Robert Dennis Crumb is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture.
Kim Deitch is an American cartoonist who was an important figure in the underground comix movement of the 1960s, remaining active in the decades that followed with a variety of books and comics, sometimes using the pseudonym Fowlton Means.
James William Woodring is an American cartoonist, fine artist, writer and toy designer. He is best known for the dream-based comics he published in his magazine Jim, and as the creator of the anthropomorphic cartoon character Frank, who has appeared in a number of short comics and graphic novels.
Fritz the Cat is a comic strip created by Robert Crumb. Set in a "supercity" of anthropomorphic animals, it focused on Fritz, a tabby cat who frequently went on wild adventures that sometimes involved sexual escapades. Crumb began drawing the character in homemade comic books as a child. Fritz became one of his best-known characters, thanks largely to the motion picture adaptation by Ralph Bakshi.
Harvey Kurtzman was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
Gilbert Shelton is an American cartoonist and a key member of the underground comix movement. He is the creator of the iconic underground characters The Fabulous Furry Freak Brothers, Fat Freddy's Cat, and Wonder Wart-Hog.
Vaughn Bodē was an American underground cartoonist and illustrator known for his character Cheech Wizard and his artwork depicting voluptuous women. A contemporary of Ralph Bakshi, Bodē has been credited as an influence on Bakshi's animated films Wizards and The Lord of the Rings. Bodē has a huge following among graffiti artists, with his characters remaining a popular subject.
William Henry Jackson Griffith is an American cartoonist who signs his work Bill Griffith and Griffy. He is best known for his surreal daily comic strip Zippy. The catchphrase "Are we having fun yet?" is credited to Griffith.
Roberta Gregory is an American comic book writer and artist best known for the character Bitchy Bitch from her Fantagraphics Books series Naughty Bits. She is a prolific contributor to many feminist and underground anthologies, such as Wimmen's Comix and Gay Comix.
Trina Robbins is an American cartoonist. She was an early participant in the underground comix movement, and one of the first female artists in that movement. She is a member of the Will Eisner Hall of Fame.
John F. Ryan IV is an American alternative comics creator, writer, and animator. He created Angry Youth Comix, a comic book published by Fantagraphics, and "Blecky Yuckerella", a comic strip which originated in the alternative newspaper the Portland Mercury and now appears on Ryan's website. He also created Pig Goat Banana Cricket, a TV show made jointly with Dave Cooper that Nickelodeon picked up. He was the story editor for Looney Tunes Cartoons. In a throwback to the days of underground comix, Ryan's oeuvre is generally an attempt to be as shocking and politically incorrect as possible.
Bob Fingerman is an American comic book writer/artist born in Queens, New York, who is best known for his comic series Minimum Wage.
Jay Patrick Lynch was an American cartoonist who played a key role in the underground comix movement with his Bijou Funnies and other titles. He is best known for his comic strip Nard n' Pat and the running gag Um tut sut. His work is sometimes signed Jayzey Lynch. Lynch was the main writer for Bazooka Joe comics from 1967 to 1990; he contributed to Mad, and in the 2000s expanded into the children's book field.
Gary David Leib was an American underground cartoonist, animator, and musician. Best known for the comic book Idiotland, Leib's work also appeared in The New Yorker, The New York Times, Musician Magazine, The New York Observer, RAW, BLAB! and as weekly features in New York Press for many years. His animation work was featured in films like American Ultra, American Splendor, and Happiness. Leib was a founding member of the Grammy Award-nominated band Rubber Rodeo, which recorded two albums for Mercury Records. He created original music for independent and feature films, including the critically acclaimed Ironweed.
Lee Marrs is an American cartoonist and animator, and one of the first female underground comix creators. She is best known for her comic book series The Further Fattening Adventures of Pudge, Girl Blimp, which lasted from 1973 to 1977.
Gary Hallgren is an American illustrator and underground cartoonist. Illustrations by Hallgren have been "commissioned by publications such as The New York Times, Men's Health, The Wall Street Journal, Mad, and Entertainment Weekly, among others."
Artie Edward Romero is an American cartoonist, animator, producer, director and publisher. He began his career in comic books at a young age in the 1970s, and now is best known for his animation work.
Milton Knight Jr. is an American cartoonist, animator, comic book artist, writer, painter, and storyboard/layout artist. He directed animation for a variety of cartoon series, including Cool World, Adventures of Sonic the Hedgehog, and The Twisted Tales of Felix the Cat. He is known for his Golden Age (1930s) cartooning style.
Rock 'N' Roll Comics was a comic book series published by Revolutionary Comics from 1989 to 1993. Revolutionary's flagship title, the series was notable for its unauthorized and unlicensed biographies of rock stars, told in comic book form but well-researched and geared to adults, often with adult situations.
Glenn Head is an American cartoonist and comic book editor living in Brooklyn, New York. His cartooning has a strong surrealist bent and is heavily influenced by 1960s underground comix.
