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Māui (Maui) is the great culture hero and trickster in Polynesian mythology. Very rarely was Māui actually worshipped, being less of a deity and more of a folk hero. His origins vary from culture to culture, but many of his main exploits remain relatively similar.
Hina is the name assigned to a number of Polynesian deities. The name Hina usually relates to a powerful female force who has dominion over a specific entity. Some variations of the name Hina include Sina, Hanaiakamalama, and Ina. Even within a single culture, Hina could refer to multiple goddesses and the distinction between the different identities are not always clear. In Hawaiian mythology, the name is usually paired with words which explain or identify the goddess and her power such as Hina-puku-iʻa (Hina-gathering-seafood) the goddess of fishermen, and Hina-ʻopu-hala-koʻa who gave birth to all reef life.
In Māori mythology, Rongo or Rongo-mā-Tāne is a major god (atua) of cultivated plants, especially kumara, a vital crop. Other crops cultivated by Māori in traditional times included taro, yams (uwhi), cordyline (tī), and gourds (hue). Because of their tropical origin, most of these crops were difficult to grow except in the far north of the North Island, hence the importance of Rongo in New Zealand.
In Hawaiian mythology, Kaulu is a trickster god who killed goddess Haumea at Niuhelewai, by catching her in a net obtained from Makali’i. He then killed Lonokaeho, also called Piokeanuenue, king of Ko'olau, by singing an incantation. Kaulu is known for being extremely powerful and strong, both physically and with magic, and he had many adventures in Hawaiian mythology.
Tangaroa is the great atua of the sea, lakes, rivers, and creatures that live within them, especially fish, in Māori mythology. As Tangaroa-whakamau-tai he exercises control over the tides. He is sometimes depicted as a whale.
Samoan culture tells stories of many different deities. There were deities of the forest, the seas, rain, harvest, villages, and war. There were two types of deities, atua, who had non-human origins, and aitu, who were of human origin.
In the traditions of ancient Hawaiʻi, Kanaloa is a god symbolized by the squid or by the octopus, and is typically associated with Kāne. It is also an alternative name for the island of Kahoʻolawe.
In Hawaiian mythology, Laka is the name of two different popular heroes from Polynesian mythology.. Lengthy legends of their exploits extend throughout the islands, and the kings of Tahiti and Hawaiʻi claimed them as their ancestors.
Efik mythology consists of a collection of myths narrated, sung or written down by the Efik people and passed down from generation to generation. Sources of Efik mythology include bardic poetry, art, songs, oral tradition and proverbs. Stories concerning Efik myths include creation myths, supernatural beings, mythical creatures, and warriors. Efik myths were initially told by Efik people and narrated under the moonlight. Myths, legends and historical stories are known in Efik as Mbụk while moonlight plays in Efik are known as Mbre Ọffiọñ.
In Hinduism, Daksha is one of the Prajapati, the agents of creation, as well as a divine king-rishi. He is a Manasaputra, a mind-born son of the creator god Brahma. His iconography depicts him as an obese man with a stocky body, protruding belly, and a handsome face or the head of a goat. The scriptures mention two Dakshas, born in two different Manvantara (ages).
Chinese mythology is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version.
The indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies. Some are quite distinct, but certain themes are shared across the cultural boundaries.
In Hawaiian religion, Pele is the goddess of volcanoes and fire and the creator of the Hawaiian Islands. Often referred to as "Madame Pele" or "Tūtū Pele" as a sign of respect, she is a well-known deity within Hawaiian mythology and is notable for her contemporary presence and cultural influence as an enduring figure from ancient Hawaii. Epithets of the goddess include Pele-honua-mea and Ka wahine ʻai honua.
Estonian mythology is a complex of myths belonging to the Estonian folk heritage and literary mythology. Information about the pre-Christian and medieval Estonian mythology is scattered in historical chronicles, travellers' accounts and in ecclesiastical registers. Systematic recordings of Estonian folklore started in the 19th century. Pre-Christian Estonian deities may have included a god known as Jumal or Taevataat in Estonian, corresponding to Jumala in Finnish, and Jumo in Mari.
Hou Yi is a mythological Chinese archer. He was also known as Shen Yi and simply as Yi (羿). He is also typically given the title of "Lord Archer". He is sometimes portrayed as a god of archery descended from heaven to aid mankind. Other times, he is portrayed as either simply half-divine or fully mortal. His wife, Chang'e, is a lunar deity.
In Hawaiian religion, Māui is a culture hero and ancient chief who appears in several different genealogies. In the Kumulipo, he is the son of ʻAkalana and his wife Hina-a-ke-ahi (Hina). This couple has four sons, Māui-mua, Māui-waena, Māui-kiʻikiʻi, and Māui-a-kalana. Māui-a-kalana's wife is named Hinakealohaila, and his son is named Nanamaoa. Māui is one of the Kupua. His name is the same as that of the Hawaiian island Maui, although native tradition holds that it is not named for him directly, but instead named after the son of Hawaii's discoverer.
Micronesian mythology comprises the traditional belief systems of the people of Micronesia. There is no single belief system in the islands of Micronesia, as each island region has its own mythological beings.
Many references to ravens exist in world lore and literature. Most depictions allude to the appearance and behavior of the wide-ranging common raven. Because of its black plumage, croaking call, and diet of carrion, the raven is often associated with loss and ill omen. Yet, its symbolism is complex. As a talking bird, the raven also represents prophecy and insight. Ravens in stories often act as psychopomps, connecting the material world with the world of spirits.
There was widespread belief in ghosts in Polynesian culture, some of which persists today. After death, a person's ghost would normally travel to the sky world or the underworld, but some could stay on earth. In many Polynesian legends, ghosts were often involved in the affairs of the living. Ghosts might also cause sickness or even invade the body of ordinary people, to be driven out through strong medicines.
Inca mythology includes many stories and legends that attempt to explain or symbolize Inca beliefs.
References
- ↑ Jan Knappert (1992). Pacific Mythology: An Encyclopedia of Myth and Legend. Aquarian Press. p. 103. ISBN 9781855381339.
- ↑ William Westervelt (1915). Legends of Gods and Ghosts (Hawaiian Mythology). Press of Geo. H. Ellis Company. p. 89.
- ↑ Friedrich Ratzel (1896). The History of Mankind. Vol. 1. Macmillan and Company. p. 41.
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