"Mexican Radio" | |
---|---|
Single by Wall of Voodoo | |
from the album Call of the West | |
B-side | "Call of the West" |
Released | September 1982 |
Studio | Hit City West, Los Angeles |
Genre | |
Length | 4:08 (album version) 3:55 (single/music video edit) |
Label | I.R.S. |
Songwriter(s) | Wall of Voodoo |
Producer(s) | Richard Mazda |
Audio sample | |
"Wall Of Voodoo - Mexican Radio" | |
Music video | |
"Mexican Radio" on YouTube |
"Mexican Radio" is a song by American rock band Wall of Voodoo. The track was initially released on their 1982 album Call of the West .
The video for the single was regularly featured on MTV in the United States,contributing to the song's popularity. [1] [2] [3] The song peaked in the US at No. 58 on the Billboard Hot 100 chart. [4] It also reached No. 18 in Canada,No. 21 in New Zealand,No.33 in Australia and No. 64 in the UK. [5] [6] [7] [8]
The song's lyrics describe listening to the broadcasts of high-wattage unregulated Mexican radio stations,known as border blasters,whose AM broadcasts are strong enough to be picked up by radio receivers in the US. [1] The song was inspired by car trips taken by Wall of Voodoo frontman Stan Ridgway and guitarist Marc Moreland on their way to rehearsals,when they would listen to Mexican broadcasts,preferring their programming to mainstream Los Angeles radio. [1] During one of the band's sessions,Moreland played them a demo tape that he had recorded of himself repeatedly singing the line "I'm on a Mexican radio" over a guitar riff and that sound clip became the starting point of the single. [1]
The lyrics for "Mexican Radio" were written by Ridgway and Moreland;the music was written by Moreland. [3]
Producer Richard Mazda and recording engineer Jess Sutcliffe,both from England,were invited to Los Angeles to record with Wall of Voodoo by Miles Copeland,founder of I.R.S. Records. [1] The songs "Mexican Radio" and "Suburban Lawns",from Wall of Voodoo's album Call of the West ,were recorded with Mazda and Sutcliffe over the course of a weekend at Hit City West studios in Los Angeles. [1]
In order to emulate the sounds of AM radio,many of the song's instruments,including the synthesizers,were played through amplifiers,rather than being recorded directly through the microphones to the mixing console. [1] They recorded some of Moreland's guitar through an amplifier placed in the restroom at the back of the studio and Ridgway sang some of the vocals through a handmade bullhorn. [1] The song also includes soundbites recorded by Ridgway during a trip to Mexico,including the broadcast of a dog race that was playing over a radio in a bar that he visited. [1]
The song was recorded using a Soundcraft mixing console and one 24-track recorder along with Shure and AKG microphones. [1] The synthesizer parts were played on a Minimoog and an Oberheim-8 voice sequencer,the majority of which were recorded through Fender Twin Reverb and Vox AC30 amplifiers. [1] It is the Oberheim-8 that was used to create the sounds right at the opening of the song. [1] The instrumental track for "Mexican Radio" was created using two different drum machines:a Roland TR-808 and a Kalamazoo Rhythm Ace,an older device once owned by voice actor Daws Butler. [1]
The video for "Mexican Radio" was featured regularly on MTV in the weeks following its release. [1] [9] It was the first music video created by filmmaker and former The Bruthers frontman Frank Delia,who had been a long-time friend of Wall of Voodoo band members. [10] The video impressed the Ramones,who hired Delia to direct videos for them as a result. [10]
The video also includes bizarre imagery,including a shot of Ridgway's face surfacing from a bowl of beans. [1] [11] [12] Some of the footage was shot in Tijuana,Mexico at the bullfights. [10] Also,actor Carel Struycken makes a brief appearance playing the video's director. [13]
The video cost $15,000 to make and was originally shot on film. [10] [14]
In 1983 Jim Sullivan of The Boston Globe called "Mexican Radio" a "mildly warped tune...with irresistibly catchy melody lines," and Moira McCormick of Billboard magazine called it an "intriguingly quirky single" in 1985. [3] [15] In 2012 Rolling Stone said "it's a pretty unconventional pop song,but it's extremely catchy. [11] NPR referred to "Mexican Radio" as "such a wonderfully weird song" and "one of the most compelling,memorable sing-alongs ever" in 2020. [16]
The song gained cult status and was often played on radio stations featuring punk and new wave music. [1] [15] Being the only single by Wall of Voodoo to reach the top 100 in the US,"Mexican Radio" is considered a one-hit wonder. [1] [9] [16]
Ridgway,who left Wall of Voodoo in 1983 to embark on a solo career,told Mix magazine in 2005:"The 'one-hit wonder' status of 'Mexican Radio' is not something to be ashamed of. Obviously,it's not all the band was about,and it's possible the light from it blinded some people from hearing other things the band did,but it exposed a lot of people to our music who probably wouldn't have heard it —and maybe because of it,after Wall of Voodoo I was lucky enough to continue to write songs and make music. If there wasn't a 'Mexican Radio,' you probably wouldn't be talking to me now." [1] [12]
Side A
Side B
Side A
Side B
Chart (1983) | Peak position | |
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Australia (ARIA) [19] | 33 | |
Canada Top Singles ( RPM ) [20] | 18 | |
New Zealand (Recorded Music NZ) [21] | 21 | |
UK Singles (OCC) [22] | 64 | |
US Billboard Hot 100 [23] | 58 |
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I.R.S. Records was a major American record label founded by Miles Copeland III,Jay Boberg,and Carl Grasso in 1979. I.R.S. produced some of the most popular bands of the 1980s,and was particularly known for issuing records by college rock,new wave and alternative rock artists,including R.E.M.,The Go-Go's,Wall of Voodoo,and Fine Young Cannibals. Currently the label is distributed by parent company Universal Music Group.
Stanard "Stan" Ridgway is an American singer-songwriter,and film and television composer known for his distinctive voice,dramatic lyrical narratives,and eclectic solo albums. He was the original lead singer and a founding member of the band Wall of Voodoo.
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Frank Delia's "Mexican Radio" video for Wall of Voodoo has earned him a lot of attention. . . The Ramones were impressed. They told their manager to find out who made the video, and Delia got a call from Joey Ramone in March. . . You could say that Delia -- who had never made a rock video before "Mexican Radio," and did only then because he and the band were long-time friends. . . Delia shoots his videos on 16mm or 35mm film instead of videotape. . . Each camera shot averages just 1.8 seconds - there are 133 distinct "pictures" in the film, including footage shot in Tijuana at the bullfights.
Wall of Voodoo recorded three albums of "aural nightmare music," hitting paydirt with 1982's loopy Mexican Radio single (Ridgway was the guy who surfaced from the bowl of beans in the song's classic video). . . Realizing he was on to something that wouldn't work within a band format, Ridgway went solo in 1983.
The cost of an average music video had climbed to between $35,000 and $45,000, but a superstar like Billy Joel was allowed a production budget of more than $100,000 for his "Allentown". . . Cost was evidently not an important item, but Wall of Voodoo's "Mexican Radio" was made for just under $15,000.
Voodoo likes silliness and seriousness, and rather enjoys mixing the two together. Ridgway cops lines from the Jackson 5's bubblegum hit "ABC" in "Call Box." In "Mexican Radio," the mildly warped tune that pushed the band out of cultdom, Voodoo put idiot delights ("I wish I was in Tijuana eating barbecue iguana") together with irresistibly catchy melody lines.