Alda Sinha (born 11 November 1936), better known by her stage nameMala Sinha, is a former Indian actress who has worked in Hindi, Bengali and Nepali films. Initially starting her career with regional cinema, she went on to become a top leading actress in Hindi Cinema in the late 1950s, 1960s and early 1970s. In a career spanning four decades, Mala Sinha rose to prominence with films like Guru Dutt's Pyaasa (1957) and Yash Chopra's Dhool Ka Phool (1959). Later, she starred in over hundred film productions including Phir Subah Hogi (1958), Hariyali Aur Rasta, Anpadh (both 1962), Dil Tera Deewana (1962), Gumrah, Bahurani (both 1963), Himalay Ki God Mein (1965), Aasra (1966), Ankhen, Do Kaliyan (both 1968), Maryada (1971) .[1] She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of their times. Having received multiple awards and nominations, she was given the Filmfare Lifetime Achievement Award in 2018. [2][3]
Mala's initial name was Alda and her friends at school in Calcutta (now Kolkata) used to tease her by calling her Dalda (a brand of vegetable oil), so she changed her name to Baby Nazma on getting her first assignment as a child artiste. Later on, as an adult actor, she changed her name to Mala Sinha.[5][6] As a child, she learnt dancing and singing. Although she was an approved singer of All India Radio, she has never done playback singing in films. As a singer, she has done stage shows in many languages from 1947 to 1975.
Career
Mala Sinha started her career as child artist in Bengali films – Jai Vaishno Devi followed by Shri Krishan Leela, Jog Biyog and Dhooli. Noted Bengali director Ardhendu Bose saw her acting in a school play and took permission from her father to cast her as a heroine in his Bengali film Roshanara (1952), her cinematic debut.
After acting in a couple of films in Calcutta, Mala Sinha went to Bombay for a Bengali film. There she met Geeta Bali, a noted Bollywood actress, who was charmed by her and introduced her to director Kidar Sharma. Sharma cast her as a heroine in his Rangeen Ratein. Her first Hindi film was Badshah opposite Pradeep Kumar, then came Ekadashi, a mythological film opposite Trilok Kapoor. Both films did not do well, but her lead role in Kishore Sahu's Hamlet, paired opposite Pradeep Kumar, fetched her rave reviews in spite of it failing at the box office. Films such as Lai Batti (actor Balraj Sahni's only directorial venture), Nausherwan-E-Adil where she starred as the fair maiden Marcia in Sohrab Modi's romance about forbidden love and Phir Subah Hogi, which was director Ramesh Saigal's adaptation of Dosteovsky's Crime and Punishment established Mala Sinha's reputation as a versatile actress who took the maximum career risks by accepting unconventional roles.
She used to sing for All India Radio; she was not allowed to sing playback (even for herself) in the movies with the lone exception being 1972's Lalkar.[7] In the 1950s, she had string of hits opposite Pradeep Kumar such as Fashion (1957), Detective (1958) and Duniya Na Mane (1959). The films she did with Pradeep Kumar were men-oriented. In 1957, noted Bollywood actor and director Guru Dutt cast Mala Sinha in his film Pyaasa (1957) in a role originally intended for Madhubala. Mala Sinha performed in the relatively unsympathetic part of an ambitious woman who chooses to marry a rich man (played by actor Rehman) and have a loveless marriage, rather than a poor, unsuccessful poet; her impoverished lover (played by Guru Dutt) whom she ditches. Pyaasa remains to this day a classic in the history of Indian cinema and a turning point for Sinha.
She consistently did lead roles in Bengali films throughout 1950's to 1970's. Her performance in films like Lookochoori (1958) opposite Kishore Kumar and Kelaghar (1959),Saathihaara and Shohorer Itikotha.
With Biswajit, her popular movies include Aasra, Night in London, Do Kaliyaan, Tamanna, Nai Roshni and critically acclaimed films Pyar Ka Sapna, Paisa Ya Pyaar, Jaal and Phir Kab Milogi. She did ten films with Biswajit. In 2007, they won the Star Screen Lifetime Achievement Award, calling them on stage together giving due respect to their popularity as a pair who have tasted box office success.[10]
In 1966, Mala Sinha went to Nepal to act in a Nepali film called Maitighar when the Nepalifilm industry was still in its infancy. This was the only Nepali film she did in her career. The hero was an estate owner called Chidambar Prasad Lohani.[citation needed]
Soon after, she married C. P. Lohani with the blessings of her parents. From the beginning, theirs was a long-distance marriage with Lohani based in Kathmandu to look after his business and Mala Sinha living in Bombay with their daughter Pratibha. She continued acting after her marriage.[1]
Of her repertoire, she said in 2001, she was rather partial to Jahan Ara (1964), a historical movie that Meena Kumari passed on to her:
"Meena-ji turned down the role saying that she would not look the part whereas I would. Given my ignorance of Urdu, I was rather sceptical, but Meena-ji was convinced that I could do justice to the role. Playing Mumtaz Mahal's eldest daughter entailed gruelling Urdu classes and learning royal tehzeeb. It was hot on the grand sets erected at Ranjit Studio and the film had Madan Mohan's haunting music. It was a film replete with lyrical moments."[1]
From 1974, she cut down on her assignments as the lead actress in Hindi films. She accepted strong character roles in films like 36 Ghante (1974), Zindagi (1976), Karmayogi (1978), Be-Reham (1980), Harjaee (1981), Yeh Rishta Na Tootay (1981), Babu (1985) and Khel (1992), which were popular.
In the early 1990s, Madhuri Dixit was promoted as the "new Mala Sinha" in magazines. But, after 1994, she completely withdrew from the industry and has given very few public appearances. In Dhool Ka Phool and B.R. Chopra's Gumrah, she played the first unwed mother and adulterous wife respectively in Hindi cinema. As she grew older, she gracefully moved on to doing character roles that befitted her age. She was last seen in Zid (1994). Though Mala evinced as much interest in her daughter Pratibha's career as her father did in her career, she was unable to achieve the same success for her daughter.[citation needed]
Personal life
Mala Sinha was born to Nepali parents after they immigrated to West Bengal, India from the Nepalese plains. Sinha married Nepali actor Chidambar Prasad Lohani of KumaoniBrahmin ethnicity in 1966. The couple met when they worked together in the Nepali film Maitighar (1966). Lohani had an estate agency business. After her marriage, she used to come and stay in Mumbai to shoot films while her husband stayed in Nepal running his business. She has one daughter from the marriage: Pratibha Sinha, who is a former Bollywood actress.[11][12] From the late 1990s, the couple and their daughter have been residing in a bungalow in Bandra, Mumbai.[13] Her mother lived in her house till her death in April 2017. Her daughter takes care of stray dogs and cats at Mala Sinha's home.[14]
2021 - Deenanath Mangeshkar Vishesh Purashkar: Contribution in Cinema[23]
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Mala Sinha is a former Indian actress who has worked in Hindi, Bengali and Nepali films. Initially starting her career with regional cinema, she went on to become an actress in Hindi Cinema in the late 1950s, 1960s and early 1970s. In a career spanning four decades, Mala Sinha rose to prominence with films like Guru Dutt's Pyaasa (1957) and Yash Chopra's Dhool Ka Phool (1959). Later, she starred in over hundred film productions including Phir Subah Hogi (1958), Hariyali Aur Rasta, Anpadh, Dil Tera Deewana (1962), Gumrah, Bahurani, Jahan Ara (1964), Himalay Ki God Mein (1965), Ankhen, Do Kaliyan, Maryada (1971). She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range of movies considered ahead of her times. Having received multiple awards and nominations, she was given the Filmfare Lifetime Achievement Award in 2018.
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