Carnival is a Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide. Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stock was fully consumed during Shrovetide as to reduce waste. This festival is known for being a time of great indulgence before Lent, with drinking, overeating, and various other activities of indulgence being performed. For example, pancakes, donuts, and other desserts are prepared and eaten for a final time. During Lent, lacticinia and animal products are eaten less, and individuals make a Lenten sacrifice, thus giving up a certain object or activity of desire.
A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body.
The Dogon are an ethnic group indigenous to the central plateau region of Mali, in West Africa, south of the Niger bend, near the city of Bandiagara, and in Burkina Faso. The population numbers between 400,000 and 800,000. They speak the Dogon languages, which are considered to constitute an independent branch of the Niger–Congo language family, meaning that they are not closely related to any other languages.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African-American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa.
Egungun, in the broadest sense is any Yoruba masquerade or masked, costumed figure. More specifically, it is a Yoruba masquerade for ancestor reverence, or the ancestors themselves as a collective force. Eégún is the reduced form of the word egúngún and has the same meaning. There is a misconception that Egun or Eegun is the singular form, or that it represents the ancestors while egúngún is the masquerade or the plural form. This misconception is common in the Americas by Orisa devotees that do not speak Yorùbá language as a vernacular. Egungun is a visible manifestation of the spirits of departed ancestors who periodically revisit the human community for remembrance, celebration, and blessings.
The music of Montserrat is influenced by Irish traditions, noticeable in the set dance-like Bam-chick-lay, and the presence of fife and drum ensembles similar to the bodhrán. Natives are also witness to the jumbie dance, the style of which is still strongly African. Instruments include the ukulele and shak-shak, an African instrument made from a calabash gourd; both of these are used in traditional string bands. Calypso and spiritual-influenced vocal choirs, like the Emerald Isle Community Singers, are popular.
The Gẹlẹdẹ spectacle of the Yoruba is a public display by colorful masks which combines art and ritual dance to amuse, educate and inspire worship. Gelede celebrates “Mothers”, a group that includes female ancestors and deities as well as the elderly women of the community, and the power and spiritual capacity these women have in society. Focusing not only on fertility and motherhood but also on correct social behavior within the Yoruba society.
The Northern Edo Masquerades are a traditional ceremony practiced by the Edo people of Nigeria.
The culture of St. Kitts and Nevis, two small Caribbean islands forming one country, has grown mainly out of the West African traditions of the slave population brought in during the colonial period. France and British colonists both settled the islands, and for a period of time the British imported indentured Irish servants. The native Caribs, skilled warriors, defended their lands by attacking the colonies. But by 1782, the British had gained control of St. Kitts and Nevis, which they retained until granting the islands their independence in 1983. British influence remains in the country's official language, English, while some islanders speak an English-based Creole. The influence of the French, Irish, and Carib seems less pronounced.
Chanté mas and Lapo kabrit is a form of Carnival music of Dominica. It is performed by masquerading partygoers in a two-day parade, with a lead vocalist (chantwèl), who is followed by the responsorial chorus (lavwa), with drummers and dancers dancing backwards in front of the drummer on a tambou lélé. The Carnival has African and French roots and is otherwise known as Mas Dominik, the most original Carnival in the Caribbean.
Traditional African masks play an important role in ceremonies, rituals, and masquerades across West, Central, and Southern Africa. Ceremonies in which masks are worn include harvest celebrations, funerals, rites of passage, weddings, and coronations. In some societies, masks and masquerades are also used to settle disputes and communal conflicts.
The Songye people, sometimes written Songe, are a Bantu ethnic group from the central Democratic Republic of the Congo. They speak Songe language. They inhabit a vast territory between the Sankuru/Lulibash river in the west and the Lualaba River in the east. Many Songye villages can be found in present-day East Kasai province, parts of Katanga and Kivu Province. The people of Songye are divided into thirty-four conglomerate societies; each society is led by a single chief with a Judiciary Council of elders and nobles (bilolo). Smaller kingdoms east of the Lomami River refer to themselves as Songye, other kingdoms in the west, refer to themselves as Kalebwe, Eki, Ilande, Bala, Chofwe, Sanga and Tempa. As a society, the people of Songye are mainly known as a farming community; they do, however, take part in hunting and trading with other neighboring communities.
Carnival in Italy is a farewell party to eat, drink, and have fun before the limitations and solemnity of Lent. About a month before Ash Wednesday, Italians celebrate over many weekends with parades, masks, and confetti. The origins of this event may be traced to ancient Greece and Rome, when they worshipped Bacchus and Saturn. Some think they date back to archaic winter-to-spring ceremonies. Despite its pagan origins, the event was so extensively celebrated and the tradition so powerful that it was swiftly altered to fit into Catholic rituals. Carnival in Italy is traditionally celebrated on Fat Tuesday, but the weekend prior features activities as well. The most famous Carnivals in Italy are those held in Venice, Viareggio, Ivrea, Cento, Apulia and Acireale. These Carnivals include masquerades and parades.
The Carnival in the Dominican Republic is a Dominican celebration that takes place throughout February, and sometimes during Holy Week in March. Dominican Carnival is celebrated in most cities and towns in the main streets. The carnival season in the Dominican Republic kicks off with a carnival gala held indoors in Santiago de los Caballeros, as opposed to every other carnival event held outdoors throughout the month of February. Among its main characteristics are its flashy costumes and loud music. The one held in La Vega, which is one of the biggest in the country, and the national parade in Santo Domingo, were the first Carnivals held in the Americas.
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred. In the early colonial period, evangelists took advantage of native customs of dance and mask to teach the Catholic faith although later, colonial authorities tried to ban both unsuccessfully. After Mexican Independence, mask and dance traditions showed a syncretism and mask traditions have continued to evolve into new forms, depicting Mexico's history and newer forms of popular culture such as lucha libre. Most traditional masks are made of wood, while some are made from leather, wax, cardboard, papier-mâché or other materials. Masks commonly depict Europeans, Afro-Mexicans, old men and women, animals, and the fantastic or the supernatural, especially demons or the devil.
Carnival in Mexico is celebrated by about 225 communities in various ways, with the largest and best known modern celebrations occurring in Mazatlán and the city of Veracruz.
The art of Burkina Faso is the product of a rich cultural history. In part, this is because so few people from Burkina have become Muslim or Christian. Many of the ancient artistic traditions for which Africa is so well known have been preserved in Burkina Faso because so many people continue to honor the ancestral spirits, and the spirits of nature. In great part they honor the spirits through the use of masks and carved figures. Many of the countries to the north of Burkina Faso had become predominantly Muslim, while many of the countries to the south of Burkina Faso are heavily Christian. In contrast many of the people of Burkina Faso continue to offer prayers and sacrifices to the spirits of nature and to the spirits of their ancestors. The result is that they continue to use the sorts of art that we see in museums in Europe and America.
Slavic carnivals are known under different names in various Slavic countries: Bulgarian: Сирни заговезни, Прошка, Поклаsmall>romanized: Sirni zagovezni, Proshka, Pokladi; Macedonian: Прочка, romanized: Pročka; Russian: Масленица, Мясопуст, romanized: Maslenitsa, Myasopust; Polish: Ostatki, Mięsopust, Zapusty; Czech: Masopust, Šibřinky, Ostatky; Slovak: Fašiangy; Slovene: Mesopȗst, Pust, Pustni teden, Fašnk; Serbian: Покладе, Проћка / Poklade, Proćka; Croatian: Pust, Poklade, Mesopust, Fašnik. They are traditional Slavic festivals related to the period of carnival.
The Binou is a Dogon totemic, religious order and secret ceremonial practice which venerates the immortal ancestors. It can also mean a water serpent or protector of a family or clan in Dogon. It is one of the four tenets of Dogon religion—an African spirituality among the Dogon people of Mali. Although the Dogons' "Society of the Masks" is more well known, due in part to Dogon mask–dance culture which attracts huge tourism, it is only one aspect of Dogon religion, which apart from the worship of the Creator God Amma, a rather distant and abstract deity in the Dogon world-view, is above all made up of ancestor veneration. The Binou serves as one of the four aspects of Dogon religion's ancestor veneration. Other than the Binou and the worship of Amma, the other three aspects of the religion includes the veneration of Lebe, which pertains to an immortal ancestor (Lebe) who suffered a temporary death in Dogon primordial time but was resurrected by the Nommo; the veneration of souls; and lastly, the Society of the Masks, which relates to dead ancestors in general. These myths are in oral form—known to us in a secret language. They form the framework of Dogon's religious knowledge, and are the fixed Dogon's sources relating to the creation of the universe; the invention of fire, speech and culture.
Awa, also known as the Awa Society, the Society of Masks, is an African mask and initiatory society of the Dogon people of Mali which is made up of circumcised men, and whose role is both ritual and political within Dogon society. The Awa Society takes an important role in Dogon religious affairs, and regularly preside over funereally rites and the dama ceremony—a ritual ceremony that marks the end of bereavement in Dogon country. This Society is one of the important aspect of Dogon religious life—which is primarily based on the worship of the single omnipotent, omniscient and omnipresent Creator God Amma and the veneration of the ancestors. Although it is only one aspect of Dogon's religious sects, it is perhaps more well known than the others partly due to Dogon mask–dance culture which attracts huge tourism, and their masks highly sought after, and in fact, one of the first to be sought after by art collectors in the west.
