Léon Spilliaert was a Belgian symbolist painter and graphic artist.
Gustave Franciscus De Smet was a Belgian painter. Together with Constant Permeke and Frits Van den Berghe, he was one of the founders of Flemish Expressionism. His younger brother, Léon De Smet, also became a painter.
The Royal Museum of Fine Arts Antwerp is a museum in Antwerp, Belgium, founded in 1810, that houses a collection of paintings, sculptures and drawings from the fourteenth to the twentieth centuries. This collection is representative of the artistic production and the taste of art enthusiasts in Antwerp, Belgium and the Northern and Southern Netherlands since the 15th century.
Theodoor Rombouts was a Flemish painter who is mainly known for his Caravaggesque genre scenes depicting lively dramatic gatherings as well as religiously-themed works. He is considered to be the primary and most original representative of Flemish Caravaggism. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner.
Rodolphe Paul Marie Wytsman was a Belgian Impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group of avant-garde Belgian artists.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
Catherine de Zegher is a Belgian curator and a modern and contemporary art historian. She has a degree in art history and archaeology from the University of Ghent.
Jean-Joseph Delvin was a Belgian painter who specialized in scenes with animals.
Adolphe Pierre Sunaert, Adolphe Sunaert or Adolf Sunaert was a Belgian painter, printmaker, teacher and author. He played a role in the organization and conservation of the art collections of the city of Ghent.
The Flemish Art Collection is a consortium or partnership between three museums in Flanders, Belgium: the Royal Museum of Fine Arts Antwerp, the Groeningemuseum in Bruges, and the Museum of Fine Arts, Ghent.
Honorine Maria "Norine" Deschrijver was a Belgian fashion designer and a prominent representative of the Modernist movement in fashion.
Flemish Expressionism, also referred to as Belgian Expressionism, was one of the dominant art styles in Flanders during the interbellum. Influenced by artists like James Ensor and the early works of Vincent van Gogh, it was a distinct contemporary of German Expressionism. Contrary to the more rebellious and erotic nature of many German Expressionist works, the Flemish art of the School of Latem was more oriented towards the farming life, and was expressed in earthy colours and vigorous brushwork. It was also in general more oriented towards France and Brussels than to Germany, and incorporated elements of Fauvism and Cubism, for example the interest in "primitive" art, of both the ethnic and folk traditions. Flemish Expressionists like Spilliaert were more influenced by Ensor and Symbolism, or like Wouters were closer to the vibrant colours used by the Fauvists. The main proponents were Gust De Smet, Constant Permeke and Frits Van den Berghe.
The Phoebus Foundation is an art foundation with philanthropic objectives. The foundation acquires works of art, guarantees a professional framework of conservation and management, and looks after the conservation and restoration of the objects. In doing so, it focuses on scientific research. It shares the results of this all with the widest possible audience, through exhibitions, cultural expeditions, symposiums and publications.
The Belfius Art Collection is a collection of Belgian art owned by the Belfius Bank.
Geo (Georges) Verbanck was a Belgian sculptor and medalist.
Mary Magdalene is an oil on canvas painting by Belgian painter Alfred Stevens. It is Stevens' revision of the Biblical figure of Mary Magdalene. The work has been in the collection of the Museum of Fine Arts in Ghent since 2001.
Portrait of Marguerite van Mons is an oil-on-canvas painting by Belgian painter Théo van Rysselberghe. The girl portrayed is ten-year-old Marguerite van Mons, depicted shortly after the death of her mother. Théo van Rysselberghe was friends with Emile van Mons, a lawyer and well-known art lover, and painted his daughter Marguerite in June 1886. He had previously painted a portrait of her sister Camille which is now part of the collection of the Niedersächsisches Landesmuseum in Hanover.
In 2017, more than 20 pieces of Russian avant-garde from the Dieleghem Foundation formed a nucleus in the exhibition From Bosch to Tuymans, A Vivid Narrative (2017), a (re)installation of the collection at the Museum voor Schone Kunsten (MSK). In 2018, however, the works from the Toporovski collection were said to be of doubtful authenticity by a group of art dealers and some scholars in The Art Newspaper and De Standaard. This resulted in the indefinite suspension of the museum's director, Catherine de Zegher.
Charles van Rysselberghe was a Belgian architect.
