Last updated The Rebellamentu in a codex that was kept in the Biblioteca Nazionale di Palermo until it was bought by the prince of San Giorgio Spinelli di Napoli in 1870. The left page contains the excerpt that is transcribed below.
Lu rebellamentu di Sichilia, fully Cronica di lu rebellamentu di Sichilia contra re Carlu,[1] is a Sicilian historical chronicle of the War of the Vespers written around 1290. The anonymous Rebellamentu, probably written at Messina, was ascribed to Atanasiu di Iaci by Pasquale Castorina in 1883.[2] Though the Rebellamentu sometimes adds valuable details to the history of the Vespers, it is frequently untrustworthy.[3] Its monastic provenance is evident in its moralising tone. The antiquity of its language has placed its authenticity beyond doubt, despite its lack of an early manuscript tradition.[4] This has not prevented speculation that it was written contemporarily with events: one verb in one manuscript is found in the first-person present; this may represent the author inadvertently stepping out of his usual frame of reference, or merely an error in that manuscript.[5]
The Rebellamentu covers the years 1279–82 and treats John of Procida as a hero.[6] It is also the earliest chronicle to record that violence broke out after a Sicilian woman was raped by a French soldier, a story also recorded by Atanasiu di Iaci elsewhere.[7] It says that when the Sicilians complained to Charles of Anjou about their high taxes, he responded, "Vi farro spendiri munita di soli, como altra volta havitu spisu,"[8] threatening that he would re-issue leather money as had been done in the past. This probably indicates that the legend that William I issued leather money, otherwise first recorded by Tommaso Fazello in his De Rebus Siculis (1558), was current in the late thirteenth century.[9] The Rebellamentu also makes the OrsiniPope Nicholas III party to a conspiracy to dethrone Charles of Anjou.[10] The Florentine chronicler Giovanni Villani, who was biased against the Orsini because of the legation of Napoleone Orsini to Florence in 1306, supports the allegation.
In lu annu dili milli du chentu octanta dui anni dilu aduentu di Christu, in lu misi di Agustu cabalcau lu Re di Aragona di Trapani inPalermu, et li Palermitani ficiru grandi solemnitati dila sua vinuta, sicomu homini liquali aspittavanu liberacioni di morti; di chi lu ascuntraru ben sei migla cum grandi gazara di donni e dunzelli, homini, effimini, Conti e Baruni e Caualeri, li Arcifiscopu di Murriali no ni vosi trovari a dari li coruna (et inPalermu havia statu mortu lu loru Arcifiscopu) si ki quilla di Murriali fugiu, et andau piedi alu Papa; e cussì no fu corunatu, si no chamatu dilu populu. [...] Quistu esti lu Rebellamentu di Sichilia lu quali hordinau effichi fari Misser iohanni di prochita contra lu re Carlu. [...] Incalzaru la briga contra li francishi et livaru a rimuri e fforo a li armi li franchischi cum li palermitani et li homini a rimuri di petri e di armi gridandu «moranu li franchischi» et intraru in la chitati cum grandi rimuri et foru per li plazi et quanti francischi trouavanu tutti li auchidianu infra quilli rimuri lu capitanu chi era tandu per lu Re Carlu.
In the year of Our Lord Christ one thousand two hundred and eighty two, in the month of August the king of Aragon rode from Trapani to Palermo, and the Palermitans were extraordinarily happy of its coming, as men waiting to be freed by death; they welcomed him at least six miles outside the city, with a big uproar of women and girls, men, effeminates, Counts and Barons and Knights, anyway the Archbishop of Monreale didn't wish to crown him (and also the Archbishop of Palermo had recently died) in so much that he ran away, and walked by foot to the Pope; so the king wasn't crowned, but was said to be a people's king [...] This was the rebellion of Sicily, that was planned and led by Lord John of Procida against king Charles [...] They moved against the French, who were alerted from the noises, and there was a battle between French and Palermitans, and between the noises of the battle, of rocks and weapons, you could hear the screams "death to the French" and they entered the city with great clamor, and they went through the squares, and they killed as many French as they could kill, and between them there was the captain who at that time had been a supporter of king Charles.
The Spinelli Codex, the oldest surviving copy of the text, was probably copied from an older manuscript (perhaps the original) around 1330. It was published in English translation in 2015.
Lu rebellamentu di Sichilia, edited by Marcello Barbato (Palermo, Centro di studi filologici e linguistici siciliani, 2010).
Sicily's Rebellion against King Charles. The Rebellamentu translated and annotated by Louis Mendola based on the Spinelli Codex (New York, 2015) ISBN9781943639038.
Notes
↑ "Chronicle of the rebellion of Sicily against King Charles [of Anjou]"; the title as it appears in Enrico Sicardi (1917), Due cronache del Vespro, in Lodovico Muratori, Raccolta, XXXIV.3–29, is Lu Rebellamentu di Sichilia, lu quali hordinam e fichi fari Misser Iohanni di Prochita, contra Re Carlu, narrato da Anonimo Messinese, sec. XIII, derived from a line in the work.
↑ G. Cusimano (1962), "Atanasiu di Iaci," Dizionario biografico degli Italiani, vol. 4 (Rome: Società Grafica Romana), 519.
↑ Kenneth Meyer Setton (1976), The Papacy and the Levant, 1204–1571: The Thirteenth and Fourteenth Centuries (DIANE Publishing), 140.
↑ Giulio Bertoni (1910), Il Duecento (Milan), 426.
↑ Steven Runciman (1958), The Sicilian Vespers: A History of the Mediterranean World in the Later Thirteenth Century (Cambridge: Cambridge University Press), 290–91, who dismisses the contemporary dating, but defends its early provenance nonetheless.
↑ Runciman, 317. Its treatment of John of Procida helps secure its approximate date: after John was condemned by the Church in 1298, there would have been very little incentive to sing his praise.
↑ Julia Bolton Holloway (1993), Twice-told Tales: Brunetto Latino and Dante Alighieri (Florence: Aureo Anello Books), 129. This story of rape was adopted by Brunetto Latino for his Tesoro. In this regard the Rebellamentu is contradicted by the pro-French Liber Jani de Procida et Palialoco.
↑ "I will make you spend coinage of shoe leather, as you have done in the past."
↑ Philip Grierson and Lucia Travaini (1986), Medieval European Coinage: With a Catalogue of the Coins in the Fitzwilliam Museum, Cambridge, vol. 14, Italy (III), South Italy, Sicily, Sardinia (Cambridge: Cambridge University Press), 127. The legend, for which there is no historical basis, probably derives from an ancient legend about Dionysius I of Syracuse. According to Ricordano Malispini and Villani, the Emperor Frederick II, as King of Sicily, issued obsidional leather currency during his siege of Faenza in 1241–2, to pay his troops. Each piece was worth one augustale and was redeemed later for gold, but the authenticity of these near-contemporary records is suspects because of the currency of similar legends since antiquity.
↑ G. A. Loud (1987), Review of I Vespri siciliani e le relazioni tra Roma e Bisanzio: Studio critico sulle fonti by Antonino Franchi, The English Historical Review, 102(403), 472: "Few other commentators have followed the tract lu Rebellamentu di Sichilia, despite its fairly early date, in seeing Nicholars III as a party to the conspiracy against Charles of Anjou—if such conspiracy there was. Even if Nicholas did refuse to renew Charles as Senator of Rome, he was still dependent on Angevin troops to maintain his hold over the Papal state."
↑ Deno John Geanakoplos (1959), Emperor Michael Palaeologus and the West, 1258–1282: A Study in Byzantine–Latin Relations (Cambridge, Massachusetts: Harvard University Press), 351.
↑ Clifford R. Backman (2002), The Decline and Fall of Medieval Sicily: Politics, Religion, and Economy in the Reign of Frederick III, 1296–1337 (Cambridge: Cambridge University Press), 6. Leon Plantinga (1984), Romantic Music: A History of Musical Style in Nineteenth-Century Europe (New York: W. W. Norton & Co.), 312, writes that the libretto by Scribe was heavily influenced by Verdi, citing Andrew Porter (1978–9), "Les vêpres siciliennes: New Letters from Verdi to Scribe," Nineteenth-Century Music, 2(2), 95–109.
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