Roger William Corman was an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been described as the first modern detective story; Poe referred to it as one of his "tales of ratiocination".
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Herbert Charles Angelo Kuchačevič ze Schluderpacheru, known professionally as Herbert Lom, was a Czech-British actor with a career spanning over 60 years. His cool demeanour and precise, elegant elocution saw him cast as criminals or suave villains in his younger years, and professional men and nobles as he aged. Highly versatile, he also proved a skilled comic actor in The Pink Panther franchise, playing the beleaguered Chief Inspector Charles Dreyfus in seven films.
Le ChevalierC. Auguste Dupin is a fictional character created by Edgar Allan Poe. Dupin made his first appearance in Poe's 1841 short story "The Murders in the Rue Morgue", widely considered the first detective fiction story. He reappears in "The Mystery of Marie Rogêt" (1842) and "The Purloined Letter" (1844).
Osvaldo Nicolás Ferraro Gutiérrez better known as Waldo de los Ríos was an Argentine composer, conductor and arranger.
Cry of the Banshee is a 1970 British horror film directed by Gordon Hessler and starring Vincent Price. It was released by American International Pictures. The title credit sequence was animated by Terry Gilliam.
Rue Morgue is a multinational magazine devoted to coverage of horror fiction. Its content comprises news, reviews, commentary, interviews, and event coverage. Its journalistic span encompasses films, books, comic books, video games, and other media in the horror genre. Rue Morgue was founded in 1997 by Rodrigo Gudiño, and is headquartered in Toronto, with regional offices in various countries throughout North America, the United Kingdom, and Europe. The magazine has expanded over time to encompass a radio station, book publishing company, and horror convention. The magazine's namesake is Edgar Allan Poe's short story "The Murders in the Rue Morgue" (1841).
The Terror is a 1963 American independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil.
I Was a Teenage Frankenstein is a horror film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP's box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the crossover How to Make a Monster, released in July 1958. The film stars Whit Bissell, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.
The Oblong Box is a 1969 British gothic horror film directed by Gordon Hessler, starring Vincent Price, Christopher Lee and Alister Williamson. This was the first film to star both Price and Lee.
House of Usher is a 1960 American gothic horror film directed by Roger Corman and written by Richard Matheson from the 1839 short story "The Fall of the House of Usher" by Edgar Allan Poe. The film was the first of eight Corman/Poe feature films and stars Vincent Price, Myrna Fahey, Mark Damon and Harry Ellerbe.
The Pit and the Pendulum is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was loosely inspired by Edgar Allan Poe's 1842 short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a forbidding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence.
Murders in the Rue Morgue is a 1932 American horror film directed by Robert Florey, based on Edgar Allan Poe's 1841 short story "The Murders in the Rue Morgue". The plot is about Doctor Mirakle, a carnival sideshow entertainer and scientist who kidnaps Parisian women to mix their blood with that of his gorilla, Erik. As his experiments fail because of the quality of his victims' blood, Mirakle meets with Camille L'Espanye, and has her kidnapped and her mother murdered, leading to suspicion falling on Camille's fiance, Pierre Dupin, a medical student who has already become interested in the earlier murders.
Louis M. "Deke" Heyward was an American producer and film and television screenwriter.
Gordon Hessler was a German-born British film and television director, screenwriter, and producer.
American poet and short story writer Edgar Allan Poe has had significant influence in television and film. Many are adaptations of Poe's work, others merely reference it.
Christopher Wicking, also known as Chris Wicking, was a British screenwriter, often in the horror and fantasy genres, notably for the British arm of American International Pictures and with Hammer Film Productions, for whom he was the last 'resident script editor'.
The Dunwich Horror is a 1970 American supernatural horror film directed by Daniel Haller, and starring Sandra Dee, Dean Stockwell, and Ed Begley. A loose adaptation of the short story of the same name by H.P. Lovecraft, the film concerns a young female graduate student who is targeted by a man attempting to use her in an occult ritual taken from the Necronomicon. The screenplay was co-written by Curtis Hanson, while Roger Corman served as an executive producer on the film.
