| Make-Up Artists and Hair Stylists Guild Award for Contemporary Makeup in a Television Series, Television Limited or Miniseries or Television New Media Series | |
|---|---|
| Country | United States |
| Presented by | Make-Up Artists and Hair Stylists Guild (MUAHS) |
| First awarded | 2014 |
| Currently held by | Tyson Fountaine, Melissa Buell, Ron Pipes, Gage Munster American Horror Stories (2021) |
| Website | Make-Up Artists & Hair Stylists Guild |
The Make-Up Artists and Hair Stylists Guild Award for Contemporary Makeup in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| (1999) 1st [1] | Best Contemporary Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime) | |||
| Providence | "Thank You Providence" | James MacKinnon, Stephanie A. Fowler | NBC | |
| Will & Grace | "I Never Promised You an Olive Garden" | Cynthia Bachman Brown, Patricia Bunch | NBC | |
| "Big Brother is Coming" | ||||
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| (2000) 2nd [2] | Best Contemporary Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime) | |||
| Sex and the City | "Don't Ask, Don't Tell" | Michelle Johnson | HBO | |
| Buffy the Vampire Slayer | "Restless" | Todd McIntosh, Brigette A. Myre, Robin Beauchesne, David DeLeon, Kate Biscoe | The WB | |
| Friends | "The One That Could Have Been" | Robin Siegel, Beth Katz, Anne Sweeting, Kevin Haney | NBC | |
| Best Contemporary Makeup – Television (for a Mini-Series/Motion Picture Made for Television) | ||||
| Running Mates | Lon Bentley, Rick Sharp, Leonard Engelman | TNT | ||
| An American Daughter | Brigitte Bugayong, Christina Criswell, Barrie Buckner | Lifetime | ||
| On the Beach | Brad Smith | Showtime | ||
| (2001) 3rd [3] | Best Contemporary Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime) | |||
| Six Feet Under | "An Open Book" | Donna-Lou Henderson, Justin B. Henderson, Michelle Vittone, Pamela Santori | HBO | |
| Alias | "Truth Be Told" | Angela Nogaro, Diana Brown, Gilbert A. Mosko | ABC | |
| Friends | "The One with the Halloween Party" | Robin Siegel, Beth Katz, Sheree Morgan | NBC | |
| Year | Program | Nominees | Network | |
|---|---|---|---|---|
| (2002) 4th [4] [5] | Best Contemporary Makeup – Television Series | |||
| Alias | Angela Nogaro, Diana Brown | ABC | ||
| Sex and the City | Nicki Ledermann, Judy Chin, Kerrie R. Plant, Maryann Marchetti | HBO | ||
| Six Feet Under | Donna-Lou Henderson, Justin B. Henderson, Michelle Vittone | |||
| Best Makeup – Television Mini-Series/Movie of the Week | ||||
| Gleason | Greg Cannom, Wesley Wofford, Erik Gosselin | CBS | ||
| Civil War Combat | Susan Seligman | History Channel | ||
| Live from Baghdad | David Forrest, Robert Ryan | HBO | ||
| (2003) 5th [6] | Best Contemporary Makeup – Television Series | |||
| Sex and the City | Judy Chin, Nicki Ledermann, Kerrie R. Plant | HBO | ||
| Nip/Tuck | Eryn Krueger Mekash, Stephanie A. Fowler | FX | ||
| Six Feet Under | Donna-Lou Henderson, Justin B. Henderson, Megan Moore | HBO | ||
| Best Makeup – Television Mini-Series/Movie of the Week | ||||
| Tracey Ullman in the Trailer Tales | Matthew W. Mungle, Sally Sutton, Kate Shorter | HBO | ||
| And Starring Pancho Villa as Himself | Dorothy J. Pearl | HBO | ||
| Normal | Hallie D'Amore, Linda Melazzo, Dorothy J. Pearl | |||
| Year | Program | Nominees | Network | |
|---|---|---|---|---|
| (2013) 6th [7] [8] | Best Contemporary Makeup in Television and New Media Series | |||
| Breaking Bad | Tarra D. Day, Steve La Porte | AMC | ||
| Glee | Kelley Mitchell, Jennifer Greenberg | Fox | ||
| Super Fun Night | Debbie Zoller, Tami Lane | ABC | ||
| Best Contemporary Makeup in a Television Mini-Series or Motion Picture Made for Television | ||||
| Fargo | Gail Kennedy, Joanne Preece, Gunther Schetterer | FX | ||
| Reckless | Jeanne Van Phue, Gigi Collins, Ashleigh Chavis | CBS | ||
| Sherlock | Claire Pritchard, Sarah Astley | PBS | ||
| (2014) 7th [9] [10] | Best Contemporary Makeup in Television and New Media Series | |||
| Sons of Anarchy | Tracey Anderson, Michelle Garbin, Sabine Roller | FX | ||
| Dancing with the Stars | Zena Shteysel, Angela Moos, Patti Ramsey Bortoli | ABC | ||
| House of Cards | Tricia Sawyer, Vasilios Tanis | Netflix | ||
| Orange Is the New Black | Michal Bigger, Karen Reuter Fabbo | |||
| True Detective | Felicity Bowring, Linda Dowds | HBO | ||
| The Walking Dead | Essie Cha, Mayumi Murakami, Chauntelle Langston | AMC | ||
| (2015) 8th [11] [12] | ||||
| Dancing with the Stars | Zena Shteysel, Angela Moos, Patti Ramsey Bortoli | ABC | ||
| Empire | Beverly Jo Pryor, Ashunta Sheriff | Fox | ||
| House of Cards | Tricia Sawyer, Vasilios Tanis | Netflix | ||
| Transparent | Emma Johnston Burton, Molly Tissavary, Ela Barczewska | Amazon | ||
| The Walking Dead | Essie Cha, Mayumi Murakami, Chauntelle Langston | AMC | ||
| Best Contemporary Makeup in a Television Mini-Series or Motion Picture Made for Television | ||||
| Scream Queens | Eryn Krueger Mekash, Kelley Mitchell, Melissa Buell | Fox | ||
| Strike Back | Sue Michael | Cinemax | ||
| Whitney | Marietta Carter-Narcisse, Noreen Wilkie | Lifetime | ||
| (2016) 9th [13] [14] | Best Contemporary Makeup in Television and New Media Series | |||
| Westworld | Christien Tinsley, Elisa Marsh, Rolf John Keppler | HBO | ||
| Empire | Beverly Jo Pryor, Eric Pagdin, Ashunta Sheriff | Fox | ||
| Saturday Night Live | Louie Zakarian, Amy Tagliamonti, Jason Milani | NBC | ||
| Transparent | Emma Johnston Burton, Malanie J. Romero, Tonyia Verna | Amazon | ||
| The Voice | Darcy Gilmore, Kristene Bernard, Diane Mayo | NBC | ||
| Best Contemporary Makeup in a Television Mini-Series or Motion Picture Made for Television | ||||
| The Rocky Horror Picture Show: Let's Do the Time Warp Again | Julia Valente, Pipsan Ayotte | Fox | ||
| Gilmore Girls: A Year in the Life | Tegan Taylor, Tania McComas | Netflix | ||
| The Girlfriend Experience | Randy Daudlin | Starz | ||
| Love by the 10th Date | Dionne Wynn, Stephanie Bravo | Lifetime | ||
| Mascots | Gigi Williams, Michelle Audrina Kim | Netflix | ||
| (2017) 10th [15] [16] | ||||
| Dancing with the Stars | Zena Shteysel, Angela Moos, Sarah Woolf | ABC | ||
| Grace and Frankie | Robin Siegel, David DeLeon, Bonita DeHaven | Netflix | ||
| The Handmaid's Tale | Burton J. LeBlanc, Talia Reingold, Erika Caceres | Hulu | ||
| RuPaul's Drag Race | David Petruschin, Jen Fregozo, Natasha Marcelina | VH1 | ||
| Saturday Night Live | Louie Zakarian, Amy Tagliamonti, Jason Milani | NBC | ||
| Best Contemporary Makeup in a Television Mini-Series or Motion Picture Made for Television | ||||
| Big Little Lies | Steve Artmont, Nicole Artmont | HBO | ||
| American Horror Story: Cult | Eryn Krueger Mekash, Kim Ayers, Silvina Knight | FX | ||
| Fargo | Gail Kennedy, Joanne Preece, Danielle Hanson | |||
| Michael Jackson: Searching for Neverland | Geneva Nash Morgan, Susan Laprelle, April M. Chaney | Lifetime | ||
| Twin Peaks | Debbie Zoller, Richard Redlefsen, Mandi Ann Ruiz | Showtime | ||
| (2018) 11th [17] [18] | Best Contemporary Makeup in Television and New Media Series | |||
| American Horror Story: Apocalypse | Eryn Krueger Mekash, Kim Ayers, Silvina Knight | FX | ||
| Dancing with the Stars | Julie Socash, Alison Gladieux, Donna J. Bard | ABC | ||
| The Handmaid's Tale | Karola Dirnberger, Ewa Latak-Cynk | Hulu | ||
| Saturday Night Live | Louie Zakarian, Amy Tagliamonti, Jason Milani | NBC | ||
| Westworld | Elisa Marsh, Allan A. Apone, Rachel Hoke | HBO | ||
| (2019) 12th [19] | ||||
| Big Little Lies | Michelle Radow, Erin Rosenmann | HBO | ||
| Euphoria | Doniella Davy, Kirsten Coleman | HBO | ||
| Grace and Frankie | Melissa Sandora, David DeLeon, Bonita DeHaven | Netflix | ||
| The Handmaid's Tale | Burton J. LeBlanc, Alastair Muir, Faye Crasto | Hulu | ||
| Russian Doll | Amy L. Forsythe, Heidi Pakdel, Danielle Minnella | Fox | ||
| Year | Program | Nominees | Network |
|---|---|---|---|
| (2020) 13th [20] [21] | |||
| Westworld | Elisa Marsh, John Damiani, Jennifer Aspinall, Rachel Hoke | HBO | |
| Dead to Me | Jacqueline Knowlton, Toryn Reed, Kim Greene, Liz Lash | Netflix | |
| Grace and Frankie | Melissa Sandora, David De Leon, Bonita De Haven | ||
| Ozark | Tracy Ewell, Jillian Erickson, Susan Reilly Lehane | ||
| RuPaul’s Drag Race | Natasha Marcelina, Jen Fregozo | VH1 | |
| Schitt’s Creek | Candice Ornstein, Kerry Vaughan | Pop! | |
| (2021) 14th [22] [23] | |||
| American Horror Stories | Tyson Fountaine, Melissa Buell, Ron Pipes, Gage Munster | FX on Hulu | |
| Emily in Paris | Odile Fourquin, Aurélie Payen, Carole Nicolas, Corinne Maillard | Netflix | |
| Mare of Easttown | Debi Young, Ngozi Olandu Young, Sandra Linn, Rachel Geary | HBO | |
| RuPaul's Drag Race | David Petruschin, Jen Fregozo, Nicole Faulkner | VH1 | |
| WandaVision | Tricia Sawyer, Vasilios Tanis | Disney+ | |
| (2022) 15th [24] | |||
| Euphoria | Doniella Davy, Tara Lang Shah, Alexandra J. French | HBO | |
| Abbott Elementary | Alisha L. Baijounas, Jenn Bennett, Constance Foe, Emilia Werynska | ABC | |
| Emily in Paris | Aurélie Payen, Joséphine Bouchereau, Carole Nicolas, Corinne Maillard | Netflix | |
| Hacks | Bridget O'Neill | HBO Max | |
| The White Lotus | Rebecca Hickey, Federica Emidi | HBO | |
The Academy Award for Best Makeup and Hairstyling is the Academy Award given to the best achievement in makeup and hairstyling for film. Traditionally, three films have been nominated each year with exceptions in the early 1980s and 2002 when there were only two nominees; in 1999, when there were four nominees. Beginning with the 92nd Academy Awards, five films were nominated.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Make-Up for a Feature Film is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character makeup. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2019. Before being singled out, television films and specials were nominated alongside miniseries in the category Best Contemporary Hair Styling in a Television Mini-Series or Motion Picture Made for Television.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. In previous ceremonies, television films and specials were placed alongside miniseries, but this was changed in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given this category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.