 | A major contributor to this article appears to have a close connection with its subject.(May 2019) |
Miguel Abreu Gallery is a contemporary art gallery with two locations in New York City.
| A major contributor to this article appears to have a close connection with its subject.(May 2019) |
Miguel Abreu Gallery is a contemporary art gallery with two locations in New York City.
Miguel Abreu Gallery opened its first space at 36 Orchard Street in 2006 in the Lower East Side of New York City. [1] A second 8,000 square foot space was opened two blocks away at 88 Eldridge Street in 2014 to stage large scale projects and exhibitions. [2] The gallery stages conceptually-charged one person and group shows as well as performances, film screenings, and lectures. [3]
Sequence Press, the gallery's publishing division, was launched in 2011. In conjunction with the British publisher Urbanomic, the press has released books by philosophers and artists including François Laruelle, [4] R.H. Quaytman, Nick Land, Quentin Meillassoux, [5] and Gilles Châtelet, among others. [6] [ better source needed ]
The gallery represents American and international artists working in a range of media, [7] [ better source needed ] including Yuji Agematsu, Rey Akdogan, Alexander Carver, Liz Deschenes, [8] Rochelle Goldberg, Tishan Hsu, Gareth James, Flint Jamison, [9] Sam Lewitt, [10] [11] [12] Dana Lok, Scott Lyall, Jean-Luc Moulène, [13] [14] Florian Pumhösl, R.H. Quaytman, [15] Eileen Quinlan, [16] [17] Raha Raissnia, [18] Jimmy Raskin, [19] Blake Rayne, [20] Milton Resnick, and Pamela Rosenkranz. The gallery also represents the films of Jean-Marie Straub & Danièle Huillet, the estate of Wacław Szpakowski, and offer works by Hans Bellmer and James Metcalf. [21] [ better source needed ]
Ena Swansea is an artist based in New York City. Her paintings often take memory as a point of departure.
Barbara Gladstone is an American art dealer and film producer. She is owner of Gladstone Gallery, a contemporary art gallery with locations in New York and Brussels.
R. H. Quaytman is an American contemporary artist, best known for paintings on wood panels, using abstract and photographic elements in site-specific "Chapters", now numbering 35. Each chapter is guided by architectural, historical and social characteristics of the original site. Since 2008, her work has been collected by a number of modern art museums. She is also an educator and author based in Connecticut.
Briony Fer, FBA is a British art historian, critic, and curator; professor of history of art at University College London. She has written extensively on diverse topics of 20th century and contemporary art. She has written essays on numerous contemporary artists, such as Gabriel Orozco, Vija Celmins, Jean-Luc Moulène, Roni Horn, Ed Ruscha, and Rachel Whiteread. A focus of her research is on the art of American sculptor Eva Hesse, as when she wrote for the catalogue for the artist's 2002 retrospective curated by Elisabeth Sussman at San Francisco's Museum of Modern Art in 2002.
Liz Deschenes is an American contemporary artist and educator. Her work is situated between sculpture and image and engages with post-conceptual photography and Minimalism. Her work examines the fluidity of the medium of photography and expands on what constitutes the viewing of a photograph. Deschenes has stated that she seeks to "enable the viewer to see the inconstancy of the conditions of display, which are always at play but sometimes hard to see." Her practice is not bound to a single technology, method, process, or subject, but to the fundamental elements of photography, such as light, paper, chemistry, and time.
Galerie Buchholz is an art gallery specializing in international contemporary art with exhibition spaces in Cologne, Berlin and New York City. The gallery was founded in Cologne in 1986 by Daniel Buchholz, and today is run jointly with Christopher Müller.
Aaron Flint Jamison is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design. He works with various media including sculpture, publication, video, and performance.
Eileen Quinlan is a self-described still-life photographer who shoots with medium format and large format cameras. An art critic for Art in America likened her style to that of Moholy-Nagy and James Welling.
McArthur Binion is an American artist based in Chicago, Illinois. Binion was born in Macon, Mississippi. He holds a BFA from Wayne State University (1971) in Detroit, Michigan, and an MFA from Cranbrook Academy of Art in Bloomfield Hills, Michigan. He was a Professor of Art at Columbia College in Chicago from 1993 to 2015.
Ridykeulous is a curatorial initiative founded by artists Nicole Eisenman and A.L. Steiner. The project encourages exhibitions of queer and feminist art.
Sam Lewitt is an American contemporary artist living and working in New York City. Lewitt “has long engaged questions of reading and legibility, systems of graphic and readerly notation, and technologies of communication old and new.”
Paul Pagk is a painter born in Crawley, England in 1962. He has lived and worked in New York since 1988.
Orchard was an artist-run exhibition and event space located at 47 Orchard Street in New York's Lower East Side from 2005-2008. The gallery was run as a for-profit limited liability corporation founded for the project. The partners included artists, filmmakers, critics, art historians, and curators. Orchard was among early contemporary art projects and galleries that moved onto Orchard and generally the Lower East Side below Delancey Street along with Miguel Abreu Gallery, Reena Spaulings, and Scorched Earth. Brandon Joseph noted, "the Orchard 'project' treaded a fine—and perhaps ultimately impossible—line between self-reflexivity and self-complicity, which could veer at times into self-promotion."
Greene Naftali is a contemporary art gallery located in the Chelsea neighborhood of New York City.
Pamela Rosenkranz is a Swiss multimedia artist who uses light and liquid to demonstrate her concepts along with performance, sculpture, painting, and installation art. Her work explores ideas and concepts of what it means to be human, its ideologies, emptiness and meaninglessness, as well as globalization and consumerism. She is represented by Karma International, Zurich / Los Angeles; Miguel Abreu Gallery, New York; and Sprüth Magers Berlin, London and Los Angeles.
Bortolami is a contemporary art gallery founded in 2005 by Stefania Bortolami and Amalia Dayan.
Thea Westreich Wagner is a New York–based American art patron and collector. In 2015, Thea Westreich Wagner and her husband Ethan Wagner donated their extensive collection of modern and contemporary art to the Whitney Museum of American Art in New York and the Centre Pompidou in Paris.
Raha Raissnia is a contemporary artist based in New York City, known for her painting, drawing, filmmaking and performance art. Raissnia manipulates cinema's structural elements in loop installations and live performances. She often alters and tunes the mechanical parts of her film projectors, relying on her hand and playing them similarly to the way musicians play instruments.
Jean-Luc Moulène is a French contemporary artist based in Paris, France. Spanning a wide variety of media, such as photography, drawings, and sculptures, Moulène's practice examines the relationship between systems and orders. Moulène has stated that he subscribes to the notion of a 'disjunction,' whereby he follows a principle of discrepancies as a way to "find new dialectical knowledge." His interests include the "symbolic position of the author" and authorship; processes of production, repetition, and accumulation; labor and social space; and the intersection of advanced technology and contemporary material culture, among others. Moulène identifies himself as a "technicien libertaire", who transforms "the process of perception as an aesthetic end in itself to one that incorporates everyday life" in his work.
Rochelle Goldberg is a contemporary artist who lives and works in Vancouver and Berlin. Goldberg is best known for her sculptural works that challenge the fixity of the art object. Composed of living, ephemeral, and synthetic materials, ranging from chia seeds, oil, to ceramic, Goldberg's works are structured by "the logic of intraction," the artist's phrase for "an unruly set of relations in which the boundary between one entity is another is continually undermined." In her practice, intraction unfolds on both levels of form and content, rendering her sculptures "ontologically unreliable" and questioning "the distinction between living form and inert matter" through contact and permeation. At the same time, vision as "the privileged mode of access to knowledge" is cast into crisis.