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Located in Hollywood, Los Angeles Contemporary Exhibitions (LACE) is a nonprofit exhibition space and archive of the visual arts for the city of Los Angeles, California, United States, currently under the leadership of Sarah Russin. [1]
In the mid-1970s, artists began living in large, inexpensive lofts built into the empty warehouses of downtown Los Angeles. LACE was initially located in the same area on Broadway, later moving to an industrial neighborhood near the Los Angeles River, and finally to Hollywood. [2]
Founded in 1978 by a group of thirteen artists and based upon principles of grassroots community organizing and social change, LACE committed from the start to presenting experimental works of art in all media, including the then-experimental media of performance art and video. In 1982, Joy Silverman was appointed the first executive director. LACE provided an early venue for artists like Laurie Anderson, Nancy Buchanan, Chris Burden, Gronk, Ishmael Houston-Jones, Mike Kelley, Martin Kersels, Linda Nishio, Paper Tiger TV, Adrian Piper, Judith Simonian, Johanna Went, David Wojnarowicz, Bruce and Norman Yonemoto, and Liz Young. The presence of performance art and video in major museums suggest that these experimental media are now part of the artistic canon and testifies to the success of LACE to promote these media to a wider audience.
Originally located in Downtown Los Angeles, LACE moved to Hollywood in 1994. LACE has partnered with various organizations like YMCA, the Los Angeles LGBT Center, My Friend's Place, and Woodbury University. LACE also partners with other organizations including the Getty Museum, the Fellows of Contemporary Art, the California Institute of the Arts, the California College of the Arts in Oakland, Washington University in St. Louis, Kent State University, Atlanta College of Art, and Contemporary Art Gallery in Vancouver, British Columbia.
In 1998, LACE inaugurated Contemporary Editions LA, a fine-art publishing venture featuring Los Angeles-based artists, with editions in its first year by Paul McCarthy, Martin Kersels, and Sharon Lockhart. The following year, space published three new editions by artists Kevin Appel, Evan Holloway, and James Welling. In 2002, LACE published Contemporary Editions by John Baldessari, Laura Owens, and Raymond Pettibon.
In 2005, LACE published new editions with artists Amy Adler, Jeff Burton, and the 2006 Whitney Biennial artist Monica Majoli.
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
Brian Hugh Warner, known professionally as Marilyn Manson, is an American rock musician. He came to prominence as the lead singer of the band that shares his name, of which he remains the only constant member since its formation in 1989. Known for his controversial stage personality, his stage name was formed by combining the names of two opposing American cultural icons: actress Marilyn Monroe and cult leader Charles Manson.
Jessicka Addams is an American visual artist and former musician. Best known by her stage name Jessicka, she was the frontwoman for the rock band Jack Off Jill, and later for the noise-pop band Scarling.
LA Freewaves, also known as Freewaves, is a Los Angeles–based nonprofit organization that exhibits new, uncensored, independent media, and produces free public art projects to engage artists and audiences on current social issues. Anne Bray, with representatives of other communities, founded LA Freewaves in 1989 and has worked to administer the non-profit since it was launched as an exhibition of multicultural video art at the American Film Institute's National Video Festival. Bray serves as director of the organization and has been working in the field of media arts since the mid-1970s as an artist and teacher.
Clement Hanami is a Japanese-American artist. He grew up in the predominantly Latino, California suburb of East Los Angeles, just outside of downtown. His mother was a hibakusha, or atomic bomb survivor. His father was a World War II evacuee.
Fallen Fruit is a Los Angeles based artists' collaboration composed of David Allen Burns and Austin Young. The project was originally conceived by David Allen Burns, Matias Viegener and Austin Young in 2004. Since 2013, David and Austin have continued the collaborative work installing public artworks and participating in exhibitions worldwide. Using photography and video as well as performance and installation art, Fallen Fruit's work focuses on urban space, neighborhood, located citizenship and community and their relationship to the public realm.
Steve Roden was an American contemporary artist and musician. He worked in the fields of sound and visual art, and is credited with pioneering lowercase music, a compositional style where quiet and usually unheard sounds are amplified to create complex and rich soundscapes. His discography of multiple albums and works of sound art includes Forms of Paper, which was commissioned by the Los Angeles Public Library.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Anna Homler is a visual, performance, and vocal artist living and working in Los Angeles. She has performed music and exhibited her artworks in venues around the world. She earned a B.A. at the University of California, Berkeley, 1970, in Anthropology, and an M.A. in Education and Languages at Boston University, 1973. She graduated from Alexander Hamilton High School, Los Angeles.
Pacific Standard Time: Art in L.A., 1945–1980 was a scholarly initiative funded by the J. Paul Getty Trust to historicize the contributions to contemporary art history of artists, curators, critics, and others based in Los Angeles. Planned for nearly a decade, PST, as it was called, granted nearly 60 organizations throughout Southern California a total of $10 million to produce exhibitions that explored the years between 1945 and 1980. Underscoring the significance of this project, art critic Roberta Smith wrote in The New York Times:
Before [PST], we knew a lot [about the history of contemporary art], and that lot tended to greatly favor New York. A few Los Angeles artists were highly visible and unanimously revered, namely Ed Ruscha and other denizens of the Ferus Gallery, that supercool locus of the Los Angeles art scene in the 1960s, plus Bruce Nauman and Chris Burden, but that was about it. After, we know a whole lot more, and the balance is much more even. One of the many messages delivered by this profusion of what will eventually be nearly 70 museum exhibitions is that New York did not act alone in the postwar era. And neither did those fabulous Ferus boys.
The Los Angeles Institute of Contemporary Art (LAICA) was an exhibition venue for visual arts that ran between 1974 and 1987 (approximately) in Los Angeles, California. It played an important role in showing experimental work of the era as well as supporting the careers of young artists in Los Angeles.
Cassils is a performance artist, body builder, and personal trainer from Montreal, Quebec, Canada now based in Los Angeles, California, United States. Their work uses the body in a sculptural fashion, integrating feminism, body art, and gay male aesthetics. Cassils is the recipient of a Guggenheim Fellowship, a Creative Capital Grant, a United States Artists Fellowship, a California Community Foundation Visual Artist Fellowship (2012), several Canada Council for the Arts grants, and the Rema Hort Mann Foundation Visual Arts Fellowship. Cassils is gender non-conforming, transmasculine, and goes by singular they pronouns.
Human Resources Los Angeles (HRLA) is a non-profit exhibition and performance space located in Los Angeles's Chinatown dedicated to supporting interdisciplinary, performative and experimental art practices.
Dorian Wood is an American singer, composer, performance artist, visual artist and writer.
Redling Fine Art is a contemporary art gallery in Los Angeles, California, United States.
Rafael Esparza is an American performance artist who lives and works in Los Angeles. His work includes performances affecting his physical well-being and installations constructed from adobe bricks. Esparza often works with collaborators, including members of his family.
Alma Ruiz is a curator, best known as a longtime, former senior curator at the Museum of Contemporary Art, Los Angeles (MOCA).
The MexiCali Biennial is a contemporary visual arts organization which focuses on the border between California and Mexico as a region of aesthetic production. The organization is migratory in nature and showcases exhibitions on both sides of the border. The MexiCali Biennial was originally started as a project critiquing the proliferation of international and regional art biennials and as a result may be shown at any time and at any location. The inaugural exhibition was in 2006 and subsequent programming occurred in the years spanning 2009 through 2010 and again in 2013.
Jane Hart is an American curator, gallerist, and artist in New York City. She has worked as an art curator since 1993, having been a gallery owner at in Los Angeles and Miami, and a contemporary art professional in Manhattan and London. As an artist, she has exhibited internationally, with solo exhibitions in South Florida and Cleveland, Ohio. Her specialty is contemporary collage, with works in private collections in the United States and abroad.
Gabriela Ruiz, also known as Leather Papi, is a Mexican-American artist based in Los Angeles, California, who works primarily in sculpture and performance art.
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