Tadley Ewing Peake Dameron was an American jazz composer, arranger, and pianist.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Derek Trucks is an American guitarist, songwriter, and founder of The Derek Trucks Band. He became an official member of The Allman Brothers Band in 1999. In 2010, he formed the Tedeschi Trucks Band with his wife, blues singer/guitarist Susan Tedeschi. His musical style encompasses several genres and he has twice appeared on Rolling Stone's list of 100 Greatest Guitarists of All Time. He is the nephew of the late Butch Trucks, drummer for the Allman Brothers.
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. The opening notes of the song's melody resemble Gershwin's "Someone To Watch Over Me".
The Derek Trucks Band is the debut album by American Jazz/Blues/R&B group The Derek Trucks Band, released on October 7, 1997. The album was recorded between September 30-October 4, 1996 at Dockside Studios in Maurice, Louisiana. The album is composed mainly of re-arranged jazz and blues classics and the rest are original compositions by the band. Derek was seventeen years old at the time of the release of the album. In 2008, the album was made available digitally, and is now available on iTunes, and other online retailers like Real, Rhapsody, Yahoo! Music, eMusic, Napster and Puretracks.
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. Since then it has become a jazz standard, and has been played by numerous jazz artists, including Miles Davis, John Coltrane, and Bill Evans.
Ronald Edward Holloway is an American tenor saxophonist. He is listed in the Biographical Encyclopedia of Jazz where veteran jazz critic Ira Gitler described Holloway as a "Hard bear-down-hard-bopper who can blow authentic R&B and croon a ballad with warm, blue feeling."
Free Radicals is an American band from Houston, Texas, that combines elements of several genres: jazz, funk, ska, reggae, hip-hop, African, and Indian music.
Coltrane Jazz is a studio album by the jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
The Heavyweight Champion: The Complete Atlantic Recordings is a 1995 box set by jazz musician John Coltrane. It features all of the recordings Coltrane made for Atlantic Records, spanning January 15, 1959, to May 25, 1961.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records with Coltrane as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor. These recordings were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
Calvin "Cal" Massey was an American jazz trumpeter and composer.
Coltrane for Lovers is a compilation album of recordings by American jazz saxophonist-composer John Coltrane, released posthumously on January 23, 2001, by Impulse! and Verve Records. The 11 tracks compiled for the album are all romantic ballads from Coltrane's early years with Impulse!, being recorded during December 1961 to April 1963 at engineer Rudy Van Gelder's recording studio in Englewood Cliffs, New Jersey. Dominated by Coltrane's classic quartet, the sessions also included collaborations with vocalist Johnny Hartman and pianist Duke Ellington.
"Equinox" is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute.
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet. It is a 32-bar ABAC form.
