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Atlantic Recording Corporation is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over the course of two decades, starting from the release of its first recordings in January 1948, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes.
The Honeydrippers: Volume One is a mini-album released on 24 September 1984, by a band led by rock singer Robert Plant. The project originated when Atlantic Records president Ahmet Ertegun wanted to record an album of his favourite songs from the 1950s. Plant was chosen because Ertegun had seen his pick-up band the Honeydrippers performing 1950s standards. Included in the band were Chic front man Nile Rodgers, Late Night with David Letterman bandleader Paul Shaffer, and former Yardbirds guitarists Jeff Beck and Jimmy Page—the latter was also Plant's former bandmate in Led Zeppelin.
Carla Venita Thomas is an American singer, who is often referred to as the Queen of Memphis Soul. She is best known for her 1960s recordings for Atlantic and Stax including the hits "Gee Whiz " (1960), "B-A-B-Y" (1966) and "Tramp" (1967), a duet with Otis Redding. She is the daughter of Rufus Thomas.
The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9".
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Spanish Harlem" is a song recorded by Ben E. King in 1960 for Atco Records. It was written by Jerry Leiber and Phil Spector and produced by Jerry Leiber and Mike Stoller. "Spanish Harlem" was King's first hit away from The Drifters, peaking at number 15 on Billboard's rhythm and blues and number 10 in pop music chart.
Walter "Bunny" Sigler was an American R&B singer, songwriter, multi-instrumentalist and record producer who did extensive work with the team of Kenny Gamble and Leon Huff, and was instrumental in creating the "Philly Sound" in the early 1970s.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
Alfred Jesse Smith, better known as Brenton Wood, is an American singer and songwriter known for his three 1967 hit singles, "The Oogum Boogum Song", "Gimme Little Sign", and "Baby You Got It".
"The Joker" is a song by American rock band Steve Miller Band from their eighth studio album, The Joker (1973). Released as a single in October 1973, the song topped the US Billboard Hot 100 in early 1974 and reached the top 20 in Australia, Canada, and the Netherlands.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
"C'mon Marianne" is a song composed by L. Russell Brown and Raymond Bloodworth and popularized by The Four Seasons in 1967. Produced by Bob Crewe, the single was the last Four Seasons single to reach the Top Ten of the Billboard Hot 100 chart in the 1960s, and their last Top Ten hit until "Who Loves You" in 1975.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
Ahmet Ertegun was a Turkish-American businessman, songwriter, record executive and philanthropist.
Eddie "Memphis" Evans Curtis, Jr. was an American songwriter, born in Galveston, Texas. He is credited as a co-writer along with Steve Miller and Ahmet Ertegun for "The Joker" by the Steve Miller Band, which became a U.S. number one single on the Billboard Hot 100 for the week of January 12, 1974 and U.K. No.1 single in 1990. "The Joker" used a line from Curtis's song, "Lovey Dovey", which was recorded by numerous artists, beginning with the R&B group The Clovers in 1954. Elements of "The Joker" were used for Shaggy's international number one hit "Angel" (2001), which Curtis also received a co-writing credit for.
"Ting-A-Ling" is a 1952 song by The Clovers. "Ting-A-Ling" was The Clovers' final number one on the Billboard R&B chart; however, the group continued its chart success throughout the 1950s.
"Just a Little Bit" is an R&B-style blues song recorded by Rosco Gordon in 1959. It was a hit in both the R&B and pop charts. Called "one of the standards of contemporary blues," "Just a Little Bit" has been recorded by various other artists, including Little Milton and Roy Head, who also had record chart successes with the song.
"Chains Of Love", a 12-bar blues, was written by Doc Pomus.
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 124.
- ↑ Propes, Steve (1973). Those Oldies But Goodies: A Guide to 50's Record Collecting . The Macmillan Company, New York. p. 33. ISBN 9780020614302.
- ↑ https://music.apple.com/us/song/lovey-dovey/1346520376
- ↑ "RPM Top 100 Singles - November 11, 1967" (PDF).
- ↑ "RPM R&B Singles - November 11, 1967" (PDF).
- ↑ "BRITAIN'S TOP R&B SINGLES" (PDF). Record Mirror . April 20, 1968. p. 11. Retrieved January 28, 2022– via worldradiohistory.com.
- ↑ "RPM Top 100 Singles - March 2, 1968" (PDF).
- ↑ Bronson, Fred (March 31, 2001). "US Pop Stars Go 'Over' The Top". Chart Beat. Google Books: Billboard magazine. p. 94. Retrieved July 12, 2015.
