Michael Finnissy

Last updated

Michael Peter Finnissy (born 17 March 1946) is an English composer, pianist, and pedagogue. An immensely prolific composer, his music is "notable for its dramatic urgency and expressive immediacy". [1]

Contents

Although he rejects the label, he is often regarded as the foremost composer of the New Complexity movement. [1]

Biography

Early life

Michael Finnissy was born at 77 Claverdale Road in Tulse Hill, London at roughly two in the morning on 17 March 1946 to Rita Isolene ( née Parsonson) and George Norman Finnissy. [2] His father was employed at the London City Council.

When he was four, he received his first piano lessons from his great aunt Rose Louise (Rosie) Hopwood, soon after writing his first compositions,

He attended Hawes Down Infant and Junior schools, Bromley Technical High School, and Beckenham and Penge Grammar School, and excelled in graphic art, mathematics, and English literature.

Student years

Finnissy received the William Hurlstone composition prize at the Croydon Music Festival, a factor which assisted his parents' decision to let him apply to music college.

He was then awarded a Foundation Scholarship to study at the Royal College of Music where he then studied with Bernard Stevens and Humphrey Searle. Soon after, he received an Octavia travelling scholarship to study in Italy with Roman Vlad. Finnissy was then able to befriend Brian Ferneyhough.

In 1968, he wrote his first proper compositions.

Professional career

To earn money for his classes he took up a job as a répétiteur and freelanced at the London Contemporary Dance School and founded a department there, as well as working with numerous choreographers.

In 1972 he made his concert début in the Galerie Schwartzes Kloster in Freiburg im Breisgau. Meanwhile, he had been appearing around Europe.

Finnissy's first job as a composition teacher was at Dartington Summer School where he taught along with his colleague Ferneyhough and signed contracts with numerous publishers, including Oxford University Press.

He had been a member of the ensemble Suoraan (founded by James Clarke and Richard Emsley) and then its artistic director since the early 1970s, then joining Ixion (founded and still directed by Andrew Toovey) in 1987 - in both of these groups he not only played the piano but also conducted concerts.

Finnissy was invited to join by Justin Connolly to join the International Society for Contemporary Music and was president from 1990 to 1996. He is currently an Honorary Member.

He has attached to C.O.M.A. (initially known as the East London Late Starters Orchestra) since its inception, and is composer-in-residence Victorian College of the Arts and to the Gay and Lesbian Mardi Gras in Sydney. He has taught at the Royal Academy of Music, the University of Sussex, and is professor of composition at the University of Southampton [1] and composer-in-residence at St. John's College, Cambridge. He won a competition to supply a violin solo test piece to the 1990 Carl Flesch International Violin Competition with Enek. [3]

Finnissy completed his Verdi Transcriptions for piano (which he started in 1972) in 2005.

He is homosexual. [4]

Music

Works

Style

Finnissy is a profusely prolific composer, having written over 400 pieces for numerous ensembles, combinations, and instruments. His works for the piano are notable for their extreme demands on technique. They include his 36 Verdi Transcriptions , written between 1972 and 2005.

Finnissy is concerned with the political aspects of music, and he believes that all music is 'programmatic' to some degree, that is, a composition exists in not just the composer's mind, but inside a culture that reflects both the extra-musical and purely musical concerns of the composer. Music, far from being unable to express anything other than itself (as Stravinsky said) is a force for change. This engagement with political and social themes became more frequent as his career progressed. For example, the influence of homosexual themes and concerns began to enter his work; as in Shameful Vice in 1994, and more explicitly in Seventeen Immortal Homosexual Poets in 1997. [1]

See also

Related Research Articles

Brian John Peter Ferneyhough is an English composer. Ferneyhough is typically considered the central figure of the New Complexity movement. Ferneyhough has taught composition at the Hochschule für Musik Freiburg and the University of California, San Diego; he teaches at Stanford University and is a regular lecturer in the summer courses at Darmstädter Ferienkurse. He has resided in California since 1987.

Contemporary classical music, also called modern classical, is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism.

Sir Lennox Randal Francis Berkeley was an English composer.

Richard Emsley is a British composer, sometimes associated with the New Complexity school.

New Complexity is a label principally applied to composers seeking a "complex, multi-layered interplay of evolutionary processes occurring simultaneously within every dimension of the musical material".

Nicolas Hodges is a pianist living in Germany.

Christopher Fox is an English composer and writer on music.

Ian Geoffrey Pace is a British pianist. Pace studied at Chetham's School of Music, The Queen's College, Oxford and the Juilliard School in New York. His main teacher was the Hungarian pianist György Sándor.

Carl Rosman is an Australian clarinettist, singer and conductor.

Aaron Cassidy is an American composer.

Geoff Hannan is a British composer and musician born to Irish parents. He studied composition privately with Michael Finnissy from 1987 to 1990 before reading Music at the University of Manchester. In 2006 he was awarded a PhD from Royal Holloway, University of London, where, with financial assistance from the Arts and Humanities Research Council, he studied composition with film composer Brian Lock.

Roger Redgate is a British composer, conductor and improvisor. Born in Bolton, he began his musical training at Chetham's School of Music in Manchester, then attended the Royal College of Music where he studied with Edwin Roxburgh and Lawrence Casserley. Under a DAAD scholarship he also studied with Brian Ferneyhough and Klaus Huber in Freiburg. In 1984, with the new complexity composers Richard Barrett and Michael Finnissy, he co-founded Ensemble Exposé.

<span class="mw-page-title-main">Richard Barrett (composer)</span> Welsh composer

Richard Barrett is a Welsh composer.

Franklin Cox is an American composer, scholar, and cellist.

The ELISION Ensemble is a chamber ensemble specialising in contemporary classical music, concentrating on the creation and presentation of new works. The ensemble comprises a core of around 20 virtuoso musicians from Australia and around the world.

Matthew Shlomowitz is a composer of contemporary classical music and Associate Professor in Composition at the University of Southampton.

John Ralph Alexander Giles (Alex) Abercrombie was a British pianist, composer, and mathematician.

Richard Beaudoin is an American composer of contemporary music. His music and writings explore compositional uses of expressive timing, or microtiming.

Sam Hayden is an English composer of classical and electronic music and an academic. His music has won several prestigious prizes and been performed widely at international music festivals.

The 36 Verdi Transcriptions for piano by the British composer Michael Finnissy were composed between 1972 and 2005. They are based on the works of Giuseppe Verdi.

References

  1. 1 2 3 4 Cross 2001.
  2. Finnissy, Michael. "Biography". Archived from the original on 1 July 2021.
  3. Malcolm Miller (1992). "Old and New". The Musical Times . 133 (1789): 126. doi:10.2307/966427. JSTOR   966427.
  4. Hind, Rolf (12 September 2015). "Queer pitch: is there such a thing?". The Guardian. ISSN   0261-3077 . Retrieved 7 September 2023.

Sources

Bibliography