Andy Williams' Greatest Hits is a compilation album by American pop singer Andy Williams that was released in early 1970 by Columbia Records. It was not, however, as its title might suggest, strictly a hit singles compilation, although some of his biggest songs since joining Columbia were included. A couple of selections were never released as singles by Williams, and his signature song, "Moon River", was released in the 7-inch single format but only for jukeboxes. His six Cadence singles that made the Top 10 on Billboard magazine's Hot 100 are passed over for the inclusion of his number 11 hit from that label, "The Hawaiian Wedding Song", and 17 of his Columbia recordings that made the Hot 100 up until 1970 are left out here in favor of "Charade", which spent its one week on the chart at number 100.
Andy Williams Sings Rodgers and Hammerstein is the second studio album by American pop singer Andy Williams and was orchestrated and conducted by Alvy West. It was released in February 1958 by Cadence Records and focuses upon songs composed by Richard Rodgers with lyrics by Oscar Hammerstein II.
Danny Boy and Other Songs I Love to Sing is the eighth studio album by American pop singer Andy Williams and was released early in 1962 by Columbia Records. This was his first project after leaving Cadence Records, where his albums each had a specific theme, and his first in a series of LPs that covered songs established on stage and screen and other hits from the pop chart and the Great American Songbook. This trend would not be interrupted until his 1966 album The Shadow of Your Smile hinted at a shift toward contemporary material with its inclusion of songs first recorded by the Beatles.
Moon River and Other Great Movie Themes is the ninth studio album by American pop singer Andy Williams and was released on March 26, 1962 by Columbia Records and covered film songs that were mostly from the previous decade.
Warm and Willing is the tenth studio album by American pop singer Andy Williams and was released in 1962 by Columbia Records. Allmusic's William Ruhlmann explained that Williams and producer Robert Mersey "followed the Sinatra concept-album formula of creating a consistent mood, in this case a romantic one, and picking material mostly from the Great American Songbook of compositions written for Broadway musicals in the 1920s and '30s by the likes of George and Ira Gershwin, then giving them slow, string-filled arrangements over which Williams could croon in his breathy, intimate tenor voice."
Andy Williams' Dear Heart is the sixteenth studio album by American pop singer Andy Williams and was released in the spring of 1965 by Columbia Records and was the last of his Columbia releases that remained exclusively within the realm of traditional pop. After covering two Beatles hits on his next non-holiday studio album, The Shadow of Your Smile, he would try out samba music on In the Arms of Love, aim for a much younger crowd with "Music to Watch Girls By" on Born Free, and focus more on contemporary material on subsequent albums.
The Shadow of Your Smile is the eighteenth studio album by American pop singer Andy Williams and was released in April 1966 by Columbia Records and included covers of "Michelle" and "Yesterday", the same pair of Beatles ballads that labelmate Johnny Mathis recorded for his 1966 album of the same name. For Williams these selections initiated a trend away from the traditional pop formula that his album output at Columbia up until this point had adhered to.
In the Arms of Love is the nineteenth studio album by American pop singer Andy Williams and was released on December 19, 1966, by Columbia Records and was the last of twelve consecutive Williams studio LPs produced by Robert Mersey.
Born Free is the twentieth studio album by American pop singer Andy Williams and was released on April 10, 1967, by Columbia Records and includes half a dozen songs associated with movies or musicals. Two of these tracks, however, originated in the scores of the films indicated on the album jacket but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed, and "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago.
Under Paris Skies is the seventh studio album by American pop singer Andy Williams and was released in the fall of 1960 by Cadence Records. This, his final LP for the label, is a collection of songs that Joseph Laredo describes in the liner notes of the CD release by Varèse Sarabande as "a delightful program of twelve compositions, selected by Williams, that proved an engaging mixture of genuine French popular songs and American-penned emulations."
The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".
Two Time Winners is the third studio album by American pop singer Andy Williams and was released in the spring of 1959 by Cadence Records. This, his third LP for the label, is composed of songs that had been successful on two previous occasions or in two different ways.
To You Sweetheart, Aloha is the fourth studio album by American pop singer Andy Williams and was released late in the summer of 1959 by Cadence Records. This, his fourth LP for the label, has a Hawaiian theme that coincides with the admission of the 50th of the United States.
Andy Williams is a compilation album by American pop singer Andy Williams that was released early in 1958 by Cadence Records. This first album to compile the singer's material features his first six songs to make the Billboard Hot 100 along with their corresponding B-sides.
Andy Williams' Best is a compilation album by American pop singer Andy Williams that was released late in 1961 by Cadence Records. This second album to compile the singer's material features 10 songs that made the Billboard Hot 100 along with two of their corresponding B-sides.
Million Seller Songs is a compilation album by American pop singer Andy Williams that was released in the fall of 1962 by Cadence Records. This third album to compile the singer's material features some of the most successful songs Williams had recorded to date.
Canadian Sunset is a compilation album by American pop singer Andy Williams that was released in the spring of 1965 by Columbia Records. The cover bears the phrase "formerly titled Andy Williams' Best" underneath the title, suggesting that the same songs can be found here that were on that 1961 release by Cadence Records, but his number one hit "Butterfly" and its top 10 follow-up "I Like Your Kind of Love" that were included on the Cadence album were replaced on this release with the B-sides of two of the other songs here.
Andy Williams' Greatest Hits Vol. 2 is a compilation album by American pop singer Andy Williams that was released in June 1973 by Columbia Records. This collection follows in the footsteps of its predecessor, Andy Williams' Greatest Hits, in that it is not limited to his biggest and most recent hit singles, although his final two US Top 40 entries were included. It also has an album track not released as a single, a couple of hits from his time with Cadence Records, two other singles that could have been included on the first volume, and two Easy Listening chart entries that never made the Billboard Hot 100.
Greatest Hits is a live album by American pop singer Andy Williams that was digitally recorded live in concert at the Andy Williams Moon River Theater in Branson, Missouri and released by the LaserLight division of Delta Music Inc. in 1994. It includes performances of songs that he had previously recorded during his time with the Cadence and Columbia labels as well as one he had never recorded before -- "L-O-V-E", which Nat King Cole took to number 81 pop and number 17 Easy Listening in Billboard magazine in 1964.
"Lonely Street" is a 1956 song written by Carl Belew, Kenny Sowder, and W.S. Stevenson, originally performed by Belew, and later by Dave Rich. Its most successful rendition was by Andy Williams, whose version reached #5 on the Billboard chart and #20 on the R&B chart in 1959. The song appeared on his 1959 album, Lonely Street. Archie Bleyer's Orchestra played on the song.
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