Lullaby of Birdland

Last updated
"Lullaby of Birdland"
Song
Written1952 [1]
Genre Jazz
Composer(s) George Shearing
Lyricist(s) George David Weiss

"Lullaby of Birdland" is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster"). [2] [3] [4]

Contents

Background

George Shearing wrote "Lullaby of Birdland" in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had gotten in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was "to be played every hour on the hour." Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy. [1] [5]

Shearing stated in his autobiography that he had composed "the whole thing [...] within ten minutes." [1] The chord changes were partly from Walter Donaldson's "Love Me Or Leave Me". [6] [7]

Jean Constantin composed the lyrics to a French version, "Lola ou La légende du pays aux oiseaux". [8]

Musical characteristics

"Lullaby of Birdland" is in thirty-two bar form, and its original key was F minor (or A major). The song spends an equal amount of time in both minor and major modes. It follows a I vi ii7 V7 harmonic progression, and it has a I viø7 iiø7 V7 minor variation. [9]

Notable recordings

The original single was issued on MGM 11354 - "Lullaby Of Birdland" (Shearing) by The George Shearing Quintet, recorded July 17, 1952. [10]

Lyrics were added later by George David Weiss; the recording by Sarah Vaughan with Clifford Brown became a hit in 1954. [11]

The song has been recorded by many vocal and instrumental performers, including Ella Fitzgerald, the Blue Stars of France (a Billboard top twenty hit in 1956, sung in French), Lionel Hampton, Chris Connor, Mel Tormé, Erroll Garner, Quincy Jones, Chaka Khan, Aoi Teshima, Mariah Carey, jazz bandleader Count Basie, Japanese R&B singer DOUBLE, Nikki Yanofsky, pianist Friedrich Gulda, The 12 Cellists of the Berlin Philharmonic, Korean singer Insooni, Finnish singer Olavi Virta (in Finnish), Vietnamese singer Tùng Dương, Spanish singer Andrea Motis (with a Bach-like three voice fugue based on the song theme by pianist Ignasi Terraza) and Italian singer Mina. A live version is included on the album Amy Winehouse at the BBC by Amy Winehouse. Winehouse also sampled the song in the track "October Song" from her debut album, Frank . In Stan Freberg's comic version of "The Great Pretender", the jazz pianist ad libs the first six notes of "Lullaby of Birdland", before the singer angrily shouts "WATCH IT!!" Other versions include Joni James, Wild Bill Davis, Anita Kerr Singers, Chet Atkins, Ralph Marterie, McGuire Sisters, Floyd Cramer, Frank Chacksfield, Hugo Montenegro, and Ray Conniff. The Argentine singer Morena Greppi delivered an excellent rendition of the classic song on the program La Voz Argentina.

See also

Related Research Articles

Birdland may refer to:

<span class="mw-page-title-main">George Shearing</span> British jazz pianist

Sir George Albert Shearing was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 songs, including the jazz standards "Lullaby of Birdland" and "Conception", and had multiple albums on the Billboard charts during the 1950s, 1960s, 1980s and 1990s.

"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama Body and Soul.

"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.

"Autumn Leaves" is a popular song based on a French song "Les Feuilles mortes" composed by Joseph Kosma in 1945. The original lyrics were written by Jacques Prévert in French, and the English lyrics were by Johnny Mercer. An instrumental version by pianist Roger Williams was a number one best-seller in the US Billboard charts of 1955.

<span class="mw-page-title-main">George David Weiss</span> American songwriter and arranger from New York

George David Weiss was an American songwriter and arranger, who was a president of the Songwriters Guild of America.

<span class="mw-page-title-main">Birdland (New York jazz club)</span> Jazz club (1949–1965, 1985–present)

Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous headquarters of The New York Observer.

<i>Lullabies of Birdland</i> 1955 studio album by Ella Fitzgerald

Lullabies of Birdland is a 1955 studio album by Ella Fitzgerald, issued on the Decca Records label. The album features tracks recorded during the late 1940s and early 1950s, that had been previously issued on 78rpm single. MCA Records re-issued the complete album on CD, in 1998, together with the 1955 album Sweet and Hot.

<i>On a Clear Day</i> (George Shearing album) 1980 studio album by George Shearing

On a Clear Day is a 1980 studio album by the pianist George Shearing, accompanied by the double bassist Brian Torff.

<span class="mw-page-title-main">1950s in jazz</span>

By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.

<span class="mw-page-title-main">1930s in jazz</span> Jazz music-related events during the 1930s

Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.

<i>The Nearness of You</i> (Paul Bley album) 1989 studio album by Paul Bley Trio

The Nearness of You is an album of jazz standards by pianist Paul Bley recorded in Denmark in 1988 and released on the SteepleChase label.

<i>Dexterity</i> (George Shearing album) 1988 live album by George Shearing

Dexterity is a 1988 live album by the jazz pianist George Shearing recorded at the second Fujitsu-Concord Jazz Festival. The singer Ernestine Anderson appears on two tracks. Shearing and Anderson would later record the album A Perfect Match.

<i>A Perfect Match</i> (George Shearing and Ernestine Anderson album) 1988 studio album by George Shearing and Ernestine Anderson

A Perfect Match is a 1988 album by jazz pianist George Shearing and the singer Ernestine Anderson. The pair had previously appeared together on Shearing's 1988 live album Dexterity.

<i>George Shearing in Dixieland</i> 1989 studio album by George Shearing

George Shearing in Dixieland is a 1988 album by jazz pianist George Shearing of music associated with Dixieland.

<i>Lullaby of Birdland</i> (album) 1994 live album by Lee Konitz featuring Barry Harris

Lullaby of Birdland is a live album by saxophonist Lee Konitz featuring pianist Barry Harris which was recorded at Birdland in 1991 and released on the Candid label.

<i>Inner Fires</i> 1982 live album by Bud Powell

Inner Fires is a live album by jazz pianist Bud Powell recorded at Club Kavakos in 1953. Also appearing on the record were bassist Charles Mingus and drummer Roy Haynes. Some releases of the album include recordings of interviews with Powell from 1963, during his stay at the Bouffémount Sanatorium in France.

References

  1. 1 2 3 Shearing, George; Shipton, Alyn (2004). Lullaby of Birdland . New York: Continuum. pp.  137–139. ISBN   9780826460158.
  2. "Jazz Standards Songs and Instrumentals (Lullaby of Birdland)". Jazzstandards.com. Retrieved 12 October 2018.
  3. The Real Book (Sixth ed.). Hal Leonard. 2004. p.  256. ISBN   0-634-06038-4.
  4. Lyons, Leonard (1983). The Great Jazz Pianists: Speaking Of Their Lives And Music . New York: W. Morrow. p.  94. ISBN   068801920X . Retrieved 6 April 2019.
  5. Cimino, Al (1992). Great Record Labels . Secaucus, N.J.: Chartwell Books. p.  8. ISBN   1555217877 . Retrieved 6 April 2019.
  6. Holbrook, Morris B. (2008). Playing the Changes on the Jazz Metaphor. Now Publishers. p. 77.
  7. Gioia, Ted (2021). The Jazz Standards: A Guide to the Repertoire. Oxford University Press. p. 275.
  8. Lullaby of birdland. 2 May 2011. OCLC   780312506 . Retrieved 2 May 2021 via Open WorldCat.
  9. McElrath, K.J. "Lullaby of Birdland (1952)". JazzStandards.com. Retrieved 5 April 2019.
  10. "When lights are low/Lullaby of Birdland".
  11. "Lullaby of Birdland".