Mosque lamp

Last updated
Egyptian enamelled glass mosque lamp made for Amir Qawsun, ca. 1329-1335 Mosque Lamp of Amir Qawsun.jpg
Egyptian enamelled glass mosque lamp made for Amir Qawsun, ca. 1329–1335
The later plain type hanging in Istanbul DSC04629 Istanbul - Sehzade camii - Foto G. Dall'Orto 29-5-2006.jpg
The later plain type hanging in Istanbul

Fine mosque lamps are usually made of enamelled glass, often with gilding. They are oil lamps, usually with a large round body and a narrower neck that flares towards the top. [1] They were often made with internal containers to be filled with oil and a wick to produce light. [1] Some were also made in Islamic pottery, though this was much less efficient for actual lighting.

Contents

There was usually a foot so they could be placed on a surface, but they were normally hung by a circular metal frame and suspended by chains that went through a number of loops on the outside of the body. The circular frames continue to be used in many mosques today, but with plain or frosted glass lamps for electric lighting. These lamps were used to light mosques, and at times were used in rituals during Ramadan. In one such ritual, the flame of the lamp would be extinguished to signal to people that prayer was about to start. [2] In big mosques it was common to see thousands of lamps being used to illuminate the space. [3]

Oil lamps were introduced gradually into mosques and took time until they became common, which was around the end of the 7th century and the beginning of the 8th century. [4] They survive in considerable numbers from the Middle Ages, especially the 13th and 14th centuries, with Cairo in Egypt and Aleppo and Damascus in Syria being the most important centres of production. [5]

There were also smaller, usually plain, glass lamps, with a cup-like shape and a lip at the top. These were used in larger numbers in a frame with holders.

Manufacture

The techniques used are typical of contemporary Islamic glass, with the enamel decoration applied to a pre-fired plain body, and the whole then fired for a second time. The coloured decoration may include Qur'anic verses, especially the first part of the Ayat an-Nur or "Verse of Light" (24:35, see below), inscriptions and heraldic emblems recording the donor, as well as purely decorative motifs. [6] By the 15th century production of all types of fine glass was in steep decline, a sign of which is that in 1569 the Ottoman Grand Vizier Sokullu Mehmed Pacha ordered 600 plain lamps of Venetian glass, perhaps to be decorated elsewhere. [7]

The Ottomans also made lamps of similar form in Iznik pottery, and Shah Abbas I of Persia gave plain silver lamps to hang by the tomb of Shaykh Safi at Ardabil; Persian miniatures show other examples from the 16th century in gold or brass and silver. Such opaque materials were much less effective as lighting, but the purpose of the lamp was symbolic as well as practical, related to the "Verse of Light". [8] Mosque lamps are often shown in profile at the head of a prayer rug for the same reason. [9] The decoration of the lamps often includes either the name or the symbol from Islamic heraldry of the donor, who usually gave a group of lamps. [10] Other types of lighting in mosques were large metal lamp stands, like very wide candlesticks, which were also used in secular buildings. These could be very intricately decorated. [11]

Later types

Modern electric lighting in Amman Amman BW 33.JPG
Modern electric lighting in Amman

The elaborate decorated types were mostly succeeded by plain glass oil lamps with a simple rim at the top, by which they were attached to (typically) a circular metal bar. Often these hang in tiers. Mosques today typically retain the hanging circular fittings, but use electric lights and glass shades of various sorts, not essentially different from other glass lampshades used in lighting other buildings.

Collecting

Iznik pottery lamp with lotuses c. 1510. Similar to four lamps that hung in the mausoleum of Bayezid II in Istanbul Iznik mosque lamp ca 1510.jpg
İznik pottery lamp with lotuses c. 1510. Similar to four lamps that hung in the mausoleum of Bayezid II in Istanbul

In 2000, three 14th-century Mamluk mosque lamps in pristine condition from the collection of Bethsabée de Rothschild sold at Christie's in London for £1,763,750 (US$2,582K), £993,750 (US$1,455K) and £641,750 (US$937K). [12] In the second half of the 19th century, a number of forgeries, or expensive glass ornaments in the style of Mamluk lamps were produced in France and Italy. [13]

The Verse of Light

Qur'an 24:35: [14]

:God is the Light of the heavens and the earth.

The Parable of His Light is as if there were a Niche and within it a Lamp
the Lamp enclosed in Glass: the glass as it were a brilliant star
Lit from a blessed Tree, an Olive, neither of the east nor of the West,
whose oil is well-nigh luminous, though fire scarce touched it
Light upon Light! God doth guide whom He will to His Light
God doth set forth Parables for men: and God doth know all things.

Related Research Articles

<span class="mw-page-title-main">Arabesque</span> Decorative pattern of stylized foliage, characteristic of Muslim art

The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns.

<span class="mw-page-title-main">Islamic art</span> Visual art forms associated with Muslims

Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.

<span class="mw-page-title-main">Oil lamp</span> Lamp used for lighting by burning oil

An oil lamp is a lamp used to produce light continuously for a period of time using an oil-based fuel source. The use of oil lamps began thousands of years ago and continues to this day, although their use is less common in modern times. They work in the same way as a candle but with fuel that is liquid at room temperature, so that a container for the oil is required. A textile wick drops down into the oil, and is lit at the end, burning the oil as it is drawn up the wick.

<span class="mw-page-title-main">Minaret</span> Architectural feature of mosques

A minaret is a type of tower typically built into or adjacent to mosques. Minarets are generally used to project the Muslim call to prayer (adhan) from a muezzin, but they also served as landmarks and symbols of Islam's presence. They can have a variety of forms, from thick, squat towers to soaring, pencil-thin spires.

<span class="mw-page-title-main">Lantern</span> Portable lighting device

A lantern is an often portable source of lighting, typically featuring a protective enclosure for the light source – historically usually a candle, a wick in oil, or a thermoluminescent mesh, and often a battery-powered light in modern times – to make it easier to carry and hang up, and make it more reliable outdoors or in drafty interiors. Lanterns may also be used for signaling, as torches, or as general light-sources outdoors.

<span class="mw-page-title-main">Blue Mosque, Istanbul</span> 17th-century mosque in Turkey

The Blue Mosque in Istanbul, also known by its official name, the Sultan Ahmed Mosque, is an Ottoman-era historical imperial mosque located in Istanbul, Turkey. It was constructed between 1609 and 1617 during the rule of Ahmed I and remains a functioning mosque today. It also attracts a large number of tourists and is one of the most iconic and popular monuments of Ottoman architecture.

<span class="mw-page-title-main">Chandelier</span> Branched ornamental light fixture designed to be mounted on ceilings

A chandelier is an ornamental lighting device, typically with spreading branched supports for multiple lights, designed to be hung from the ceiling. Chandeliers are often ornate, and they were originally designed to hold candles, but now incandescent light bulbs are commonly used, as well as fluorescent lamps and LEDs.

<span class="mw-page-title-main">Christmas lights</span> Decorative lighting used at Christmastime

Christmas lights are lights often used for decoration in celebration of Christmas, often on display throughout the Christmas season including Advent and Christmastide. The custom goes back to when Christmas trees were decorated with candles, which symbolized Christ being the light of the world. The Christmas trees were brought by Christians into their homes in early modern Germany.

<span class="mw-page-title-main">Prayer rug</span> A piece of fabric, sometimes a pile carpet, used by Muslims and some Christians during prayer.

A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, some Christians, especially in Orthodox Christianity and some Baha'i during prayer.

<i>Türbe</i> Ottoman mausoleums

Türbe refers to a Muslim mausoleum, tomb or grave often in the Turkish-speaking areas and for the mausolea of Ottoman sultans, nobles and notables. A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings.

<span class="mw-page-title-main">Light fixture</span> Electrical device with an electric lamp

A light fixture, light fitting, or luminaire is an electrical lighting device containing one or more light sources, such as lamps, and all the accessory components required for its operation to provide illumination to the environment. All light fixtures have a fixture body and one or more lamps. The lamps may be in sockets for easy replacement—or, in the case of some LED fixtures, hard-wired in place.

<span class="mw-page-title-main">Turkish art</span> Overview of art in the Republic of Turkey

Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.

<span class="mw-page-title-main">Iznik pottery</span> Type of decorated ceramic

Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese Porcelain.

<span class="mw-page-title-main">Aqmar Mosque</span> Mosque in Cairo, Egypt

The Aqmar Mosque, was built in Cairo, Egypt, as a neighborhood mosque by the Fatimid vizier al-Ma'mun al-Bata'ihi in 1125-6 CE. The mosque is situated on what was once the main avenue and ceremonial heart of Cairo, known today as al-Mu'izz Street, in the immediate neighborhood of the former Fatimid caliphal palaces. The mosque is an important monument of Fatimid architecture and of historic Cairo due to the exceptional decoration of its exterior façade and the innovative design of its floor plan.

<span class="mw-page-title-main">Islamic glass</span> History of glassware in the Islamic world

Islamic glass is glass made in the Islamic world, especially in periods up to the 19th century. It built on pre-Islamic cultures in the Middle East, especially ancient Egyptian, Persian and Roman glass, and developed distinct styles, characterized by the introduction of new techniques and the reinterpreting of old traditions. It came under European influence by the end of the Middle Ages, with imports of Venetian glass documented by the late 15th century.

<span class="mw-page-title-main">Juyushi Mosque</span> Mosque in Cairo, Egypt

The Juyushi Mosque is a historic monument in Cairo, Egypt. The mosque is dated to 1085 CE, during reign of the Fatimid Imam-Caliph al-Mustansir Billah. Its construction was sponsored by Badr al-Jamali, the vizier of al-Mustansir, who was Amir al-Juyush. It is located on the Muqattam hills above the Southern Cemetery of Cairo.

<span class="mw-page-title-main">Seljuk architecture</span> Building traditions used by Seljuk dynasty

Seljuk architecture comprises the building traditions that developed under the Seljuk dynasty, when it ruled most of the Middle East and Anatolia during the 11th to 13th centuries. The Great Seljuk Empire contributed significantly to the architecture of Iran and surrounding regions, introducing innovations such as the symmetrical four-iwan layout and the first widespread creation of state-sponsored madrasas. Their buildings were generally constructed in brick, with decoration created using brickwork, tiles, and carved stucco.

<span class="mw-page-title-main">Enamelled glass</span> Glass which has been decorated with vitreous enamel

Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.

<span class="mw-page-title-main">Cut glass</span> Glass with geometrical incised patterns

Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products. On glassware vessels, the style typically consists of furrowed faces at angles to each other in complicated patterns, while for lighting fixtures, the style consists of flat or curved facets on small hanging pieces, often all over. Historically, cut glass was shaped using "coldwork" techniques of grinding or drilling, applied as a secondary stage to a piece of glass made by conventional processes such as glassblowing.

<span class="mw-page-title-main">Mahya lights</span> Traditional Turkish lights on minarets forming illuminated words or pictures for festive occasions

Mahya lights are decorative lights which are strung up between the minarets of Turkish mosques to form illuminated words or pictures on festive occasions such as Eid al-Fitr, Eid al-Adha, on Kandil nights, and throughout the holy month of Ramadan.

References

  1. 1 2 Bloom, Jonathan; Blair, Sheila (1997). Islamic Arts. Phaidon Press. pp. 280, 394. ISBN   9780714831763.
  2. Papadopoulos, Costas; Moyes, Holley (2022). The Oxford Handbook of Light In Archaeology. Oxford University Press. pp. 240–242, 334. ISBN   9780198788218.
  3. Baer, Eva (1983). Metalwork in Medieval Islamic Art. Albany: State University of New York Press. p. 7. ISBN   9780873956024.
  4. Papadopoulos, Costas; Moyes, Holley (2022). The Oxford Handbook of Light In Archaeology. Oxford University Press. pp. 240–242, 334. ISBN   9780198788218.
  5. Jones & Mitchell, 134
  6. Jones & Mitchell, 134; A mid-14th-century Islamic glass mosque lamp from Cairo (XXVB94) Wallace Collection
  7. Victoria and Albert Museum
  8. Lamp for the Ottoman restoration of the Dome of the Rock in Jerusalem, British Museum; Canby, 85, 180; Perry
  9. Perry
  10. See for example Jones & Mitchell, 143-144
  11. Canby, 85
  12. Lots 13, 17 & 18 in Christie's Sale 6407, 2000, King St London.
  13. See Christie's Sale 6407 above, lots 11, 12, 14, 19; also No. 194 here
  14. Online Qur'an Project

Further reading

Commons-logo.svg Media related to Mosque lamps at Wikimedia Commons