cruel Summer. This version of the album featured the new track "Everytime It Rains" and many new versions of songs that were first featured on Flowers. As executive producer, Clive Davis enlisted collaborators including production team Cutfather & Joe and songwriter Billy Steinberg. While primarily a pop album, Cruel Summer explores the genres of euro disco, Motown, and dance.
"Take a Chance on Me" is a song by Swedish pop group ABBA, released in January 1978 as the second single from their fifth studio album, ABBA: The Album (1977). Agnetha Fältskog and Anni-Frid Lyngstad share the lead vocals on the verses and choruses, with Fältskog singing two bridge sections solo. The song reached the top ten in both the UK and US, and was notably covered by the British band Erasure in 1992.
"Smalltown Boy" is the debut single by British synth-pop band Bronski Beat, released in May 1984 from their debut album The Age of Consent. The lyrics describe a young gay man who is forced to leave home.
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"Love to Hate You" is a song by English synth-pop duo Erasure, released in September 1991 as the second single from their fifth studio album, Chorus (1991). Written by band members Vince Clarke and Andy Bell, it is an electronic dance track inspired by disco music. The synthesizer melody in the chorus is an interpolation of the string break from American singer Gloria Gaynor's disco-era classic "I Will Survive". The duo also recorded a Spanish version of the song, called "Amor y Odio", and one in Italian called "Amo Odiarti". The single was released by Mute Records in the UK and Sire Records in the US. It peaked at number four on the UK Singles Chart and became a top-10 hit in Austria, Denmark, Finland, Greece, Ireland, and Sweden. Its music video was directed by David Mallet.
"Don't Say Your Love Is Killing Me" is a song by English synth-pop duo Erasure, released as the second single from their eighth studio album, Cowboy (1997). It is an uptempo dance music song written by Vince Clarke and Andy Bell. Mute Records issued the single in the UK. For the song's release in the United States, Maverick Records requested a remix for radio. The US single version of "Don't Say Your Love Is Killing Me" is different from what is on the Cowboy album; the song's intro was changed, as well as the middle eight section. An entire verse, edited out of the album version, is restored on the American single release.
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"Two of Hearts" is a song by American singer Stacey Q, first issued as an independent 12-inch dance club single by On the Spot Records, then picked up by Atlantic after achieving regional sales. Written by John Mitchell, the song was Stacey Q's biggest hit; its global sales success fueled the recording of her debut album Better Than Heaven (1986), which included the song.
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"'Movin' On" is a song written and performed by English girl group Bananarama. Released on 17 August 1992, it was the first single from their sixth album, Please Yourself (1993). It was produced by Mike Stock and Pete Waterman, two-thirds of the Stock Aitken Waterman (SAW) trio who had produced a number of Bananarama's past hits.
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Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
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As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
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This band originally hails from Africa so it's a bit of a surprise to find them performing a commercial slice of Hi-NRG which, compared to other tracks of this ilk, currently doing the rounds, lacks the necessary sparkle.
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The Communards' hi-NRG version makes it clear that the song is as concerned with sexual satisfaction as it is with romance; perhaps more so.
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a version of R.E.M.'s "Losing My Religion" that infuses the soul that Abigail's 1992 Hi-NRG version lacked.
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'Heaven on Earth', crafted by 'Gimme More' producer Danja, is a hi-NRG Moroder-esque dance track whose lyrics veer more into the territory of generic love song fluff
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"I Wanna Go" is all hi-NRG booty calling, with a possible reference to New Order's "Blue Monday" thrown in.
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"Stop Taking My Time" is a Hi-NRG disco romp à la Nordic neighbour Annie Strand and features, amusingly, a rapping infant.
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Overpowered (EMI) was funky in all senses – skittering from glacial electro to hi-NRG disco
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Viva's 11 infectious hi-NRG tracks
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[Tina Charles]'s Indian-British producer, Biddu, hired both men as session musicians, and his work in the fields of Hi-NRG and electronic disco had a profound influence on [Trevor Horn]'s own production aspirations.
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HI-NRG was the club sound that boosted both Evelyn Thomas and the trash dementis of Divine but it also propelled both the Bronski and Frankie Goes To Hollywood.
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- ↑ Pareles, Jon (21 February 1990). "Reviews/Pop; Of Broken Hearts and a Broken World". The New York Times. Retrieved 31 March 2015.
Many of Erasure's songs exemplify the post-disco style called hi-N.R.G. -fast and openly artificial, with synthesized riffs bouncing and ticking in every register.
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- ↑ Jones & Kantonen 2000, p. 107.
- ↑ Martínez, Diego (28 November 2011). "Music to Start the Week With #010". The WILD Magazine. Archived from the original on 2 April 2015. Retrieved 31 March 2015.
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- ↑ Robbins, Ira. "Frankie Goes to Hollywood". Trouser Press. Retrieved 25 October 2013.
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- ↑ Stone, Doug. "Bobby Orlando – Artist Biography". AllMusic. Retrieved 11 November 2013.
- ↑ Mackay, Emily. "Róisín Murphy – London Camden Koko – 27th November, 2007". Record Collector. No. 346. Retrieved 31 March 2015.
- ↑ Larkin, Colin (2011). "Nomi, Klaus". The Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 978-0-85712-595-8.
[Klaus Nomi] worked with Man Parrish, the New York electro and hi-NRG producer, on his self-titled debut album.
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Neil Tennant and Chris Lowe use electronic instruments and work within and across dance-floor genres such as house, Hi-NRG, techno, and many other subgenres.
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Another contender is hi-N.R.G., a fast, cheerful style, first heard in gay San Francisco clubs in the early 1980s and now on the pop Top 40 in hits by Corona and the Real McCoy.
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- ↑ O'Brien, Jon. "Jimmy Somerville – For a Friend: The Best of Bronski Beat, The Communards & Jimmy Somerville". AllMusic. Retrieved 31 March 2015.
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- ↑ Aaron, Charles (17 September 2014). "100 Best Singles of 1984: Pop's Greatest Year > 98 – Dead or Alive, "You Spin Me Round (Like a Record)"". Rolling Stone. Retrieved 31 March 2015.
- ↑ "Eurovision 2010: Pete Waterman". BBC News Online. 28 May 2010. Retrieved 31 March 2015.
- ↑ Andrews, Isaac & Nichols 2011, p. 133.
- ↑ Erlewine, Stephen Thomas. "Take That – Artist Biography". AllMusic. Retrieved 31 March 2015.
Eventually, the group worked its way toward Hi-NRG dance music, while also pursuing an adult contemporary ballad direction.
- ↑ "Profile: Mark Owen". BBC News Online. 11 March 2010. Retrieved 31 March 2015.
Owen's debut single Child showcased a more acoustic, psychedelic sound than his Hi-NRG Take That hits.
- ↑ Larkin, Colin, ed. (1992). "Johnson, L.J.". The Guinness Encyclopedia of Popular Music. Vol. 2: Farian, Frank to Menza, Don. Guinness Publishing. ISBN 978-1-88226-702-6. Archived from the original on 12 March 2012.
- ↑ Kantor, Justin. "Evelyn Thomas – Have a Little Faith in Me". AllMusic. Retrieved 31 March 2015.
- ↑ Flick, Larry (25 February 1995). "N.Y. Hits Home With Crop of New House Indies". Billboard. Vol. 107, no. 8. p. 31. ISSN 0006-2510.
- ↑ Locke, Jesse (8 November 2013). "6 of the best past and present videos you might have missed". Aux. Archived from the original on 7 April 2015. Retrieved 31 March 2014.
- ↑ Jones & Kantonen 2000, p. 228.
- ↑ Flick, Larry (31 January 1998). "Reviews & Previews > Pop > Usura – Open Your Mind". Billboard. Vol. 110, no. 5. p. 26. ISSN 0006-2510.
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