Live event support

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Live event support overview LiveventStage550TxtA.jpg
Live event support overview

Live event support includes staging, scenery, mechanicals, sound, lighting, video, special effects, transport, packaging, communications, costume and makeup for live performance events including theater, music, dance, and opera. They all share the same goal: to convince live audience members that there is no better place that they could be at the moment. This is achieved through establishing a bond between performer and audience. [1] Live performance events tend to use visual scenery, lighting, costume amplification and a shorter history of visual projection and sound amplification reinforcement. [2]

Contents

Visual support

Live event visual amplification

Introduction

Live event visual amplification is the display of live and pre-recorded images as a part of a live stage event. Visual amplification began when films, projected onto a stage, added characters or background information to a production. 35 mm motion picture projectors became available in 1910 - but which theatre or opera company first used a movie in a stage production is not known. In 1935, less costly 16 mm film equipment allowed many other performance groups and school theaters to use motion pictures in productions.

In 1970, closed circuit video cameras and videocassette machines became available and Live Event Visual Amplification came of age. For the first time live closeups of stage performers could be displayed in real time. These systems also made it possible to show pre-recorded videos that added information & visual intensity to a live event.

One of the first video touring systems was created by video designer TJ McHose in 1975 for the rock band The Tubes using black and white television monitors. [3]

Touring black-and-white video system The Tubes 1975 Video amplification The Tubes.jpg
Touring black-and-white video system The Tubes 1975
Touring color system Kool Jazz Festival 1978 Visual amplification in stadium.jpg
Touring color system Kool Jazz Festival 1978

In 1978, TJ McHose designed a touring color video system that enlarged performers at the Kool Jazz Festivals in sports stadiums across the United States. [4]

Live event visual reinforcement

Introduction

Live event visual reinforcement is the addition of projected lighting effects and images onto any type of performance venue.

Visual Reinforcement began more than 2000 years ago. In China during the Han Dynasty, Shadow puppetry was invented to "bring back to life" Emperor Wu's favorite concubine. Mongolian troops spread Shadow play throughout Asia and the Middle East in the 13th century. Shadow puppetry reached Taiwan in 1650, and missionaries brought it to France in 1767. [5]

The next major advance in Visual reinforcement for events was the magic lantern, first conceptualized by Giovanni Battista della Porta in his 1558 work Magiae naturalis. The Magic Lantern became practical by 1750 with the oil lamp and glass lenses. Special effect animation attachments were added in the 1830s. In 1854, the Ambrotype positive photographic process on glass made Magic lantern slide creation much less expensive.

Magic lanterns were greatly improved by the application of limelight to live stage production in 1837 at Covent Garden Theatre [6] and improved again when electric arc lighting became available in 1880.

In 1910, Adolf Linnebach invented the Linnebach lantern, a lensless wide angle glass slide projector. [7]

In 1933, the Gobo metal shadow pattern for the ellipsoidal spotlight allowed images to appear and disappear by dimmer control.

In 1935, 16 mm Kodachrome film projectors added the first fully animated visual reinforcement to live events.

Timeline

Audio support

Live event sound reinforcement

Introduction

A sound reinforcement system is professional audio, was first developed for movie theatres in 1927 when the first ever talking picture was released, called The Jazz Singer . Movie theatre sound was greatly improved in 1937 when the Shearer Horn system debuted. One of the first large-scale outdoor public address systems was at 1939 New York World's Fair.

In the 1960s, rock and roll concerts promoted by Bill Graham at The Fillmore created a need for quickly changeable sound systems. In the early 1970s, Graham founded FM Productions to provide touring sound and light systems. By 1976 in San Francisco, the technical debate over infinite baffle vs horn-loaded enclosures, and line arrays vs distributed driver arrays, was ongoing at FM because of the proximity of The Grateful Dead and their scene Ultrasound, John Meyer, and others. But at that time there were parallel developments in other parts of the United States - Showco (Dallas) and Clair Bros (Philadelphia) had different approaches; Clair in particular was moving in the direction of modular full-range enclosures. They would rig as many as needed (or clients like Bruce Springsteen could afford) in whatever configuration they thought would cover a particular venue. Stanal Sound in southern California used fiberglass futuristic looking equipment for artists like Kenny Rogers.

Timeline

Transportation support

Efficient and timely transportation is essential for live event productions. [10]

Touring packaging

Touring video system schematic Visual amplification schematic system.jpg
Touring video system schematic

Well designed touring systems unload from the truck gently, roll easily into their stage location, connect to each other quickly. A well designed system includes duplicates of critical components and "field-replaceable" items such as cables, switches and fuses. Every component should be protected by a well padded road case that has room for all connector cables and allows easy access to the components for fast cable re-patching to bypass a bad component and for repairs during a tour. The road cases need good ventilation and for outdoor use should be white to minimize solar heat buildup. Road case sizes should be modular to pack tightly together on the truck.

Packaging images

See also

Related Research Articles

<span class="mw-page-title-main">Movie projector</span> Device for showing motion picture film

A movie projector is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors.

<span class="mw-page-title-main">Slide show</span> Presentation of a series of still images on a projection screen or other display

A slide show (slideshow) is a presentation of a series of still images (slides) on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide projector. When referring to the video or computer-based visual equivalent, in which the slides are not individual physical objects.

<span class="mw-page-title-main">Sound reinforcement system</span> Amplified sound system for public events

A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.

<span class="mw-page-title-main">Powered speakers</span> Loudspeaker that have built-in amplifiers

Powered speakers, also known as self-powered speakers and active speakers, are loudspeakers that have built-in amplifiers. Powered speakers are used in a range of settings, including in sound reinforcement systems, both for the main speakers facing the audience and the monitor speakers facing the performers; by DJs performing at dance events and raves; in private homes as part of hi-fi or home cinema audio systems and as computer speakers. They can be connected directly to a mixing console or other low-level audio signal source without the need for an external amplifier. Some active speakers designed for sound reinforcement system use have an onboard mixing console and microphone preamplifier, which enables microphones to be connected directly to the speaker.

<span class="mw-page-title-main">Krannert Center for the Performing Arts</span>

<span class="mw-page-title-main">Professional audio</span> Activity and category of studio-grade audio equipment

Professional audio, abbreviated as pro audio, refers to both an activity and a category of high-quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment.

<span class="mw-page-title-main">Stage lighting instrument</span> Device that emits light to illuminate performers

Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.

Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.

<span class="mw-page-title-main">Audiovisual</span> Electronic media with both a sound and a visual component

Audiovisual (AV) is electronic media possessing both a sound and a visual component, such as slide-tape presentations, films, television programs, corporate conferencing, church services, and live theater productions.

Acoustic enhancement is a subtle type of sound reinforcement system used to augment direct, reflected, or reverberant sound. While sound reinforcement systems are usually used to increase the sound level of the sound source, acoustic enhancement systems are typically used to increase the acoustic energy in the venue in a manner that is not noticed by the audience. The correctly installed systems replicate the desired acoustics of early reflections and reverberation from a room that is properly designed for Acoustic Music. An additional benefit of these systems is that the room acoustics can be changed or adjusted to be matched to the type of performance. The use of Acoustic Enhancement as Electronic Architecture offers a good solution for multi-use performance halls that need to be "dead" for amplified music, and are used occasionally for acoustic performances. These systems are often associated with acoustic sound sources like a chamber orchestra, symphony orchestra, or opera, but have also found acceptance in a variety of applications and venues that include rehearsal rooms, recording facilities conference rooms, sound stages, sports arenas, and outdoor venues.

<span class="mw-page-title-main">Liquid light show</span>

Liquid light shows are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.

A Linnebach lantern or Linnebach projector is a lensless projection system used in theatrical productions. It was developed by Adolf Linnebach (1876-1963) around 1917 and was used in North American theatres in the 1920s. Since the middle of the 20th century, it has largely been replaced by other projection technologies.

<span class="mw-page-title-main">Video design</span> Creative field of stagecraft

Video design or projection design is a creative field of stagecraft. It is concerned with the creation and integration of film, motion graphics and live camera feed into the fields of theatre, opera, dance, fashion shows, concerts and other live events. Video design has only recently gained recognition as a separate creative field. For instance, United Scenic Artists' Local 829, the union that represents designers and scenic artists in the US entertainment industry, only added the Projection Designer membership category in 2007. Prior to this, the responsibilities of video design would often be taken on by a scenic designer or lighting designer. A person who practices the art of video design is often known as a Video Designer. However, naming conventions vary around the world, and so practitioners may also be credited as Projection Designer, "Media Designer", Cinematographer or Video Director. As a relatively new field of stagecraft, practitioners create their own definitions, rules and techniques.

<span class="mw-page-title-main">Stage monitor system</span> Sound reinforcement for performers

A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience. The monitor system allows musicians to hear themselves and fellow band members clearly.

Articles related to the field of motion pictures include:

The following outline is provided as an overview of and topical guide to stagecraft:

<span class="mw-page-title-main">Projector</span> Optical device that projects an image or moving images onto a surface

A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using an external projection screen.

<span class="mw-page-title-main">McCune Audio/Video/Lighting</span>

McCune Audio Video Lighting is an American company based in South San Francisco, California, with offices in Monterey and Anaheim. It is one of the oldest and largest audio visual rental and sound services in the U.S. McCune was founded in 1932 by Harry McCune Sr, McCune AVL provides audio, lighting and high-definition video services to events as varied as outdoor festivals such as the Monterey Jazz Festival, and the Bohemian Grove, and to arena conferences such as TED.

<span class="mw-page-title-main">Professional audio store</span> Retail business

A professional audio store is a retail business that sells, and in many cases rents, sound reinforcement system equipment and PA system components used in music concerts, live shows, dance parties and speaking events. This equipment typically includes microphones, power amplifiers, electronic effects units, speaker enclosures, monitor speakers, subwoofers and audio consoles (mixers). Some professional audio stores also sell sound recording equipment, DJ equipment, lighting equipment used in nightclubs and concerts and video equipment used in events, such as video projectors and screens. Some professional audio stores rent "backline" equipment used in rock and pop shows, such as stage pianos and bass amplifiers. While professional audio stores typically focus on selling new merchandise, some stores also sell used equipment, which is often the equipment that the company has previously rented out for shows and events.

Abe John Jacob is an American sound designer and audio engineer. Called the "Godfather of Sound", Jacob greatly influenced the design of sound reinforcement in modern musical theatre, and was one of the first persons credited in the role of sound designer on Broadway, with a sound designer credit in Playbill in 1971.

References

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  3. Inc, Nielsen Business Media (1979-09-22). Billboard. Nielsen Business Media, Inc.{{cite book}}: |last= has generic name (help)
  4. Dolecheck, Cameren. "Radio: Think BIG with Visualization" (PDF). askcbi.org/.{{cite web}}: CS1 maint: url-status (link)
  5. "Southeast Asian arts - Shadow-puppet theatre". Encyclopedia Britannica. Retrieved 2020-05-04.
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  7. "Linnebach lantern". Encyclopedia Britannica. Retrieved 2020-05-04.
  8. Burris-Meyer and Cole (1938). Scenery For The Theatre.Little, Brown and company pp 246-7 Projected Scenery Effects
  9. Wilfred, Thomas (1965) Projected Scenery: A Technical Manual
  10. "Entertainment Cargo - Useful Links". Archived from the original on 2008-09-28. Retrieved 2009-05-12.