Matter of England

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Matter of England, romances of English heroes and romances derived from English legend are terms that 20th century scholars have given to a loose corpus of Medieval literature [1] [2] that in general deals with the locations, characters and themes concerning England, English history, or English cultural mores. It shows some continuity between the poetry and myths of the pre-Norman or "Anglo-Saxon" era of English history as well as themes motifs and plots deriving from English folklore. The term Matter of England was coined in reference to the earlier Three Matters as termed by the French author Jean Bodel; the Matter of Britain (concerning King Arthur and his knights), of France (concerning Charlemagne and his paladins) and of Rome (retelling of tales from Greco-Roman antiquity). [1] [2]

Contents

They are thought by scholars to derive features from the language and culture of the "low-born" parts of society and the emerging middle-class [1] [ permanent dead link ]. [2] However, such stories should not be seen as purely the domain of the English peasant and yeoman, as most of these tales survive in Anglo-Norman literary forms. [2] The oldest surviving versions are in many cases written in Anglo-Norman or Medieval Latin—though in most cases, scholars accepted them as originally from the English tradition. [1] [2]

Scholars generally feel some unease with the classification and the romances included under it. [2] Some of the unease may be connected to the theory of Matter and the fact the three Matters of Bodel have an international status not matched by the Matter of England, [2] regardless of the fact that individual heroes such as Bevis and Guy have tales in many languages across Europe. [2] The Matter of England lacks a consistent narrative [2] unlike the Matters of France, Britain and Rome that generally retain a continuity of setting and characters; [1] the only characters to appear in more than one English tale are the historical kings Richard and Athelstan (who feature in their own tales; the aforementioned Athelston and Richard coeur du lion). Tales set in England did not have an introductory linking motif that connects them to other texts until the ballads of Robin Hood. Likewise the setting isn't as recognisable as Arthurian Britain or Charlemagne's France. [1] [2] The romances of the Matter of England start afresh at the beginning of each romance with a new hero introduced and are set in an era from that of "vaguely Anglo-Saxon" [2] to anywhere up to the era when the work was produced. [1] [2] They share only common themes and location of origin. [1] [2]

The TEAMs edition of Four Romances of England gives the definition of the Matter of England as "late medieval romances based in part on the oral folk culture that survived the Norman Conquest. [3]

List of works

There is no one agreed upon list of romances that make up the matter, but the following are usually included: [2]

See also

Related Research Articles

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English mythology is the collection of myths that have emerged throughout the history of England, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives. These narratives consist of folk traditions developed in England after the Norman Conquest, integrated with traditions from Anglo-Saxon mythology, Christian mythology, and Celtic mythology. Elements of the Matter of Britain, Welsh mythology and Cornish mythology which relate directly to England are included, such as the foundation myth of Brutus of Troy and the Arthurian legends, but these are combined with narratives from the Matter of England and traditions from English folklore.

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According to the medieval poet Jean Bodel, the Matter of Rome is the literary cycle of Greek and Roman mythology, together with episodes from the history of classical antiquity, focusing on military heroes like Alexander the Great and Julius Caesar. Bodel's division of literary cycles also included the Matter of France and the Matter of Britain. The Matter of Rome includes the Matter of Troy, consisting of romances and other texts based on the Trojan War and its legacy, including the adventures of Aeneas.

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<i>Havelok the Dane</i> Middle English literature

Havelok the Dane, also known as Havelok or Lay of Havelok the Dane, is a thirteenth-century Middle English romance considered to be part of the Matter of England. The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the Lai d'havelok. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc".

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<span class="mw-page-title-main">Bevis of Hampton</span> Legendary English hero

Bevis of Hampton (Old French: Beuve(s) or Bueve or Beavisde Hanton(n)e; Anglo-Norman: Boeve de Haumtone; Italian: Buovo d'Antona) or Sir Bevois was a legendary English hero and the subject of Anglo-Norman, Dutch, French, English, Venetian, and other medieval metrical chivalric romances that bear his name. The tale also exists in medieval prose, with translations to Romanian, Russian, Dutch, Irish, Welsh, Old Norse and Yiddish.

<span class="mw-page-title-main">Chivalric romance</span> Type of prose and verse narrative

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

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King Horn is a Middle English chivalric romance dating back to the middle of the thirteenth century. It survives in three manuscripts: London, British Library, MS. Harley 2253; Oxford, Bodleian Library, MS. Laud. Misc 108; and Cambridge, Cambridge University Library, MS. Gg. iv. 27. 2. It is thought to be based on the Anglo-Norman Romance of Horn (1170). The story was retold in later romances and ballads, and is considered part of the Matter of England. The poem is currently believed to be the oldest extant romance in Middle English.

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<span class="mw-page-title-main">Battle of Brunanburh (poem)</span> Old English poem

The "Battle of Brunanburh" is an Old English poem. It is preserved in the Anglo-Saxon Chronicle, a historical record of events in Anglo-Saxon England which was kept from the late ninth to the mid-twelfth century. The poem records the Battle of Brunanburh, a battle fought in 937 between an English army and a combined army of Scots, Vikings, and Britons. The battle resulted in an English victory, celebrated by the poem in style and language like that of traditional Old English battle poetry. The poem is notable because of those traditional elements and has been praised for its authentic tone, but it is also remarkable for its fiercely nationalistic tone, which documents the development of a unified England ruled by the House of Wessex.

<i>Athelston</i>

Athelston is an anonymous Middle English verse romance in 812 lines, dating from the mid or late 14th century. Modern scholars often classify it as a "Matter of England" romance, because it deals entirely with pre-Conquest English settings and characters. It is mainly written in twelve-line stanzas rhyming AABCCBDDBEEB, though the poet occasionally varies his meter with stanzas of eight, six, or four lines. The poem survives in only one manuscript, the early 15th-century Gonville and Caius MS 175, which also includes the romances Richard Coer de Lyon, Sir Isumbras and Beves of Hamtoun. It has no title there. Athelston was first printed in 1829, when C. H. Hartshorne included it in his Ancient Metrical Tales.

References

  1. 1 2 3 4 5 6 7 8 Medieval insular romance: translation and innovation, Judith Weiss, Jennifer Fellows, Morgan Dickson, Boydell & Brewer, 2000, ISBN   0-85991-597-2, ISBN   978-0-85991-597-7. pp. 29-31
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Boundaries in medieval romance, Neil Cartlidge, DS Brewer, 2008, ISBN   1-84384-155-X, 9781843841555. pp. 29-42
  3. "Both Horn and Havelok the Dane belong to a group of poems known as the Matter of England, late medieval romances based in part on the oral folk culture that survived the Norman Conquest. This Category also usually includes Athelston and Bevis of Hampton." Introduction to King Horn ed. B. Herzman, Graham Drake and Eve Salisbury; originally published in Four Romances of England (Kalamazoo, MI, 1999, p. 1.
  4. The Idea of Anglo-Saxon England in Middle English Romance, Robert Rouse Cambridge, 2005, p.54