Music of Prince Edward Island

Last updated

Prince Edward Island is a province of Canada consisting of the island of the same name, and several much smaller islands. Prince Edward Island is one of the three Maritime Provinces and is the smallest province in both land area and population.

Contents

The musical culture is changing rapidly in Prince Edward Island at this time as traditional Celtic musicians, while in some ways more prominent than ever, are not as common in small rural communities as they once were. Celtic music is still very much around and can be heard at festivals, ceilidhs and pubs throughout the island, especially in the summer. That being said traditional Scottish ceilidhs are rarely frequented by young people and the younger generation has been diverging along an urban rural divide, in that young people in rural parts of the island now tend to follow Country and Western music, almost assuming it is an extension of local tradition, due to the similarities, when it is in fact an American import. Before the introduction of radio to the island, Country and Western music was unheard of and in most places traditional Celtic or Acadian music dominated. Due to the rural farming traditions of the Island and the similarities between Country Music and Celtic Music, Country Music quickly became popular in the 1930s. It was an easy adoption, considering that the Bluegrass/Mountain Music which spawned Country and Western Music, is closely related to the Celtic and Maritime musical tradition. Even the Ceilidh itself is suffering. With fewer young people attending them, they are becoming more of a tourist attraction than an actual living form of culture. While Celtic music on the island may appear to some to be stronger than ever due to the promotion of many world class island musicians, its place in the rural, local culture has been somewhat diminished.

That being said, there is a strong effort to revive Celtic culture on the island, from the PEI Fiddle Camp held every July, to the availability of Gaelic classes at Colonel Gray High School in Charlottetown. Other festivities, events and locations promoting local traditional music culture include: Rollo Bay Fiddle Festival which was created to preserve Prince Edward Island's tradition of music, Close to the Ground concert series hosted by Fiddler's Sons, The International PEI Shellfish Festival hosted by Liam Dolan, The Festival of Small Halls, the College of Piping and Celtic Performing Arts concert series (Highland Storm), The Benevolent Irish Society Ceilis, The Orwell Corner ceilidhs, the Summerside Highland Gathering, the Belfast (PEI) Highland Games, the Indian River Festival and more. The summer time is the best time of the year to experience PEI traditional music and despite the concerns noted above, if you were to tour the island in the Summer, you would leave with the impression that the traditional Celtic and Acadian cultures brought the island over 300 years ago were remarkably intact.

Prince Edward Island Symphony Orchestra

The Prince Edward Island Symphony Orchestra (PEISO) is a community orchestra based in Charlottetown and founded in 1967. It consists of professional, amateur, and student musicians, and is currently led by conductor Mark Shapiro. [1] The PEISO's annual concert season consists of four programs, which are performed at the Confederation Centre of the Arts or at Zion Presbyterian Church. [2]

Charlottetown

Charlottetown is the capital and largest city on the island. Its documented music history begins in the 19th century, with religious music, some written by local pump and block maker, and organ-importer, Watson Duchemin. Several big bands including the Sons of Temperance Band and the Charlottetown Brass Band, were active.

By the end of the century, Charlottetown had its own opera house, performing comic operas by Gilbert and Sullivan.

The Prince Edward Island Music Festival was first held in 1946, inaugurated by the Women's Institute of Prince Edward Island. Fiddler Don Messer moved to Charlottetown in 1939 where he joined CFCY as music director. He formed the "Islanders" and by 1944 the group was airing a show nationally on CBC Radio, becoming established as the most popular on Canadian radio from the 1940s to the 1960s and later on television.

The Prince Edward Island Symphony Orchestra is also well-known. Other well-known famous performers from Charlottetown have included Haywire, Teresa Doyle, Tara MacLean, Nancy White, Walter MacNutt, UIGG, William Keith Rogers and ECMA winners The Saddle River Stringband. The Charlottetown Festival is a seasonal musical theatre festival which runs from late May to mid-October every year since 1965. It includes a summer musical theatre training program called the "Young Company", [3] whose shows are freely available to the public and feature Canadian-themed content. [4] [5]

Fiddle culture

The province is known for its old and vibrant fiddling tradition. Fiddle music came to Prince Edward Island in the late 18th century with its early Scottish settlers. Further immigration from the fiddle hotbeds of Ireland and the Scottish Highlands strengthened the tradition, which gradually spread in all communities, including the Evangeline region with a sizeable Acadian population. Although the role of community fiddlers has declined due to advancements in technology, the tradition is still part of cultural life of the province. [6] [7]

Notable musicians

Notable music bands

See also

Related Research Articles

<span class="mw-page-title-main">Fiddle</span> Bowed string instrument

A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

<span class="mw-page-title-main">Prince Edward Island</span> Province of Canada

Prince Edward Island is one of the thirteen provinces and territories of Canada. While it is the smallest province in terms of land area and population, it is the most densely populated. The island has several nicknames: "Garden of the Gulf", "Birthplace of Confederation" and "Cradle of Confederation". Its capital and largest city is Charlottetown. It is one of the three Maritime provinces and one of the four Atlantic provinces.

The music of Canada's Maritime provinces has included many artists from both the traditional and pop genres, and is mostly European in origin. The traditional genre is dominated by the music brought to the region by the European settlers, the most well known of which are the Scots & Irish celtic and Acadian traditions. Successful pop acts from all genres have had degrees of national and international success since the beginning of recorded music period. Performers as diverse as Hank Snow, Stan Rogers, Anne Murray, the Rankin Family, Barachois, The Men of the Deeps and April Wine have all experienced tremendous success as popular music acts with considerable national and international tours and record sales.

Hugh Alan "Buddy" MacMaster was a Canadian fiddler. He performed and recorded both locally and internationally, and was regarded as an expert on the tradition and lore of Cape Breton fiddle music.

In the province of Nova Scotia in Canada, Celtic music has played a significant role, both in its traditional forms and fused with other musical styles. Nova Scotia's folk music features traditional tunes brought over from the Scottish Highlands in the late 18th and early 19th centuries, as well as localized forms such as Cape Breton fiddle music. In recent years, a wide variety of other musical genres have emerged in Nova Scotia, which has produced several country music stars such as Hank Snow, Wilf Carter, Anne Murray, and Rita MacNeil.

The Charlottetown Festival is a seasonal Canadian musical theatre festival which runs from late May to mid-October every year since 1965.

<span class="mw-page-title-main">Cape Breton fiddling</span> Violin style from Nova Scotia, Canada

Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton. While there is a similar tradition from the Irish-style fiddling, that style is largely overlooked as a result of the strong Scottish presence in the area.

<span class="mw-page-title-main">Celtic music in Canada</span>

Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.

Barachois was an Acadian traditional music group from the Evangeline Region of Prince Edward Island. The band 's high-energy stage show highlighted local fiddling, stepdancing and song traditions.

Dan Rory MacDonald was a Canadian fiddler who lived in Cape Breton. He is notable for his composition of many fiddle tunes.

Scottish fiddling may be distinguished from other folk fiddling styles by its particular precision of execution and energy in the delivery, for example, the rendering of the dotted-quaver/semi-quaver rhythmic patterns, commonly used in the Strathspey. Christine Martin, in her Traditional Scottish Fiddling players guide, discusses the techniques of "hack bowing", "the Scotch snap", and "snap bowing". These techniques contrast quite sharply with the most common bowing patterns of Irish fiddling. The style has a very large repertoire consisting of a great variation of rhythms and key signatures. There is also a strong link to the playing of traditional Scottish bagpipes which is better known throughout the world.

<span class="mw-page-title-main">History of Prince Edward Island</span>

The history of Prince Edward Island covers several historical periods, from the pre-Columbian era to the present day. Prior to the arrival of Europeans, the island formed a part of Mi'kma'ki, the lands of the Mi'kmaq people. The island was first explored by Europeans in the 16th century. The French later laid claim over the entire Maritimes region, including Prince Edward Island in 1604. However, the French did not attempt to settle the island until 1720, with the establishment of the colony of Île Saint-Jean. After peninsular Acadia was captured by the British in 1710, an influx of Acadian migrants moved to areas still under French control, including Île Saint-Jean.

Hugh Alexander “Sandy” MacIntyre (1935–2021) was one of the most respected artists in the tradition of Cape Breton fiddle music.

Cynthia MacLeod is a Canadian fiddler from Prince Edward Island. She describes her fiddling style as "Cape Breton". In addition to recording, hosting standing-room-only ceilidhs in Brackley Beach, and touring, she teaches workshops both in Canada and the United States.

<span class="mw-page-title-main">Canadian fiddle</span>

Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.

Athabaskan fiddle is the old-time fiddle style that the Alaskan Athabaskans of the Interior Alaska have developed to play the fiddle (violin), solo and in folk ensembles. Fiddles were introduced in this area by Scottish, Irish, French Canadian, and Métis fur traders of the Hudson's Bay Company in the mid-19th century. Athabaskan fiddling is a variant of fiddling of the American southlands. Athabaskan fiddle music is most popular genre in Alaska and northwest Canada and featuring Gwich'in Bill Stevens and Trimble Gilbert.

<span class="mw-page-title-main">Prince Edward Island Symphony Orchestra</span>

The Prince Edward Island Symphony Orchestra (PEISO) is a community orchestra based in Charlottetown, Prince Edward Island, Canada. Founded in 1967, the orchestra consists of professional, amateur, and student musicians, and is led by conductor Mark Shapiro, who became music director in 2013. The PEISO's annual concert season consists of four programs, which are performed either at the Confederation Centre of the Arts or at Zion Presbyterian Church in Charlottetown.

<span class="mw-page-title-main">Richard Covey (composer)</span> Canadian composer

Richard Covey is a Canadian composer who is currently a sessional instructor in the Department of Music at the University of Prince Edward Island.

Ten Strings and a Goat Skin was a Canadian folk music group from Rustico, Prince Edward Island, who performed traditional Celtic and Acadian folk music, in English and French.

The Maritime Fiddle Festival is the longest running old-time fiddle contest in Canada.

References

  1. PEISO. "New Music Director". www.buzzon.com. Retrieved 2017-10-23.
  2. "P.E.I. Symphony concert". CBC.ca.
  3. "The Confederation Centre Young Company - Prince Edward Island - Canada". www.confederationcentre.com. Retrieved 2017-11-07.
  4. "Confederation Centre of the Arts". www.confederationcentre.com. Retrieved 2017-11-07.
  5. Admin, Buzz. "Young Company Creating Aboriginal Show". buzzon.com. Retrieved 2017-11-07.
  6. http://atlanticbookstoday.ca/the-story-of-traditional-fiddling-on-prince-edward-island/
  7. Perlman, Kel (18 August 2011). Fiddle Music of Prince Edward Island. Mel Bay Publications. p. 12.