Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
Antonio del Pollaiuolo, also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo, was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career.
Piero del Pollaiuolo, whose birth name was Piero Benci, was an Italian Renaissance painter from Florence. His older brother, by about ten years, was the artist Antonio del Pollaiuolo and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; according to Vasari, the brothers carried out dissections to improve their knowledge of the subject.
Francesco Botticini was an Italian painter of the Early Renaissance. He was born in Florence, where he remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits.
The decade of the 1480s in art involved some significant events.
The decade of the 1470s in art involved some significant events.
The decade of the 1460s in art involved some significant events.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
The Pucci family has been a prominent noble family in Florence over the course of many centuries. A recent notable member of this family was Emilio Pucci, an Italian fashion designer who founded a clothing company after World War II.
Profile Portrait of a Young Lady is a 1465 half-length portrait, made with oil-based paint and tempera on a poplar panel, usually attributed to Antonio del Pollaiuolo, although the owning museum, the Gemäldegalerie in Berlin, now describes this work as by his brother Piero del Pollaiuolo, and as one of its most famous paintings, and as one of the most famous portraits of women from the early Italian Renaissance.
Faith is a 1470 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence.
Apollo and Daphne is a c.1470–1480 oil on panel painting, attributed to Piero del Pollaiuolo and/or his brother Antonio). William Coningham acquired it in Rome in 1845 and in 1876 Wynne Ellis left it to the National Gallery, London, where it still hangs. It shows Daphne's transformation into a laurel tree to escape Apollo in Ovid's Metamorphoses.
The Cardinal of Portugal's Altarpiece, or the Altarpiece for the Cardinal of Portugal's Chapel, is a painting of c. 1466 in tempera and oil on panel by one or both of the brothers Antonio and Piero del Pollaiuolo. It was painted for the altar in the Cardinal of Portugal's Chapel, a funerary chapel in the church of San Miniato al Monte in Florence, built for the prince and cardinal James of Portugal, who died in exile in Florence in 1459 at the age of 25.
Charity is a 1469 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence.
Prudence is a 1470 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence.
Justice is a 1470 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence.
Hope is a 1470 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence.
Temperance is a 1470 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence. It represents Temperance, one of the seven virtues of the Catholic Church.
Portrait of a Young Woman is a mixed-technique painting on panel of c. 1470–1472, variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol.
Sandro Botticelli, Saint Sebastian, Gemäldegalerie, Berlin, 1474
Francesco Botticini, Saint Sebastian, Metropolitan Museum of Art, New York, after 1474
