Bauhaus were an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consisted of Daniel Ash, Peter Murphy, Kevin Haskins (drums) and David J (bass).
Paul John Weller is an English singer-songwriter and musician. Weller achieved fame with the band the Jam in the late-1970s. Following the dissolution of the Jam in 1982, he had further success with the the Style Council (1983–1989), before establishing himself as a solo artist with his eponymous 1992 album.
Fever to Tell is the debut studio album by American indie rock band Yeah Yeah Yeahs, released on April 29, 2003, by Interscope Records. It was produced by David Andrew Sitek and mixed by Alan Moulder. Four singles were issued, the first being "Date with the Night" followed by "Pin", "Maps" and "Y Control".
The Style Council were a British band formed in late 1982 by Paul Weller, the former singer, songwriter and guitarist with the Jam, and keyboardist Mick Talbot, previously a member of Dexys Midnight Runners, the Bureau and the Merton Parkas. Weller started the project to escape the restrictions of The Jam, and to explore a more arty, European, jazzier direction, which encompassed pop, hip-hop, and soul.
Killing Joke are an English rock band formed in Cheltenham, England in 1979 by Jaz Coleman, Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass).
This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet. In contrast to the band's earlier albums, This Nation's... is noted for its pop sensibilities and guitar hooks, and John Leckie's accessible production. This Nation's... was recorded in London between June and July 1985, and is the second of the three consecutive Fall albums produced by John Leckie. The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek", and tours of Europe and America.
A Kiss in the Dreamhouse is the fifth studio album by British rock band Siouxsie and the Banshees, released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of The Quietus, the release proved the Banshees to be "one of the great British psychedelic bands."
Post-punk revival is a genre or movement of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of post-punk, new wave and garage rock. It is closely associated with new wave revival, and garage rock revival.
James Honeyman-Scott was an English rock guitarist, songwriter and founding member of the band the Pretenders.
"Boys Keep Swinging" is a song by English musician David Bowie, released on 27 April 1979 by RCA Records in the United Kingdom as the lead single from his 1979 album Lodger. It was written by Bowie and Brian Eno and recorded in Montreux and New York City in September 1978 and March 1979. The recording utilised techniques from Eno's Oblique Strategies cards, which resulted in the musicians swapping instruments. Adrian Belew contributed a guitar solo, which he played receiving little guidance and was composited from multiple takes. The song was also built on the same chord sequence as the album track "Fantastic Voyage". Musically, "Boys Keep Swinging" contains elements of glam rock, funk and new wave, while lyrically, the song deals with the concept of gender identity, featuring various gender-bending lyrics. Bowie himself stated that the song was full of irony.
ESG is an American rock band formed in the South Bronx in 1978. ESG has been influential across a wide range of musical genres, including hip hop, and dance-punk. The band's track "UFO" is one of the most sampled songs in history.
Dazzle Ships is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records. Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled Dazzle-ships in Drydock at Liverpool.
Confessions of a Pop Group is the fourth full-length studio album by English sophisti-pop band the Style Council, released 20 June 1988 by Polydor. After the critical failure of The Cost of Loving (1987), tensions between Polydor and lead singer Paul Weller intensified, but Polydor paid Weller a hefty advance for the recording of Confessions. Backing vocalist Dee C. Lee became an official member during the sessions, while drummer Steve White left the group. The sessions were engineered by "Jezar" using two 24-track digital recorders, which allowed the group to experiment in ways they had not previously engaged before.
Down by the Jetty is the debut album by English rock band Dr. Feelgood, released in January 1975.
The Cost of Loving is the third studio album by English band The Style Council. It was originally released in February 1987. The album was recorded over a period of three months in 1986, at Solid Bond Studios. The album is generally regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. The album peaked at number 2 in the UK charts, and achieved gold status from the BPI. It featured the singles "It Didn't Matter" and "Waiting", which had corresponding music videos. "It Didn't Matter" reached the top 10 in the UK charts, however "Waiting" failed to make the top 40, which was a first for any Style Council single.
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side "Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, Give 'Em Enough Rope (1978). It was later included as the opening track of the belated US version of the band's debut album.
Jehovahkill is the eighth album by Julian Cope, released in 1992. After the critical success of Peggy Suicide (1991), Cope's idea for Jehovakill was to incorporate a krautrock attitude into his music. He began recording the album with musicians Rooster Cosby and Donald Ross Skinner, while co-producing it with the latter. The sessions yielded what Cope considered to be his most sonically experimental material to date. Originally titling the record Julian H. Cope, he sent an eleven track version to Island Records, who initially rejected its release, but gave Cope extra recording sessions for the album. During the extra sessions, in which six extra songs were recorded, the album became harder and was retitled Jehovahkill.
Milestones is a compilation album by The Rolling Stones, released in 1972 by Decca Records. It reached number 14 on the UK Albums Chart. Less popular and well known than the contemporaneous compilation album Hot Rocks 1964–1971, it was released by Decca without the consent or input from the band. Due to the nature of their contract prior to 1971, the band lost all rights to releases of their own music prior to 1971; those rights instead are held jointly by ABKCO Records and Decca Records. Both ABKCO and Decca would continue to release compilation albums, without input from the band, over the next several decades. The front cover is a closeup of Mick Jagger live, while the back cover shows the faces of the rest of the band's original lineup: Brian Jones, Keith Richards, Bill Wyman and Charlie Watts, in four boxes much like The Beatles Let It Be front cover.
"Garageland" is a song by English punk rock band The Clash featured as the final track for their 1977 debut album The Clash.
A Fierce Pancake is the second and final album and only full-length studio album by Anglo-Irish experimental rock band Stump, released 7 March 1988 on Ensign Records. After the band had enjoyed some underground success in the 1980s, including the release of their critically acclaimed "Buffalo" single and Quirk Out mini-album in 1986, the band signed to major label Ensign Records and began work on A Fierce Pancake in 1987. A major part of the recording process was undertaken in Berlin's famous Hansa Studios, where many of the band's favourite albums by other artists had been recorded. Recording sessions were very tense and problematic. The band initially worked with Stephen Street as engineer; he departed the sessions to work on Morrissey's Viva Hate, a decision the band would regret. Electronic pioneer Holger Hiller produced the Berlin sessions, a choice taken by bassist Kev Hopper whose recent interest in sampling and similar experimental techniques that Hiller was known for had grown, much to the other band members' disdain, who felt that Hiller and Hopper's direction was not to their liking.
