The museum dates back to 1840, when the city agreed to make some boxes to preserve flags from the French Revolutionary Wars. The building is of a classical style and was established in early 1929 by the architect Eladio Laredo. The exterior is decorated with ten different busts of the illustrious of Tenerife.
The museum has fourteen rooms that have a background as a repository of works from the Prado Museum in Madrid. The museum houses an art collection ranging from sixteenth-century Flemish to twentieth-century paintings, as well as a sample of sculptures and crafts. The "Tríptico de Nava y Grimón" by the Flemish painter Pieter Coecke is one of the most notable parts of the collection. Other noteworthy works are those by Canarian painter Juan de Miranda, Afonso Gaspar de Quevedo, Jose Rivera and Cristóbal Hernández de Quintana, among others.
Pieter Bruegelthe Elder was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes ; he was a pioneer in presenting both types of subject as large paintings.
Santa Cruz de Tenerife, commonly abbreviated as Santa Cruz, is a city, the capital of the island of Tenerife, Province of Santa Cruz de Tenerife, and one of the capitals of the Canary Islands, along with Las Palmas. Santa Cruz has a population of 206,593 (2013) within its administrative limits. The urban zone of Santa Cruz extends beyond the city limits with a population of 507,306 and 538,000 within urban area. It is the second largest city in the Canary Islands and the main city on the island of Tenerife, with nearly half of the island's population living in or around it.
Gillis van Coninxloo was a Flemish painter of landscapes who played an important role in the development of Northern landscape art at the turn of the 17th century. He spent the last 20 years of his life abroad, first in Germany and later in the Dutch Republic.
Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries. His principal subjects were Christian religious themes. He hailed from the Duchy of Brabant, worked in Antwerp and Brussels, and was appointed court painter to Charles V, Holy Roman Emperor.
Pedro Berruguete was a Spanish painter whose art is regarded as a transitional style between Gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of religious imagery for Castilian retablos. He is considered by some as the first Renaissance painter in Spain.
The Bilbao Fine Arts Museum is an art museum located in the city of Bilbao, Spain. The building of the museum is located entirely inside the city's Doña Casilda Iturrizar park.
Mayken Verhulst, also known as Marie Bessemers, was a sixteenth-century miniature, tempera and watercolor painter, identified by Lodovico Guicciardini in 1567 as one of the four most important female artists in the Low Countries. She was actively engaged in the workshop of her husband, Pieter Coecke van Aelst, posthumously publishing his works. While she is recognized as an exceptionally skilled artist, little is known about her works or life as there are few surviving attributable sources of information.
The Museo Nacional de Bellas Artes is an Argentine art museum in Buenos Aires, located in the Recoleta section of the city. The Museum inaugurated a branch in Neuquén in 2004. The museum hosts works by Goya, Rembrandt, Van Gogh, Rodin, Manet and Chagall among other artists.
The Tenerife Arts Space is a cultural space and building in Santa Cruz de Tenerife, Tenerife, Spain. Opened in 2008, it was designed by Herzog & de Meuron and Virgilio Gutierrez. It houses a permanent exhibition of the works of Óscar Domínguez, as well as the Biblioteca Municipal de Santa Cruz de Tenerife, and the Centro de Fotografía Isla de Tenerife. It is operated by the Cabildo de Tenerife.
The Museu de Belles Arts de València is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a Self portrait of Diego Velázquez, a St. John the Baptist by El Greco, Goya's Playing Children, Gonzalo Pérez's Altarpiece of Sts. Ursula, Martin and Antony and a Madonna with Writing Child and Bishop by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
Triptych of Nava and Grimon is a Flemish painting, dated 1546. The central panel is attributed to Pieter Coecke, the lateral panels attributed to his workshop. This triptych is now in the Museo Municipal de Bellas Artes de Santa Cruz de Tenerife, located in the city of the same name in the Canary Islands (Spain).
The Master of the Prodigal Son, was the notname given to a Flemish painter and designer of tapestries and stained glass. He was active in Antwerp where he operated a large workshop between 1530 and 1560. He painted religious subjects, landscapes, genre scenes and allegories. He is regarded as a leading master of Flemish Mannerism in the sixteenth century.
Pieter Casteels II or Pieter Casteels the Younger was a Flemish painter mainly known for his imaginary Italianate landscapes and views of harbours.
Pieter van Aelst or Pieter van Aelst III was a Flemish tapestry weaver whose workshop commenced by his grandfather was one of the leading weavers of Flanders in the first half of the 16th century.
José Aguiar or José Aguiar García was a painter and muralist from La Gomera.
The Master with the Parrot or Master of the Parrot is the notname given to a group of Flemish painters who likely worked in a workshop in Antwerp in the first half of the 16th century. They produced devotional pictures for the local bourgeoisie in a style reminiscent of contemporary Flemish painters working in an Italianate style.
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