Lynda Nead | |
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| Born | 1957  |
| Occupation | University teacher |
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Lynda Nead FBA is a British curator and art historian. She is currently the Pevsner Chair of the History of Art at Birkbeck, University of London. Nead's work studies British art, media, culture and often focuses on gender. Nead is a fellow of the British Academy, the Royal Historical Society and of the Academia Europaea.
Nead was elected as a fellow of the British Academy in 2018. [1] She is a professor at Birkbeck, University of London, where she is the Pevsner Professor of the History of Art. [2] She is a Fellow of the Royal Historical Society and of the Academia Europaea. [3] She has been selected to present the prestigious Paul Mellon Lectures this year, which will take place from 18th October 2023 at the Victoria and Albert Museum.
Marcia Pointon, in Art History , writes that Nead's analysis of women in Victorian imagery in her book, Myths of Sexuality: Representations of Women in Victorian Britain (1988), is based on the idea that sexuality and power are related to one another. [4] Nead discusses a feminist history of the female nude in her book, The Female Nude (1992). [5] Her survey covers representations of the female nude from Ancient Greece to the present. [6] In her exploration of the subject, she also included studies on "vaginal imagery," "video pornography," and "visibility and the female body." [5] In her book, she discusses the history of the female nude and how to decide where to draw the line between pornography and art. [5] She also talks about how traditionally, the female nude "signifies the containment and disciplining of unruly female matter (and sexuality)," and also, how in a Kantian fashion, women's bodies represent a challenge of converting a troublesome nature into "pure art." [7] Nead also discusses how feminist artists have resisted these traditions in various different ways. [7] She further explores the use of women's bodies in art in her book about Chila Burman's work, Chila Kumari Burman: Beyond Two Cultures (1995). [8]
In the art history book, Victorian Babylon (2000), Nead examines the gendered lives of people living in Victorian Era London between 1855 and 1870. [9] [10] Nead details different ways of living in urban London of the Victorian Era, looking at architecture and public spaces. [11] She also examines maps, paintings, woodcuts and illustrations in the book. [12] One chapter is devoted to maps of the sewer systems of London, for example, and how accurate maps helped create many of London's improvements. [13] The Canadian Journal of History wrote that what Victorian Babylon "does best is to show how artists, cartoonists, illustrators represented" Victorian behavior. [14] Art Journal describes her book as not only looking at behavior through art, but how things and people "circulate" throughout London during this time period. [15] Art Journal also notes how Nead challenges the idea that women were "invisible" in Victorian England. [15]
Within her art history book, ‘the female nude: art, obscenity and sexuality, Nead explored female nudity within art and how this is associated with modern-day concepts of female body image. [16] There is also a comparison between the portrayal of a female body and how this has been sexualized by the artists. Giving examples of work from artists such as Albrecht Durer whose depiction of the female body symbolises femininity and sexualisation. The book describes how the paintings of females in galleries have influenced our current ideal of the female body. [17]
Nead's book, The Haunted Gallery: Painting, Photography, Film c. 1900 (2007), examines film in Britain in the early twentieth century. [18] The book covers not just the art of film, but how the moving picture helped shape society's perceptions of topics as diverse as sexual imagery to astronomy. [18] The book itself contains a "wealth of beautiful illustrations" which help explain the various topics she explores. [19]
In 2015, Nead curated an exhibit at the Foundling Museum, called "The Fallen Woman." [20] The exhibit focused on the Victorian trope of the "fallen woman" who face difficult, morally ambiguous choices in society. [20] Many of the "fallen women" were unmarried, single mothers who were often forced to give up their children to Foundling hospitals. [21] Nead collected stories and art to create the exhibit. [21]
Nead's 2017 work, The Tiger in the Smoke, she explores post-World War II London in conjunction with an event that took place in December 1952, where Londoners were subjected to a "horrendous" five day long fog that kept thousands inside. [22] Nead discusses art, media and history through this context. [22]
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Erotica is literature or art that deals substantively with subject matter that is erotic, sexually stimulating or sexually arousing. Some critics regard pornography as a type of erotica, but many consider it to be different. Erotic art may use any artistic form to depict erotic content, including painting, sculpture, drama, film or music. Erotic literature and erotic photography have become genres in their own right. Erotica also exists in a number of subgenres including gay, lesbian, women's, bondage, monster and tentacle erotica.
Erotic art is a broad field of the visual arts that includes any artistic work intended to evoke arousal. It usually depicts human nudity or sexual activity, and has included works in various visual mediums, including drawings, engravings, films, paintings, photographs, and sculptures. Some of the earliest known works of art include erotic themes, which have recurred with varying prominence in different societies throughout history. However, it has also been widely considered taboo, with either social norms or laws restricting its creation, distribution, and possession. This is particularly the case when it is deemed pornographic, immoral, or obscene.
Jennifer Anne Saville is a contemporary British painter and an original member of the Young British Artists. Saville works and lives in Oxford, England and she is known for her large-scale painted depictions of nude women. Saville has been credited with originating a new and challenging method of painting the female nude and reinventing figure painting for contemporary art. Some paintings are of small dimensions, while other are of much larger scale. Monumental subjects come from pathology textbooks that she has studied that informed her on injury to bruise, burns, and deformity. John Gray commented: "As I see it, Jenny Saville's work expresses a parallel project of reclaiming the body from personality. Saville worked with many models who under went cosmetic surgery to reshape a portion of their body. In doing that, she captures "marks of personality for the flesh" and together embraces how we can be the writers of our own lives."
The Rokeby Venus is a painting by Diego Velázquez, the leading artist of the Spanish Golden Age. Completed between 1647 and 1651, and probably painted during the artist's visit to Italy, the work depicts the goddess Venus in a sensual pose, lying on a bed with her back facing the viewer, and looking into a mirror held by the Roman god of physical love, her son Cupid. The painting is in the National Gallery, London.
The Babylonian Marriage Market is an 1875 painting by the British painter Edwin Long. It depicts a scene from Herodotus' Histories of young women being auctioned into marriage in the area then known as Babylon or Assyria. It received attention for its provocative depiction of women. Long's use of historical detail to make the painting engaging yet relatable has been highly regarded. The work was purchased by Thomas Holloway in 1882 and is owned by Royal Holloway, University of London.
Steven Kevin Connor, FBA is a British literary scholar. Since 2012, he has been the Grace 2 Professor of English in the University of Cambridge and a Fellow of Peterhouse, Cambridge. He was formerly the academic director of the London Consortium and professor of modern literature and theory at Birkbeck, University of London.
The history of erotic depictions includes paintings, sculpture, photographs, dramatic arts, music and writings that show scenes of a sexual nature throughout time. They have been created by nearly every civilization, ancient and modern. Early cultures often associated the sexual act with supernatural forces and thus their religion is intertwined with such depictions. In Asian countries such as India, Nepal, Sri Lanka, Japan and China, representations of sex and erotic art have specific spiritual meanings within native religions. The ancient Greeks and Romans produced much art and decoration of an erotic nature, much of it integrated with their religious beliefs and cultural practices.
Mary Raleigh Richardson was a Canadian suffragette active in the women's suffrage movement in the United Kingdom, an arsonist, a socialist parliamentary candidate and later head of the women's section of the British Union of Fascists (BUF) led by Sir Oswald Mosley.
Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience in their lives. The hopeful gain from this form of art is to bring a positive and understanding change to the world, in hope to lead to equality or liberation. Media used range from traditional art forms such as painting to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force towards expanding the definition of art through the incorporation of new media and a new perspective.
Odalisque With Raised Arms is a painting by Henri Matisse, completed in 1923. The oil on canvas measuring 23 by 26 inches is in the National Gallery of Art, Washington D.C. Matisse's style changed and evolved drastically throughout his career, including a wide and varying collection of paintings depicting the female nude. His Odalisque paintings were inspired by his trip to Morocco. Many of the female subjects in the Odalisque paintings were modeled after Matisse's main model at the time, Henriette Darricarrère.
Lynda Benglis is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India.
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures were generally understood to be symbols of fertility or well-being.
Chila Kumari Singh Burman is a British artist, celebrated for her radical feminist practice, which examines representation, gender and cultural identity. She works across a wide range of mediums including printmaking, drawing, painting, installation and film.
Joan Semmel is an American feminist painter, professor, and writer. She is best known for her large scale realistic nude self portraits as seen from her perspective looking down.
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: that of the man behind the camera, that of the male characters within the film's cinematic representations; and that of the spectator gazing at the image.
Candaules, King of Lydia, Shews his Wife by Stealth to Gyges, One of his Ministers, as She Goes to Bed, occasionally formerly known as The Imprudence of Candaules, is a 45.1 by 55.9 cm oil painting on canvas by English artist William Etty, first exhibited at the Royal Academy in 1830. It shows a scene from the Histories by Herodotus, in which Candaules, king of Lydia, invites his bodyguard Gyges to hide in the couple's bedroom and watch his wife Nyssia undress, to prove to him her beauty. Nyssia notices Gyges spying and challenges him to either accept his own execution or to kill Candaules as a punishment. Gyges chooses to kill Candaules and take his place as king. The painting shows the moment at which Nyssia, still unaware that she is being watched by anyone other than her husband, removes the last of her clothes.
Musidora: The Bather 'At the Doubtful Breeze Alarmed', also known as The Bather, is a name given to four nearly identical oil paintings on canvas by English artist William Etty. The paintings illustrate a scene from James Thomson's 1727 poem Summer in which a young man accidentally sees a young woman bathing naked and is torn between his desire to look and his knowledge that he ought to look away. The scene was popular with English artists as it was one of the few legitimate pretexts to paint nudes at a time when the display and distribution of nude imagery was suppressed.
Eunice Golden is an American feminist painter from New York City, known for exploring sexuality using the male nude. Her work has been shown at the Whitney Museum of American Art, Brooklyn Museum, Bronx Museum of the Arts, Westbeth Gallery, and SOHO20 Gallery.
Frances Borzello is a British art historian and scholar, feminist art critic and author. Her work specializes in the social history of art, and includes study on the social position of European woman artists in the context of their society, the study of female self-portraits and female nudes. She authored the book Seeing Ourselves: Women's Self Portraits, which has been continuously published since 1998 and has 30 editions. Her work widely recognized as contribution to the fields of art history and women's studies.
Katherine Angel is a British academic and writer whose 2012 work of literary non-fiction, Unmastered: A Book on Desire, Most Difficult to Tell, attracted worldwide attention.
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