Sir Alfred Joseph Hitchcock was an English filmmaker. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", he became as well known as any of his actors thanks to his many interviews, his cameo roles in most of his films, and his hosting and producing the television anthology Alfred Hitchcock Presents (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director despite five nominations.
Tod Browning was an American film director, film actor, screenwriter, vaudeville performer, and carnival sideshow and circus entertainer. He directed a number of films of various genres between 1915 and 1939, but was primarily known for horror films, and was often cited in the trade press as the Edgar Allan Poe of cinema.
Clinton Eastwood Jr. is an American actor, film director, and producer. After achieving success in the Western TV series Rawhide, Eastwood rose to international fame with his role as the "Man with No Name" in Sergio Leone's "Dollars Trilogy" of Spaghetti Westerns during the mid-1960s and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity. Elected in 1986, Eastwood served for two years as the mayor of Carmel-by-the-Sea, California.
Rainer Werner Fassbinder, sometimes credited as R. W. Fassbinder, was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". He worked with a company of actors and technicians who frequently appeared in his projects.
Josef von Sternberg was an Austrian-American filmmaker whose career successfully spanned the transition from the silent to the sound era, during which he worked with most of the major Hollywood studios. He is best known for his film collaboration with actress Marlene Dietrich in the 1930s, including the highly regarded Paramount/UFA production, The Blue Angel (1930).
Hans Walter Conrad Veidt was a German film actor. He attracted early attention for his roles in the films Different from the Others (1919), The Cabinet of Dr. Caligari (1920), and The Man Who Laughs (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, he and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took British citizenship in 1939. He appeared in many British films, including The Thief of Bagdad (1940), before emigrating to the United States around 1941, which led to his being cast in what may be his best remembered role as Major Strasser in Casablanca (1942). This was Veidt's last film role to be released during his lifetime.
The Thunderbolts are an antihero team appearing in American comic books published by Marvel Comics. The team consists mostly of reformed supervillains. Created by Kurt Busiek and Mark Bagley, the team first appeared in The Incredible Hulk #449.
Drag in film has followed a long history of female impersonation on English stage, and made its appearance in the early days of the silent films. Charlie Chaplin and Stan Laurel brought the tradition from the English music halls when they came to America with Fred Karno's comedy troupe in 1910. Both Chaplin and Laurel occasionally dressed as women in their films. Even the beefy American actor Wallace Beery appeared in a series of silent films as a Swedish woman. The Three Stooges, especially Curly, sometimes appeared in drag in their short films. The tradition has continued for many years, usually played for laughs. Only in recent decades have there been dramatic films which included cross-dressing, possibly because of strict censorship of American films until the mid-1960s. One early exception was Alfred Hitchcock's thriller Murder!, where the murderer is a transvestite who wears particularly frilly dresses and petticoats. Cross-gender acting, on the other hand, refers to actors or actresses portraying a character of the opposite gender.
Phantom is a 1922 German romantic fantasy film directed by F. W. Murnau. It is an example of German Expressionist film and has a surreal, dreamlike quality.
Spione[ˈʃpi̯oːnə] is a 1928 German silent espionage thriller directed by Fritz Lang and co-written with his wife, Thea von Harbou, who also wrote a novel of the same name, published a year later. The film was Lang's penultimate silent film and the first for his own production company; Fritz Lang-film GmbH. As in Lang's Mabuse films, Dr. Mabuse: The Gambler (1922) and The Testament of Dr. Mabuse (1933), Rudolf Klein-Rogge plays a master criminal aiming for world domination.
Joyless Street, also titled The Street of Sorrow or The Joyless Street, is a 1925 German silent film directed by Georg Wilhelm Pabst starring Greta Garbo and Asta Nielsen. It is based on a novel by Hugo Bettauer and widely considered an expression of New Objectivity in film.
Käthe Haack was a German stage and film actress. She appeared in more than 200 films and 30 television productions between 1915 and 1985.
Lola Montez, the King's Dancer is a 1922 German silent historical drama film directed by Willi Wolff and starring Ellen Richter, Arnold Korff, and Fritz Kampers. It portrays the life of Lola Montez. The film was produced by Richter's own production company, but was released by the dominant German distributor UFA.
The Five Frankfurters is a 1922 German silent historical film directed by Erich Schönfelder. It was based on a 1912 play of the same title about the rise of the Rothschild family.
The Lost Shadow is a 1921 German silent film directed by Rochus Gliese and starring Paul Wegener, Wilhelm Bendow and Adele Sandrock. The cinematographer was Karl Freund. The film's sets were designed by the art director Kurt Richter. It was shot at the Tempelhof Studios in Berlin. For some reason, the film was only released in the US in 1928. It is today considered a lost film.
The Ufa-Pavillon am Nollendorfplatz was a cinema located at 4 Nollendorfplatz, Schöneberg, Berlin. Built in 1912–13 and designed and decorated by leading artistic practitioners of the day, it was the German capital's first purpose-built, free-standing cinema Described as "historically, [...] the most important cinema in Berlin", it incorporated a number of technical innovations such as an opening roof and a daylight projection screen, and opened as the Nollendorf-Theater in March 1913.
